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I've Got Your Number

  • 1934
  • Unrated
  • 1 Std. 9 Min.
IMDb-BEWERTUNG
6,3/10
548
IHRE BEWERTUNG
Joan Blondell in I've Got Your Number (1934)
FarceActionComedyMysteryRomance

Füge eine Handlung in deiner Sprache hinzuTwo telephone repairmen have many adventures and romance a pair of blondes.Two telephone repairmen have many adventures and romance a pair of blondes.Two telephone repairmen have many adventures and romance a pair of blondes.

  • Regie
    • Ray Enright
  • Drehbuch
    • Warren Duff
    • Sidney Sutherland
    • William Rankin
  • Hauptbesetzung
    • Joan Blondell
    • Pat O'Brien
    • Allen Jenkins
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,3/10
    548
    IHRE BEWERTUNG
    • Regie
      • Ray Enright
    • Drehbuch
      • Warren Duff
      • Sidney Sutherland
      • William Rankin
    • Hauptbesetzung
      • Joan Blondell
      • Pat O'Brien
      • Allen Jenkins
    • 21Benutzerrezensionen
    • 10Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos23

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    Topbesetzung49

    Ändern
    Joan Blondell
    Joan Blondell
    • Marie
    Pat O'Brien
    Pat O'Brien
    • Terry
    Allen Jenkins
    Allen Jenkins
    • John
    Glenda Farrell
    Glenda Farrell
    • Bonnie
    Eugene Pallette
    Eugene Pallette
    • Flood
    Gordon Westcott
    Gordon Westcott
    • Nicky
    Henry O'Neill
    Henry O'Neill
    • Schuyler
    Hobart Cavanaugh
    Hobart Cavanaugh
    • Happy Dooley
    Renee Whitney
    Renee Whitney
    • Loretta Kennedy
    Wallis Clark
    Wallis Clark
    • Mr. Madison
    Robert Ellis
    Robert Ellis
    • Turk Garrison
    Douglas Cosgrove
    Douglas Cosgrove
    • Detective Turner
    Selmer Jackson
    Selmer Jackson
    • Joe - Gangster
    • (as Selmar Jackson)
    Louise Beavers
    Louise Beavers
    • Crystal
    Henry Kolker
    Henry Kolker
    • Robert Kirkland
    Margaret Armstrong
    Margaret Armstrong
    • Seance Participant
    • (Nicht genannt)
    Joseph E. Bernard
    Joseph E. Bernard
    • Headwaiter
    • (Nicht genannt)
    Clay Clement
    Clay Clement
    • Mr. Stephenso - -Hotel Manager
    • (Nicht genannt)
    • Regie
      • Ray Enright
    • Drehbuch
      • Warren Duff
      • Sidney Sutherland
      • William Rankin
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen21

    6,3548
    1
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    Empfohlene Bewertungen

    5boblipton

    Mr. Cagney Does Not Answer the Phone

    This one looks like it was originally planned as another inexpensive vehicle for Cagney, like THE PICTURE SNATCHER (in which he played a photographer) or TAXI!: ordinary Joe roles that the men in the audience could identify with, and when Jimmy snaps into action, they can imagine themselves doing it. After all, what's he got that I don't? But he again threatened to walk, so they tried O'Brien out in the role. He's an Irish sort of actor too. Maybe the audience won't notice.

    Unfortunately, I noticed and it became something of a chore to make my way through this movie when the top-billed actor doesn't get much screen time. As often happens in lesser Warner Bs, it's the supporting players that kept me watching, particularly Eugene Palette. But you can skip this one.
    7AlsExGal

    There were some good points to this Warner Brothers B...

    .. like Joan's dependable sassiness and some funny bits from Allen Jenkins, but this isn't a DVD I'd put under anyone's Christmas tree. The plot, very briefly, revolves around Joan as a switchboard operator who is used (more than once) to help someone else commit a crime, and Pat O'Brien is a phone line repairman who (separately) becomes involved with her.

    O'Brien's character is a sleaze, to say the least. We see early on that he treats women like samples in a meat market, but once he sets his sights on Joan, he goes all out, first insulting and bullying her into giving him a tumble, then eventually overturning her dining table so her dinner will be ruined and she'll then let him take her to a restaurant! (I kid not...) Joan gives as good as she gets, of course, but inexplicably, his boorish behavior wears her down and she falls in love with him. Okay, I realize this was made in the 1930s, but really!

    As mentioned, I liked Allen Jenkins and his comic moments, one with a bogus palm reader (the great Louise Beavers), another when he's needed to listen in on dirty dealings by phone, and while there is mayhem going on he is there, fast asleep! His frequent delivery of the line, "Let's get outta here!!" in an exasperated voice is funny and doesn't get old.

