Charlie Chan in London

Charlie Chan In London Is the second oldest surviving film with Warner Oland in the role and is very entertaining. The story moves along at a pretty fast pace for this era in films. A young man is accused,and convicted of murder. He,s only days from execution when by chance his sister{portrayed by Drue Leyton} encounters Chan and convinces him to try and clear her brother. Charlie then begins a brisk investigation into the crime,which brings him to a country estate..there he is faced with the harrowing task of trying to

identify the real killer. With only about 48 hours to complete his investigation, Charlie moves quickly and eliminates several suspects... As he brings the case to a close..It is very surprising to find out the identity of the actual murderer..This is a film well worth

watching if you can get a copy..It,s never been released commercially. Also appearing in this entry are Alan Mowbray and Ray Milland, both give excellent performances...also included in the cast is E.E.Clive another great character actor of this era.

This movie set in London has some great actors including Alan Mowbray whom I had first seen in Abbott and Costello Meets The Killer Boris Karloff and I love the way he plays very posh characters. In this outing, Charlie had already brought a criminal to justice when he is asked to take on the murder case of Paul Grey by Paul's sister Pamela. One of my favorite characters was Bunny Fothergill. Charlie reenacts the crime with the help of E.E. Clive and Ray Milland and there was tense moments because Charlie had to find the real murderer within 65 hours or if not, Paul Grey would be executed. The solving of the murder by a person whom you would least expect added more mystery plus some persons that were at the country estate were not whom they say they were. This is definitely a must see!!!!

Of the first four Chan films in the Fox series, Charlie Chan Carries On (1931), Charlie Chan's Chance (1932), and Charlie Chan's Greatest Case (1933) have been lost; only the 1931 THE BLACK CAMEL remains to show the series in its early developmental stage. By the time of CHARLIE CHAN IN London the series has reached the standards that made it so widely beloved, a neat mixture of comedy and mystery, good production values, and solid acting.

As is typical of the Chan series, the cast is first rate, offering an early glimpse of future Oscar-winner Ray Milland as well as a memorable performance by character actor E.E. Clive, who graced such films of the era as THE INVISIBLE MAN and DRACULA'S DAUGHTER. In this episode, Chan has traveled to England to bring a criminal captured in Hawaii to British justice--and is on the point of departure when he asked to intervene in a notorious murder case. With a man already convicted, Chan has but sixty-some hours to unmask the real killer before the wrongly convicted Paul Gray (Douglas Walton) is sent to his death.

In some respects the film shows its era: it is very distinctly of the early sound period, and the camera is static and the performances often broad. But it captures all the essential elements of the Chan series as it starred Warner Oland, and (like THE BLACK CAMEL before it) it very specifically sets up Chan to use the racist attitudes of others to crime-solving effect. Warner Oland's Chan, and to a lesser extent Sidney Toler's Chan, would often encourage others to dismiss him as a "stupid Chinaman" all the better to trick the killer into carelessness--and the plot device is particularly apparent in the earliest Chan films.

While CHARLIE CHAN IN London will never make a critic's short list of great films, it is quite a bit of fun, and Chan fans will enjoy it. Unfortunately, the film is not available on either VHS or DVD in the United States, and since it is considered "politically incorrect" it is rarely broadcast; Chan fans will have a hard time tracking it down.

Gary F. Taylor, aka GFT, Amazon Reviewer

"Contradiction please." Warner Oland is clearly at the top of his game here as he attempts to save an innocent man from the gallows with only hours to spare.Truly one of the better films in this series with the Swedish actor.He is surrounded by a unique cast of English characters.There are a couple of amusing moments with Chan climbing through a window and crawling from beneath a desk in what otherwise is a serious "whodunit." Really well done and a must for a Chan fan.

Chan is in London returning a suspect he has captured to British authorities when he receives an appeal from Pamela Gray concerning her brother Hugh, who has been condemned to hang in three days for a murder she believes he did not commit. Chan takes the case and goes to the estate of Geoffrey Richmond (Alan Mowbrey), where the murder was committed. People at the estate say that Hugh and the victim, who never liked one another, were heard arguing about some unknown issue, and then later the body of the victim was found near the stables and Hugh was found walking from the stables towards the house. Does Charlie Chan solve the case? Of course he does! What a downer if he did not!

On top of the usual red herrings tossed into such detective films - the one person sneaking around menacingly, another protesting too loudly about the entire follow up investigation being a waste of time and so on, the maid is a piece of work. She's a shrieker plus she likes to hover over people even when they make it clear they want to be left alone. This film would have been more enjoyable without the barbaric practice of fox hunting being central to the plot, but then hindsight is 20/20.

The tension of the time ticking down to Hugh's execution is an added boost, and then there is a very young Ray Milland in a supporting role and E. E. Clive as a befuddled police inspector. And you have to wonder why law enforcement didn't ask the same basic questions that Chan asks during his investigation. Recommended.