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Nebel über Frisco

Originaltitel: Fog Over Frisco
  • 1934
  • Approved
  • 1 Std. 8 Min.
IMDb-BEWERTUNG
6,5/10
1968
IHRE BEWERTUNG
Bette Davis and Donald Woods in Nebel über Frisco (1934)
The lifestyles of Arlene and Valkyr Bradford, half-sisters from a respected San Francisco family, diverge markedly as Arlene takes up with criminals.
trailer wiedergeben2:30
2 Videos
15 Fotos
CrimeMysteryRomanceThriller

Füge eine Handlung in deiner Sprache hinzuThe lifestyles of Arlene and Valkyr Bradford, half-sisters from a respected San Francisco family, diverge markedly as Arlene takes up with criminals.The lifestyles of Arlene and Valkyr Bradford, half-sisters from a respected San Francisco family, diverge markedly as Arlene takes up with criminals.The lifestyles of Arlene and Valkyr Bradford, half-sisters from a respected San Francisco family, diverge markedly as Arlene takes up with criminals.

  • Regie
    • William Dieterle
  • Drehbuch
    • Robert N. Lee
    • George Dyer
    • Eugene Solow
  • Hauptbesetzung
    • Bette Davis
    • Donald Woods
    • Margaret Lindsay
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,5/10
    1968
    IHRE BEWERTUNG
    • Regie
      • William Dieterle
    • Drehbuch
      • Robert N. Lee
      • George Dyer
      • Eugene Solow
    • Hauptbesetzung
      • Bette Davis
      • Donald Woods
      • Margaret Lindsay
    • 31Benutzerrezensionen
    • 19Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos2

    Official Trailer
    Trailer 2:30
    Official Trailer
    Fog Over Frisco Clip
    Clip 2:56
    Fog Over Frisco Clip
    Fog Over Frisco Clip
    Clip 2:56
    Fog Over Frisco Clip

    Fotos15

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    + 9
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    Topbesetzung40

    Ändern
    Bette Davis
    Bette Davis
    • Arlene Bradford
    Donald Woods
    Donald Woods
    • Tony Sterling
    Margaret Lindsay
    Margaret Lindsay
    • Valkyr 'Val' Bradford
    Lyle Talbot
    Lyle Talbot
    • Spencer Carleton
    Hugh Herbert
    Hugh Herbert
    • Izzy Wright
    Arthur Byron
    Arthur Byron
    • Everett Bradford
    Robert Barrat
    Robert Barrat
    • Thorne
    Henry O'Neill
    Henry O'Neill
    • Oren Porter
    Irving Pichel
    Irving Pichel
    • Jake Bello
    Douglass Dumbrille
    Douglass Dumbrille
    • Joshua Mayard
    • (as Douglas Dumbrille)
    Alan Hale
    Alan Hale
    • Police Chief O'Malley
    Gordon Westcott
    Gordon Westcott
    • Joe Bello
    Charles C. Wilson
    Charles C. Wilson
    • Detective Sgt. O'Hagen
    • (as Charles Wilson)
    Harold Minjir
    Harold Minjir
    • Archie Van Ness
    William Demarest
    William Demarest
    • Spike Smith
    Douglas Cosgrove
    Douglas Cosgrove
    • Detective Lt. Davis
    William B. Davidson
    William B. Davidson
    • Joe Hogue - Editor
    • (as William Davidson)
    George Chandler
    George Chandler
    • Taxi Driver
    • Regie
      • William Dieterle
    • Drehbuch
      • Robert N. Lee
      • George Dyer
      • Eugene Solow
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen31

    6,51.9K
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    6SnoopyStyle

    Bette Davis for a half

    Spoiled San Francisco socialite Arlene Bradford (Bette Davis) returns to her partying ways and brings along her sweet half-sister Val. She steals security bonds from the family and cash out with investment broker fiancé Spencer Carlton. She's involved with crime boss Jake Bello. The theft is discovered as the family business tries to cover it up. Arlene disappears and Val is desperate to find her. Reporters find her body in the car that Val is driving.

    This starts as an intriguing drama with Bette Davis. I expected this to be a girl behaving badly and getting over her head. In a way, that's what happens but I'm surprised that Bette Davis doesn't stay in the movie. It stops being her movie. It becomes a bit of a screwball thriller with the body in the trunk. This is a movie split in two. The first half is a character study with Arlene. The second half is more silly starting with the kicking contest in the newsroom. After that, even Arlene disappears for a while. It becomes a bit jumbled. I would have liked to follow Bette Davis for the whole movie. Failing that, the movie should follow Arlene all the way to the end.
    baker845

    So . . . What Gives?

