Füge eine Handlung in deiner Sprache hinzuDuring a stormy night at an old dark mansion, people who claim to see ghosts roaming the halls are later found murdered.During a stormy night at an old dark mansion, people who claim to see ghosts roaming the halls are later found murdered.During a stormy night at an old dark mansion, people who claim to see ghosts roaming the halls are later found murdered.
Douglas Gerrard
- Carroway
- (as Douglas Gerard)
Empfohlene Bewertungen
Your average story of people being stranded in the road on a dark and stormy night and they seek nearby shelter with a stranger who happens to have a very large mansion. Then strange and spooky things happen. I actually enjoy this clichéd scenario with horror films.
This one is cute. It's sometimes funny, sometimes interesting, sometimes with neat imagery. The story of course is nothing special but it's a fun movie to watch. Although it's not a film to seek out but it is one that is pretty good to watch from a film pack or a free copy to view online if you happen upon the film and like older cute "dark and stormy night" films.
I would describe this film as a comedy-mystery horror - and if you like that kind of movie then you might like this one.
6/10
This one is cute. It's sometimes funny, sometimes interesting, sometimes with neat imagery. The story of course is nothing special but it's a fun movie to watch. Although it's not a film to seek out but it is one that is pretty good to watch from a film pack or a free copy to view online if you happen upon the film and like older cute "dark and stormy night" films.
I would describe this film as a comedy-mystery horror - and if you like that kind of movie then you might like this one.
6/10
Now, this movie, made in the middle of the great wave of 30s' mysteries, certainly has got ALL the 'necessary' ingredients: the isolated old house, the thunderstorm outside, psychic ongoings, turning bookshelves, eyes staring out of portraits, secret passages... But at the same time it's also one of the very first, and best, spoofs on the genre - and the scary moments are really masterfully mixed with the comic ones!
It all starts (once again) with a car being stuck in the mud in the middle of nowhere, with only an old mansion for the three travelers to seek shelter from the rain: a theatrical producer, his secretary, and a playwright. But the scenery changes as soon as the inhabitants of the house greet the playwright: they're old acquaintances, although not all of them seem to be on very friendly terms with him. And then a strange woman makes her appearance: dressed all in black and staring in an absent-minded way, she steps down the stairs - and scares the travelers with her strange talk about danger and murders in this very house... The host explains that she's his sister, and she's been mentally disturbed ever since her husband was murdered right there in the dining room three years ago - and as soon as they sit down to dinner, she starts talking to her invisible dead husband, a chair starts to move all by itself, the lights turn out, a frightening death mask is seen; and when the lights are on again, the mysterious woman has disappeared...
But as soon as the producer and the secretary, both scared to death, have disappeared into their room, the atmosphere changes: the playwright and his friends, who turn out to be actors, are very much amused and pleased by their 'rehearsal' of his new play, which he hopes the producer will accept this way! Meanwhile, the producer finds a copy of the script in his room, and so he also thinks he knows what's going on, and decides to join in with the 'fun' - only that a short while later, the 'play' is ended suddenly when they find the actress who had impersonated the disturbed woman is found dead behind a door...
From this point on, the movie keeps confusing us so much that sometimes we really don't know where the 'plot within the plot' stops and the 'real' horror begins... But the balance between mystery and comedy is being held really perfectly throughout the whole movie, so it should provide unforgettable entertainment for ALL classic movie fans with a sense of humor - a much underestimated little B movie gem that should certainly get more attention by film historians, so that a wider audience will be able to get to know and enjoy it!
It all starts (once again) with a car being stuck in the mud in the middle of nowhere, with only an old mansion for the three travelers to seek shelter from the rain: a theatrical producer, his secretary, and a playwright. But the scenery changes as soon as the inhabitants of the house greet the playwright: they're old acquaintances, although not all of them seem to be on very friendly terms with him. And then a strange woman makes her appearance: dressed all in black and staring in an absent-minded way, she steps down the stairs - and scares the travelers with her strange talk about danger and murders in this very house... The host explains that she's his sister, and she's been mentally disturbed ever since her husband was murdered right there in the dining room three years ago - and as soon as they sit down to dinner, she starts talking to her invisible dead husband, a chair starts to move all by itself, the lights turn out, a frightening death mask is seen; and when the lights are on again, the mysterious woman has disappeared...
But as soon as the producer and the secretary, both scared to death, have disappeared into their room, the atmosphere changes: the playwright and his friends, who turn out to be actors, are very much amused and pleased by their 'rehearsal' of his new play, which he hopes the producer will accept this way! Meanwhile, the producer finds a copy of the script in his room, and so he also thinks he knows what's going on, and decides to join in with the 'fun' - only that a short while later, the 'play' is ended suddenly when they find the actress who had impersonated the disturbed woman is found dead behind a door...
From this point on, the movie keeps confusing us so much that sometimes we really don't know where the 'plot within the plot' stops and the 'real' horror begins... But the balance between mystery and comedy is being held really perfectly throughout the whole movie, so it should provide unforgettable entertainment for ALL classic movie fans with a sense of humor - a much underestimated little B movie gem that should certainly get more attention by film historians, so that a wider audience will be able to get to know and enjoy it!
After their car crashes into a tree, theatrical producer Herman Wood (Richard Carle), his secretary Homer Erskine (Johnny Arthur) and playwright Prescott Ames (John Miljan) seek refuge from a storm in a nearby house, the home of Dr. Kent (Henry Kolker). The evening takes an unexpected turn when one of occupants of the house, a strange woman called Beatrice (Eve Southern), disappears during a power outage at dinner and later turns up dead.