    Thumbs up to Eugene Pallette's performance, too. He sees O'Brien for the worm that he is and isn't shy about expressing it. I'd recommend it mainly for brassy Joan Blondell.
    6bkoganbing

    Making a living with Ma Bell

    I've Got Your Number casts Pat O'Brien and Joan Blondell as a pair who make their living with the phone company. O'Brien is a line repairmen and Blondell is a switchboard operator. O'Brien is a roughneck, but as Blondell learns he grows on you after a while.

    O'Brien gets Blondell a job with Henry O'Neill's brokerage house, but she's suspected of being part of a gang that robs the place of six figures of negotiable securities. It's up to O'Brien and sidekick Allen Jenkins to clear her.

    I've Got Your Number is fast and breezy and entertaining. The film has a good pace to it and doesn't let up, My favorite scenes are with Glenda Farrell and a phony spiritualism racket she's got going. Farrell steals the film in her scenes.

    You'll also like Eugene Pallette in his scenes as O'Brien's overwrought boss.

    One good product from Warner Brothers.
    6michaelchager

    Late Pre-Code

    With Warners pre-code you win some and lose some but it's only takes an hour or so. The dark flat cinematography, the salty dialogue, the best actors in the world, Blondell in close-ups.

    The cad played by O'Brien doesn't deserve her, but he risks his life, mobilizes his networks, beats the odds. Those there to see Blondell can appreciate that O'Brien loves her as much as we do and on the plus side that he is employed and possesses telephonic super-skills. It must be love as Blondell and O'Brien can both rap at Warners-level supersonic speeds. With Jenkins, Pallette, Farrell, et al, this is the murderers row of pre-code.
    Michael_Elliott

    Terrific Cast in Pre-Code Riot

    I've Got Your Number (1934)

    *** (out of 4)

    Extremely entertaining gem from Warner about phone repairman Terry Riley (Pat O'Brien) who falls for a beautiful blonde (Joan Blondell) but soon gets caught up in a robbery. I'VE GOT YOUR NUMBER turns into a crime picture for the final fifteen-minutes but the rest of the running time is basically a romantic comedy and it's a very good one at that. I think it's pretty clear that the egotistical maniac, fast talking lead character was meant to be played by James Cagney but for whatever reason he didn't do the part so O'Brien stepped in. It seems whenever the Cagney-O'Brien team couldn't do a picture, the studio gave the lead to O'Brien and then they'd bring in either Allen Jenkins (as they did here) or Frank McHugh. O'Brien and Jenkins makes for a very good pair as the two work well off one another and make for a highly entertaining and very fast little picture. The two of them can mix it up extremely well and Jenkins certainly manages to bring a lot of laughs. Blondell is also very good in her role as she's certainly easy on the eye but she also manages to make you believe her in the part. Glenda Farrell has a brief but very funny part as a fake psychic and we also get a good supporting performance by the always entertaining Eugene Palette. There are countless highlights to this film but I think the greatest thing are the various pre-code elements with most of them dealing with sex. O'Brien's character, in today's world, would be called a stalker or sexual harasser because of the way he talks to women, pretty much follows them and forces them to go out with him. It's certainly played for jokes here and it gets plenty of laughs especially one scene early on where two sexually charged women invite him into the house and all sorts of innuendo is thrown around. These pre-code sex jokes are without question hilarious and help keep this film moving at a great pace.

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      The ending, with Joan Blondell in bed, was filmed in her home. She was recovering from an emergency appendectomy and her doctor would not let her travel to the studio.
    • Patzer
      When Loretta and Turk join Marie on her table, there are customers dining in the background. On the following cut, the customers change.
    • Zitate

      Marie Lawson: [to Terry, who's aggressively flirting with her] I had a kid brother like you once, but we found out he was an idiot so we drowned him.

    • Verbindungen
      Featured in American Masters: You Must Remember This: The Warner Bros. Story - Part 1 (2008)
    • Soundtracks
      Puddin' Head Jones
      (uncredited)

      Music by Lou Handman

      Played when Terry and Marie are at the restaurant

    Top-Auswahl

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    FAQ14

    • How long is I've Got Your Number?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 24. Februar 1934 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Italienisch
    • Auch bekannt als
      • Hell's Bells
    • Drehorte
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Kalifornien, USA(Studio)
    • Produktionsfirma
      • Warner Bros.
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 9 Minuten
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.37 : 1

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    Joan Blondell in I've Got Your Number (1934)
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