Zwei Herzen auf der Flucht

Robert Montgomery, Nat Pendleton, and Madge Evans turn in remarkable performances. Please note the talents of Mr. Pendleton. He could do comedy and serious roles. Also, his background is very interesting (Olympic athelte). The trip through New Jersey and Pennsylvania at the time (1934) shows a sparsely populated countryside. At that time, the George Washington Bridge had only one level and the highways were mostly two lanes. Also, if you're familiar with the George Washington Bridge, the entrance on the New York side was vastly different from what it is today. It's almost like taking a trip aboard a time machine.

Chorus girl Madge Evans collects money from her associates and leaves New York for California. She hopes for a Hollywood career, but she also wants to get away from gangster Nat Pendleton. He says he'll make her a star. She won't pay the price. He gets on the bus and hounds her. She takes refuge with Robert Montgomery. He's just escaped from prison, and everyone is looking for him, especially detective C. Henry Gordon.

'Bus pictures' were a drug on the market when this came out, and you can see why; the scenes set in the bus are static, enlivened a bit by cameraman Ted Tetzlaff's sharply lit, Dutch Angle shots, alternating with foggy or snow-driven exteriors. The story is likewise raised above average by the supporting players working near but out of their usual roles. Pendleton doesn't talk out of the side of his mouth, but sounds human; Ted Healy is a friendly guy; his stooges don't interact with him at all, and look like normal show biz people discussing work. Montgomery seems bewildered and desperate. Miss Evans is still a nice girl, but wise to the ways of the world.

Broadway dancer Letty Morris (Madge Evans) is escaping from the advances of small time gangster Legs Caffey. She takes a bus to Hollywood, but he manages to get onboard. There is a large prison break. One of the prisoners, Paul Porter (Robert Montgomery), steals a suit and buys a bus ticket. One of the oddest and most noteable group of passengers are The Three Stooges who are playing The Three Julians in this movie.

This is a little weird. I kept wanting something intense and comparing this to The Fugitive. Instead, this is going all over the place and not that intense at all. I'm not in the right mind for this.

There is so many absurd plot elements in this movie it's a wonder it ever got past the writer's room. That it plays much better than it must read is a tribute to director Richard Boleslavsky and the wonderful cast: Robert Montgomery as an escaped convict; Madge Evans as a chorine fleeing from the attentions of a gangster by boarding a cross-country bus; and Nat Pendleton as the gangster, so convinced that Evans is crazy about him that he boards the bus too. You never learn just why Montgomery was in prison, but I rooted for him just the same, sensing he was a good man. Evans sensed this too, helping him even after she learns he was the object of a nationwide manhunt. There is a lot of comedy (Ted Healy and the Three Stooges are on the bus); there is suspense when a bus full of children is buried by a blinding snowstorm; and drama of the chase and attempted rescue, all pleasures to enjoy. There is also the surprise at seeing Akim Tamiroff, Walter Brennan and others in unbilled roles. Much of the movie was shot on the road using two buses as mobile sets.

When i started to watch this film it started to feel suspiciously like "It Happened One Night".The interesting thing is that this film was released just 6 weeks before "IHON.So i wonder who stole what from whom.Anyway whereas IHOO is still funny and famous this film is justly forgotten.It seems to have had the fingerprints of many writers on it,6 are credited ,but how many more actually worked on it i wonder.It starts out OK enlivened by Healy and the 3 stooges.However once they disappear and the dramatic plot takes over this film goes into freefall.It is the epitome of poor writing and plot development and to say it is unbelievable and formulaic is just to understate the case.Even Nat Pendleton with his overacting in the early part of the film was preferable to the miscast Robert Montgomery and the dreadful tear jerking 4 hankie stuff at the conclusion.My best advice is that if you are determined to watch this film then turn it off when Healy and the Stooges leave.Then you will feel that you have seen a reasonable film.