Here Comes the Navy

With the birth of the production code, the fun pre-code frolics of Cagney and Joan Blondell were at an end. Thus Warner Brothers came up with a new dynamic screen team - James Cagney and Pat O'Brien. This is the first of the films they did together. Prior to the production code, O'Brien often played the same kind of roles that Cagney played - the fast-talking smart guy with big ideas and a big dose of attitude. Since you can't have two of these in the same picture, O'Brien was generally promoted to being the more traditionally respectable of the two in their films together, and such is the case here.

The film starts with construction worker Chesty O'Conner (James Cagney) and naval officer Biff Martin (Pat O'Brien) trading at first verbal barbs and then punches. Chesty gets fired from his job because of the time he takes off recovering from the fight, and decides to go another round with Biff. Unfortunately, Biff's ship has put out to sea, so Chesty thinks the solution is to join the navy and get assigned to Biff's ship. He actually does wind up on Biff's ship, but soon learns he can't take to punching out officers whenever the mood strikes him. To complicate matters, Chesty takes a shine to Biff's sister, Dorothy (Gloria Stuart), and this just inflames matters more as Biff wants his sister to have nothing to do with Chesty. Warner contract player Frank McHugh provides the comic relief as Droopy Mullins, Chesty's stalwart friend and shipmate.

The film works better than most made right after the production code, primarily because the teaming of Cagney and O'Brien worked so well. By turning down the volume a bit on O'Brien's screen sauciness and turning up the volume on Cagney's, the two play off of each other's dynamism perfectly. This film is also interesting for historical reasons - it was filmed on and around the U.S.S. Arizona, one of the ships that sank at Pearl Harbor seven years after this film was made.

Here Comes the Navy (1934)

** 1/2 (out of 4)

Standard action from Warner about a cocky loudmouth (James Cagney) who joins the Navy so that he can get even with a Captain (Pat O'Brien) but Cagney ends up falling in love with his sister (Gloria Stuart). This film starts off with a great bang but as the movie goes along things become quite predictable and rather flat. The first part of the movie is great with a lot of fighting and insults being thrown by Cagney. Needless to say Cagney is very energetic and delivers another fine performance. His relationship with Stuart is also handled very well as the two actors have a lot of chemistry together. O'Brien is in good form as well and he and Cagney do their magic unlike any other duo. The biggest problem comes in the middle where the story pretty much gets weighted down by the familiar bit where the cocky Cagney must learn what it means to be a normal human being and shut his mouth up before it gets him in real trouble. The action scene at the end is very nice as is the funny ending. The most shocking scene comes when Cagney sneaks off the boat in blackface.

Metal worker James Cagney is humiliated by naval officer Pat O'Brien. So he joins the Navy to get even with him. Naturally. Then he falls in love with Pat's sister, only he doesn't know it's Pat's sister. Their romance may be short-lived, however, because Jimmy and Pat can't stand one another.

Cagney and O'Brien made a lot of these types of movies. This was the first and one of the best. Usually Jimmy's the cocky jerk and Pat's the nice guy. That's sort of the case here, too, but I actually found myself liking Cagney more than O'Brien. He's fun and likable, even if he's not always right. Pat, on the other hand, is a sour puss throughout the movie. Gloria Stuart plays O'Brien's sister who Cagney falls in love with. She's very pretty and does a fine job in a part that requires very little. Historically important for being partially filmed on board the USS Arizona, which was destroyed at Pearl Harbor seven years later. Also some footage of the dirigible USS Macon, which crashed the year after this film was released. It's a fun movie that fans of the stars will certainly enjoy. The climax is implausible but exciting. There is a blackface gag that will set some today back on their heels, so be prepared for that.

About half way through the movie you see the U S Pacific fleet (San Diego based at the time in 1934)on Sea Maneuvers out by Santa Catalina Island, California. This is the only motion picture footage of the "Arizona" firing her 14 inch live rounds (She is the first of several Battleships firing from left to right). Footage was taken by the U S S "Macon", Navy Airship at the time. The airship was caught in a storm about a year later very close to where they were filming and fell from the sky. About 250 of the sailors who were aboard the "Arizona" at the time of the film were also on deck December 7, 1941 when the Empire of Japan attacked the ship inside Pearl Harbor, Hawaii. Notice the sleeping quarters (hammocks) for the sailors at that time.

Jimmy Cagney is a high metal man who gets into a brawl with Naval Petty Officer Pat O'Brien. In pursuit of his grudge, Cagney joins the Navy, where he is a self-centered guy, but makes friends with Frank McHugh. He also charms Gloria Stuart, who tries to civilize him. She turns out to be O'Brien's sister.

In other words, same old same old when it comes to plot, just the sort of movie that William Haines started in for Metro in the 1920s; Cagney is a low-class guy, although just as cocky as Haines ever was. He's in high-energy mode here, and Naval cooperation gives this one some documentary interest. Cagney, O'Brien and McHugh are assigned to the USS Arizona, and there's ample footage of that ship, now under the waves at Pearl Harbor. Later, Cagney is assigned to the USS Macon, one of the two largest dirigibles commissioned by the Navy. The year after this movie was made, the airship crashed into the Pacific, with the loss of two men.

Although this is pretty much a standard movie, its production values are first-rate, and alloys Bacon gets good performances out of his actors. Arthur Edeson's cinematography and his views of the Macon and her hangar are lovely.