Imitation of Life

"Imitation of Life" (The New Universal, 1934), directed by John M. Stahl, is the first and best screen adaptation to Fannie Hurst's celebrated novel, yet underrated and seldom revived. It's a well written and developed character study about two mothers, one white, the other black, who bond a lasting friendship throughout the years while their daughters, both friends, try to face the facts of life, with one in particular, having problems with her imitation of life.

The story begins with Beatrice Pullman (Claudette Colbert), a recently widowed mother, giving her tottler, Jessie (played by Baby Jane, who became better known later Juanita Quigley), a bath while the child is asking for her "quack quack," a toy duck. After dressing her up, Bea comes downstairs to answer the call of the doorbell where Delilah Johnson (Louise Beavers), a black woman, comes to inquire about the location of a street where she hopes for possible employment. After being told that she is on the wrong side of town, Delilah, seeing that Bea has enough work on her own with her own little girl, asks if she could work as her housekeeper. Finding that little Jessie and Delilah's light-skinned daughter, Peola (Sabie Hendricks) would be good companions for one another, Bea decides to take Delilah's offer. Later, Bea purchases a store on the boardwalk where she decides to open up an diner where she specializes in pancakes with the use Delilah's secret pancake recipe. While the mothers struggle to success, eventually moving into a comfortable household, their daughters become eduated in private schools and mature to young women. With success comes problems: Bea meets and falls in love with Steven Archer (Warren William), but their relationship is complicated when Bea's 18-year-old daughter (Rochelle Hudson) falls in love with him also; and Delilah's grown-up daughter, Peola (Fredi Washington), becomes resentful of the world of segregation, denying both her heritage and mother while trying to pass as a white girl, thus, breaking her mother's heart.

Overly sentimental drama about mother love to be sure, but this version of "Imitation of Life" succeeds in many ways. Besides Claudette Colbert's sincere performance, and a wonderful underscoring by Heinz Roemheld, there is Louise Beavers, being given a rare opportunity to carry on the entire story in a major motion picture. Sadly the Academy Award for Best Supporting Actress hadn't come into effect yet, otherwise Beavers, would have gotten that honor for at least a nomination. A presentation of such a movie, in 1934, was for its time quite a risk, but fortunately it didn't go unnoticed. "Imitation of Life" did get the honor of a Best Picture nomination, losing to Colbert's other 1934 release, "It Happened One Night," a comedy.

Universal remade "Imitation of Life" in 1959 starring Lana Turner, John Gavin, Sandra Dee, Juanita Moore and Susan Kohner in the Colbert, William, Hudson, Beavers and Washington roles. Aside from it being a glamorized version produced in lavish Technicolor with the story brought up to date, it became one of the highest grossing movie of that year and today ranks one of the most revived tear-jerking dramas on television. There were alterations made, of course, such as changing central character of Bea Pullman, a Jewish woman, to whatever she wants to be in the name of Lora Meredith; the exclusion of the "pancake queen" business woman to the rise of a Broadway actress; and transforming the central character's black business partner into the actress's housekeeper and companion. The subordinate story and sentiment remains the same, especially the climax. The only problem with the remake that makes the original appear more honest is the use of Susan Kohner, a white actress who gave an fine performance, playing a light-skin "colored" girl instead of the use of an actual light-skinned black actress, thus, ruining the whole purpose to the story.

To see "Imitation of Life" of 1934 is to accept it for what it really is, a 1930s "soap opera" about mother love. However, its revival has become a rarity today possibly because of Louise Beavers being presented on screen as a stereotyped "colored mammy," but fortunately, not to the extreme. But at the same time, Colbert's character looks and cares for her as an equal, and even becomes very concerned about her when her troubled daughter, Peola, denies her. Fredi Washington should not go unmentioned in her worthy performance as Peola. Little is known of her except that it's been said that she later became one of the founders of the Negro Actors' Guild in 1937, acting as executive secretary.

Also featured in the cast are Ned Sparks as Elmer Smith; Alan Hale, Marilyn Knowlden, Franklin Pangborn appearing briefly as one of Bea's party guests, and Marcia Mae Jones recognizable as one of the school students in the early portion of the story. Warren William, on loan from Warner Brothers, playing Steve Archer, gives his usual high standard performance of sophistication.

"Imitation of Life," which runs almost two hours in length, was first presented on American Movie Classics for a while from 1990 to 91, and made its Turner Classic Movies premiere October 26, 2001. This and the Lana Turner remake are both available to compare in video and/or DVD rentals. (***)

A black mother worries that her light skinned daughter will have only an IMITATION OF LIFE if she continually tries to pass for white.

Let it be stated unequivocally that this is one of the most remarkable films of the 1930's - unique in that it deals squarely with aspects of the racial question decades before it became common to do so. After becoming accustomed to the casual racism of most Hollywood movies of the era, this honesty is quite astonishing.

As the black mother, Louise Beavers is heartbreaking in the simple power of her performance. Joyously serving up love & pancakes, or devastated by her daughter's rejection of their race, Miss Beavers makes her audience feel her every emotion. This was the finest role of her film career, and she makes the most of it. However, the movie over, the studio system returned her to mammy parts. This is a tremendous blot on Hollywood's record.

Beautiful Claudette Colbert is scintillating, as always. Playing a tenderhearted maple syrup saleslady who first employs Miss Beavers, and later befriends her, Miss Colbert adds a distinct touch of class to the film. But she is also sympathetic to the concerns of the story and helps to quietly push along the plea for racial equality.

Elegant actor Warren William, he of the sophisticated profile, brings his considerable talents to the role of Miss Colbert's ichthyologist boyfriend. Refreshingly, he plays a solid, decent fellow - instead of the rake or cad which he portrayed so often & so well. His involvement is a definite asset to the film.

