The Firebird

In Vienna, arrogant famous musician Herman Brandt (Ricardo Cortez) moves into a high-end apartment. John (Lionel Atwill) and Carola Pointer (Verree Teasdale) with their daughter Mariette (Anita Louise) live in that building. Herman makes a pass at Carola and she is not amused. She complains but he refuses to leave. He gets murdered and the Pointers are the obvious suspects.

I like the setup. It seems ready for a good murder mystery. Once the investigation starts, the story gets bogged down. The intensity slowly leaks out of the balloon. It could have gone a lot better. This is based on a play. I don't how close is the adaptation. It does need to energize the screen much more. I started really invested in the characters. By the end, I don't really care as much.

This Warner Bros. film starts off slowly as a romantic drama, but then becomes a fast paced murder mystery with an ending hard to predict. I was not especially put off by the stage origin of the screenplay, the inauthentic accents of a story supposedly set in Vienna, or the tenuous connection to the Firebird, either as myth or music. The performances of the principals were weak: Ricardo Cortez as the victim, Verree Teasdale (overacting), and Anita Louise (quite beautiful, but unconvincing). This is more than made up for by the supporting roles of Dorothy Tree as the sharp-tongued ex-wife of the victim and Lionel Atwill as the initially oblivious and later befuddled husband/father. Even C. Aubrey Smith, usually relegated to pipe smoking and pontificating, has a more substantial role in this film as the inspector who actually solves the crime.

In "The Firebird", Ricardo Cortez plays Herman Brandt, a stage actor and complete cad who loves to use women in order to further his fortunes. Again and again, you see him treating these women like dirt...so it's no surprise when eventually he is found dead in his apartment...a murder victim. So, it's up to the local police inspector (C. Aubrey Smith) to determined who did it and why.

This film had a very nice cast. Cortez was good, as always, as a smooth and amoral cad. As for the rest, many are exceptional supporting actors (such as Smith, Anita Louise and Lionel Atwill) and they work together to make a very dandy picture. I especially liked the way the Inspector handled the case.

You can tell that a lot of production money was thrown at THE FIREBIRD but for the life of me I can't tell why it's set in Germany. Ricardo Cortez (the corpse to be) plays a horndog actor with a shady past who lives in a high class apartment building. There's an angry ex-wife, an effeminate personal assistant that's in love with the corpse's Dachsund, and well heeled neighbors with a lovely daughter (Anita Louise) who fear for their reputation. C. Aubrey Smith, the 71-year old impeccable Englishman, plays the police inspector. Remember this is supposed to be set in 1934 Germany (what, no Nazis?). Except for the wiener dog, the apartment manager's pipe, beer swilling policeman and some German shop signs, you'd never know it. Not one stab at an accent between them. A standard whodunnit.

Egotistical actor Herman Brandt (Ricardo Cortez) is murdered in his apartment one night. Suspicion falls on a member of the Pointer family that lives upstairs: John Pointer (Lionel Atwill) and wife Carola (Veree Teasdale), their daughter Marietta (Anita Louise), and the governess Josephine (Helen Trenholme).

My principal reason for seeing this was Lionel Atwill. I love his horror films but it's always nice to see him stretch his acting chops in other types of movies. He's very good in this. Veree Teasdale's acting is overly theatrical at times. Cortez was one of the greats at playing slimy and here he showcases that. Lovely Anita Louise is quite good, particularly in the film's final scenes. Dorothy Tree was great fun as Brandt's ex-wife who loathed him. Dependable vet C. Aubrey Smith is his usual affable self as the police inspector. A nice little B murder mystery from Warner Bros.