    Considering the reputations and historicity of Bette Davis and Michael Curtiz, why hasn't anyone issued this marvelously little fast-paced film on video? Davis is lightning-sharp as wicked Arlene, and Margaret Lindsay was an interesting early Warners player. I understand that Jack Warner, in the early days of the talkies, used this film to demonstrate what a director could accomplish with a tight budget and filmic expertise.
    6Nate-48

    Davis is as good as ever but it slows down

    Bette Davis is an absolute delight and this is worth watching just to see her in her pre-code sultry best. There are some great costumes, nice sets and sequences but the plot and direction gets muddled midway after a great 20 minutes at the beginning. They try to cram too much into a short space and then move too quickly without making sense of what happens. There is also some corny screwball stuff which interferes with the flow of the film. This is what you would call a b picture with some good appearances by an interesting cast but it has an identity crisis going from serious danger in the air beginning with hot fox Davis and ends up as your average who done it vehicle.
    7HerrDoktorMabuse

    Great Movie? No. Great Fun? Yes!

    I saw this at the Stanford Theatre in Palo Alto last week on a double bill with Of Human Bondage. At any rate, nothing really groundbreaking about this movie except that it was a fast paced, low budget bill-filler made before Bette Davis had broken through as a big star. The real treat here is the location shooting in San Francisco, showing the city before they built the bridges and a car chase that predates the one in Bullitt, except never exceeding 35 miles per hour. I also give the scriptwriters high marks for authentic use of forgotten place names ("Butchertown," "South of the Slot"). I'll admit my admiration is parochial, but you could do worse if it ever turns up on TCM or a streaming video service.

    BTW: I can't recommend the Stanford highly enough. Beautifully restored movie palace featuring live intermission organ music on weekends and the cheapest date in town at only $7/ticket for a double bill. Google Stanford Theatre for the latest program.
    10marko-157

    Far before its time

    Mysterious crime, unconventional way of solving it, witty dialog, fast paced events, car chasing, unexpected resolution... are we watching just another detective action film starring Mel Gibson? No, it is 1934 film Fog over Frisco. It is amazing how little has this type of film evolved in last 70 years or so. The only "improvements" we see in modern versions of action films are slimy kissing and love-making scenes, two dozen explosions and rolling stock of a smaller country destroyed. Oh, yeah, done to include something for everyone and to extend the film time to standard one and a half hour.

    Well Fog over Frisco is what a good action film should look like. It is absolutely enough to have a bit more than a hour to tell everything. Of course, Dieterle could easily make a film a bit longer and the plot more understandable, but this amazing pace is what makes this film even more special. You are moving in the spiral of events so fast that it is necessary to see it twice to get everything straight.

    But this is not all. We see some really exceptional acting here. Bette Davis makes from one seemingly tiny role more than some leading character actors did in the whole acting career. She is absolutely convincing as Arlene, a spoiled and bored rich girl and you can never see Bette in another film to be so beautiful, glamorous, amusing and enchanting. No wonder that most men in film really seem to be in love with her. Margaret Lindsay, who plays a real head role of her step-sister Val, isn't match for Ms. Davis, however she did her part correctly. Other notable performances include Donald Woods playing Tony and Hugh Herbert playing Izzy, who are convincing as a witty reporter - funny photographer pair.

    This film is one of the most underestimated films in the whole history of Hollywood and is a must-see for 1930s film period.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The dog in this film is played by Asta, who rose to fame as with that name in Mordsache Dünner Mann (1934) series. His uncredited name in this film is "Ragsy".
    • Patzer
      When Joe the newspaper editor nudges Tony toward the desk, his hand is on Tony's arm. But on the next immediate cut, Joe now has his hand on Tony's back.
    • Zitate

      Spike Smith: Say, Society, who's the gal dancing with Tony

      Archie Van Ness: She's the only real Bradford daughter. Arlene's her stepsister.

      Spike Smith: Say, she must be respectable. I've never seen her before.

      Archie Van Ness: Say,I've picked Arlene off the blotter for everything from speeding to being picked up in Chinatown raids.

      Izzy Wright: Oh, that I were young.

      Archie Van Ness: And old Bradford's got more millions than there were Indians out here when her family landed.

    • Verbindungen
      Edited into The Green Fog (2017)
    • Soundtracks
      Why Do I Dream Those Dreams?
      (1933) (uncredited)

      Music by Harry Warren

      Played by request by the nightclub band and as background music

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 2. Juni 1934 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Fog Over Frisco
    • Drehorte
      • 2180 Washington St., San Francisco, Kalifornien, USA(Bradford mansion - burned down 1955)
    • Produktionsfirma
      • First National Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 8 Minuten
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.37 : 1

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    Bette Davis and Donald Woods in Nebel über Frisco (1934)
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    By what name was Nebel über Frisco (1934) officially released in India in English?
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