The rest of the cast adds to the overall excellence of the production: acerbic Ned Sparks as Miss Colbert's business manager; lovely Rochelle Hudson as her ready-for-love daughter; Henry Armentta & Alan Hale as businessmen cajoled by Miss Colbert's charms; and especially Fredi Washington, memorable as Miss Beavers' daughter, a stranger inside her own skin.

Movie mavens will spot Clarence Wilson as the pancake shop's landlord, Franklin Pangborn as a party guest & Paul Porcasi as a restaurant manager, all uncredited.

IMITATION OF LIFE preached a powerful sermon on racial justice & equality, but the Hollywood congregation was not paying attention. It would be a very long time before black performers & black roles would be treated with the dignity they so desperately deserved.

Although I liked the remake with Lana Turner, it does not compare with the original. The remake represents a slicker Hollywood formulaic version, yet, I really liked Juanita Moore's heartfelt performance in the 1959 version.

Some may find it was hard to believe that a Beatrice (Cobert) in the 30's could make money from a Delilah's (Beavers) secret recipe. It would have been quite a challenge (but, not impossible) for Delilah; a poor, black woman the 30's to make a fortune as a business woman! Also, people make fortunes on other people ideas all the time.

This is a well done soap opera. The cast was excellent. Not a beat was skipped in this movie. I am glad that I had the opportunity to see the original. I also think it was a brave move for the 30's. One of my favorite scenes was when at the end of their "girl talk," Beatrice goes upstairs and Delilah goes downstairs to the servant's quarters. That scene said it all. In spite of the fact that these two women were good friends and loved each other, they did not have equal status because of the color of their skin.

I hope this film will be restored and put on DVD soon. It is a classic and a worthy addition to the film buff's library. Imitation of Life is not a perfect film, but considering that it was made in 1934, it deserves recognition. The film tells of two women, one white one black. Each has a daughter. Single moms and interracial friendships in 1934? Yes, it is true that the black woman, Delilah is subservient, but this is true to the times and she should not be criticized for it. Both these woman want a better life for their daughters and work together to do so. It is a sad, but realistic fact that neither daughter is happy with the better life. Delilah's daughter is very light-skinned and wants to pass for white for she knows in this era that the only opportunities are for whites. The later version starring Lana Turner is a poor substitute for this one. Lana tends to over act and the friendship between the two women is severely downplayed. It is true that in this film the camera seems to pause on the actors' faces over long, but this I think is a holdover from the silent film era when acting had to be done by facial expression instead of voice.

While this film is flawed it is a good film for young people in that it shows the changes made in our society both for single moms and for blacks.

The iconic Claudette Colbert was the shining star in John M. Stahl's 1934 film Imitation of Life, based on a book by Fannie Hurst of the same title. Colbert along with Louise Beavers, Fredi Washington, and Rochelle Hudson join together to expose the hardships of women who must enter the workforce in a time when women were only to maintain households. In addition to the struggle of a family who lost their patriarch, the audience also experiences through the film the multi- faceted race relations that consumed people of color in the 1930's. The two intertwined tales of personal struggle create a window into the world of the 30's social constructs to engage a whole new audience in their complexities.

Bea Pullman (Claudette Colbert) becomes a single mother to her daughter Jessie (Rochelle Hudson) after the death of her husband. Struggling to maintain both the household and her husband's business, Bea is blessed with an angel in the form of housekeeper Delilah Johnson. (Louise Beavers) Delilah comes to Bea's door with a proposition to work for the Pullman family for only room and board in exchange. Delilah is not alone, however, she also has a daughter Peola (Fredi Washington). Peola and Jessie are about the same age and Bea doesn't have the money to hire a much-needed housekeeper; the arrangement seems like a fit for all parties involved, so Bea agrees. The two women become fast friends and eventually spring an idea to market Ms. Delilah's pancake recipe. The idea takes off and the duo becomes incredibly wealthy. No matter how much wealth the two accumulate, Delilah requests that she and Peola remain living with Bea and Jessie. The girls grow together, as much as they can, in a world strained by racism. Jessie, being afforded many more opportunities especially in regards to education, flourishes into adulthood and takes off for college. Peola, however, becomes a victim of intolerance and constantly tows the line between her true self, and the self she assumes when she passes as a white woman. Peola becomes estranged from her mother, due to her deep resentment of Delilah's dark skin. Mother-daughter relationships are difficult enough to navigate, Imitation of Life goes to show that this is an age-old difficulty made no easier by also having to deal with death, racial tensions, and heartache along the way.

If you're an old film lover like me, this film will you why you are. There is nothing quite like that softly gleaming glow that a great black and white movie puts off. Claudet Colbert is a national treasure, and if you haven't seen her acting, you should--today. The real power behind this film is its distinct story line. Of course, no one denies the existence of the obvious racism that filled the earlier days of this country. This film takes a unique line of that struggle to focus on the problems that light-skinned black people often went through. Peola could pass for white because her father before her was light skinned. In passing as white, Peola also had to disown her mother. There is no greater pain for a single mother than to be abandoned by her daughter. In contrast, Jessie was afforded much more opportunities due to her skin color and was able to maintain a healthy relationship with her mother. This class distinction was beautifully, and painfully, illustrated in the image of Bea ascending up the stairs while Delilah descended down the stairs immediately following their discussion of college plans of their daughters. This scene depicted, in such a stark way, the level of divide between races at the time, which were present regardless of income. Delilah had amassed a fortune with Bea due to her pancake recipe yet was still treated as a second-class citizen with a daughter that resents her. Many films deal with race, but the added struggle of both the women being single mothers creates a film that will not be forgotten in Imitation of Life.