This old dark house murder mystery has all of the clichés covered, with a stormy night, secret passageways, a revolving bookcase, a booby trapped four poster bed, a painting with eyeholes, and an escaped homicidal maniac. It also features a neat twist in which most of the characters turn out to be actors performing Ames' new thriller in order to impress the producer. The murder, however, was not part of the plan. When Wood discovers Ames' script and realises that he has been duped, he refuses to believe that the murder is real, especially when Beatrice's body conveniently disappears.
This should have been a whole lot of macabre fun -- the premise is a good one -- but the film suffers from pedestrian direction from Frank R. Strayer, an overly talky script, and too much humour that detracts from the horror. When all is said and done, there has been no murder after all, and the escaped lunatic is easily apprehended and taken back to the asylum.
With its twist, the film reminds me a little of Pete Walker's House of the Long Shadows (1983), but that one had four icons of horror in it. The Ghost Walks doesn't.
This old dark house murder mystery has all of the clichés covered, with a stormy night, secret passageways, a revolving bookcase, a booby trapped four poster bed, a painting with eyeholes, and an escaped homicidal maniac. It also features a neat twist in which most of the characters turn out to be actors performing Ames' new thriller in order to impress the producer. The murder, however, was not part of the plan. When Wood discovers Ames' script and realises that he has been duped, he refuses to believe that the murder is real, especially when Beatrice's body conveniently disappears.
This should have been a whole lot of macabre fun -- the premise is a good one -- but the film suffers from pedestrian direction from Frank R. Strayer, an overly talky script, and too much humour that detracts from the horror. When all is said and done, there has been no murder after all, and the escaped lunatic is easily apprehended and taken back to the asylum.
With its twist, the film reminds me a little of Pete Walker's House of the Long Shadows (1983), but that one had four icons of horror in it. The Ghost Walks doesn't.
This is a surprisingly entertaining comic mystery, given that it is mostly low-budget and has a low-profile cast. "The Ghost Walks" is an old-fashioned gloomy house mystery story. Although a lot of the plot elements are old standbys of the genre, there are some nice twists, and the low-key humor usually works fairly well, too.
The film begins with a playwright, a theatrical producer, and the producer's assistant getting stranded in the country and seeking refuge in a large, gloomy old house. The playwright happens to know the occupants, and it turns out that the house had been the scene of a still-unsolved murder some years previously. At dinner, the producer and his assistant listen uncomfortably as everyone else discusses the old murder. Suddenly the lights go out, and then - then comes a pretty nice twist, which most viewers should find surprising and satisfying. It sets the stage for the rest of the action, and is quickly followed by some other twists.
The story that follows is routine in parts, but it is entertaining and has just enough unpredictability to keep the viewer's attention until the end. There is a lot of light humor, most of which is handled pretty well by the cast.
If you like old-fashioned mystery stories that do not take themselves too seriously, you will probably find "The Ghost Walks" worth watching.
The film begins with a playwright, a theatrical producer, and the producer's assistant getting stranded in the country and seeking refuge in a large, gloomy old house. The playwright happens to know the occupants, and it turns out that the house had been the scene of a still-unsolved murder some years previously. At dinner, the producer and his assistant listen uncomfortably as everyone else discusses the old murder. Suddenly the lights go out, and then - then comes a pretty nice twist, which most viewers should find surprising and satisfying. It sets the stage for the rest of the action, and is quickly followed by some other twists.
The story that follows is routine in parts, but it is entertaining and has just enough unpredictability to keep the viewer's attention until the end. There is a lot of light humor, most of which is handled pretty well by the cast.
If you like old-fashioned mystery stories that do not take themselves too seriously, you will probably find "The Ghost Walks" worth watching.
On their way to a country house to hear a new play being read a theatrical producer, his secretary, and the playwright end up stuck in the mud. They make their way to a nearby house, only to end up at the home of the playwright's fiance. If you can't guess that murder and mayhem are about to take place then you haven't been paying attention.
This is a a good entry in the old dark house genre. Not only does it have a good mystery, you also have some very funny one liners wandering through it. The cast is across the board excellent and they're more than willing to have a good time with what is good material.
I would love to say that this is one of the best of the genre, it should have been, but for me something happened on the way that made me down grade the rating to only seven out of ten. I can't tell you what it is, not for certain anyway. Perhaps its the sense that I knew where it was going almost from the outset, or perhaps its something else, I'm not sure what, but there was something that I couldn't shake that made me like this film despite wanting to love it. It just missed being great and somehow fell short.
That said I DO SUGGEST YOU SEE IT. It is after all a very witty film, that entertains fully, despite just missing being great.
This is a a good entry in the old dark house genre. Not only does it have a good mystery, you also have some very funny one liners wandering through it. The cast is across the board excellent and they're more than willing to have a good time with what is good material.
I would love to say that this is one of the best of the genre, it should have been, but for me something happened on the way that made me down grade the rating to only seven out of ten. I can't tell you what it is, not for certain anyway. Perhaps its the sense that I knew where it was going almost from the outset, or perhaps its something else, I'm not sure what, but there was something that I couldn't shake that made me like this film despite wanting to love it. It just missed being great and somehow fell short.
That said I DO SUGGEST YOU SEE IT. It is after all a very witty film, that entertains fully, despite just missing being great.
Wusstest du schon
- WissenswertesThe model shots of the house during the storm are identical to those used in the movies 'One Frightened Night' 1935 and 'Twin Husbands' 1933.
- Zitate
Herman Wood: Was tha - was that the clock?
Homer Erskine: Ye - yes, I - I - I guess so. I - I - I think so. It must have been. But it's a union clock.
Herman Wood: What do you mean?
Homer Erskine: Well, it strikes any old time.
- VerbindungenFeatured in Beware Theater: The Ghost Walks (2022)
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Oberste Lücke
By what name was The Ghost Walks (1934) officially released in Canada in English?
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