The Case of the Howling Dog

This is the movie that got me interested in the character Perry Mason and I began watching the old television series because of this film. It's a shame that Warren William didn't make more of these films because he was great in this. I like the little comic bits in the movie. I think it's a classic. I have it in my collection. Warren William was a very good character actor and it's a shame we don't see more of his films shown on tv.

"The Case of the Howling Dog," made in 1934, was the first Perry Mason film, and it's from an actual Erle Stanley Gardner Perry Mason novel. One way you can tell is that it's not an easy plot to follow. Mason becomes embroiled in defending a woman (Mary Astor) for the murder of her husband. Meanwhile, her husband and the dead man's wife are missing. And then there's that howling dog.

A really excellent story, but Erle Stanley Gardner loathed what the movies did to his passionate young Depression lawyer. Perry here has a huge office and is too big to take certain cases; Della is there, but not Paul Drake or even Gertie the switchboard operator. Warren William is a clever, serious Perry, and gives the impression of a lawyer to be reckoned with. He also has occasion touches of humor, though if memory serves, there's a lot more humor in the later films.

As one who read the original Perry Mason books, the character matures and becomes less given to speeches about the law - William would perhaps have been better as the later Perry, though Gardner himself never would have chosen him. He wanted Fred MacMurray until Raymond Burr walked in to read for the role of the D.A. He then said, "That's Perry Mason." Despite some of the stilted dialogue, this is still a very good story and well worth seeing. Mary Astor is lovely as the defendant.

As one of the comments pointed out, the very talented Lightning the Dog is uncredited, but to say more would give away the plot. Let's just say Lightning is a fine actor and leave it at that.

I liked this one because it was mysterious - and mysteries should be mysterious, don't you think? Lots of pictures billed as mysteries really aren't, especially when they give away the murderer too soon. That doesn't happen with "The Howling Dog", which goes right down to the wire before all is revealed.

Warren William makes his debut in this, the very first Perry Mason movie, He is very good, especially with his authoritative, stentorian voice. Most everyone else is just a supporting cast member, including Mary Astor, who is better than the rest.

Warning: if you watch this movie, pay attention! You will be lost if you get up and go to the fridge, as the plot is intricate and can be a chore to follow. There are two couples involved but they become so intertwined you will need a road map to keep things straight. There a couple of curves and knuckleballs toward the end - information we didn't have while the story was unfolding. Ordinarily, you could yell foul, but the picture is so entertaining and the mystery so confounding that, if you are like me, you'll just go with it.

Wow, can't top the "Lightning" review, but here's more about the movie itself. I believe this was the first in a series of Perry Mason films starring Warren William.

What's odd is that this film has no other cast members in common with the subsequent films and in fact the whole tenor of the movie is quite different. In this film Perry has a huge office and staff of detectives. He makes no quips. Has no comic-relief sidekick. And the mystery itself is actually quite good.

Later films gave him a goofy detective sidekick ("Spudsey"), made more of the romance between Della Street and Perry, and had much less mystery in the plots. The appeal of these movies is Perry's string of one-liners he gives to the police, witnesses, etc.

But give this first film a look. There's no comic relief, but the plot is very involved and interesting.

Perry Mason runs a big operation: Windows all across the front of his office building feature his name printed in big letters. He's so successful he can't even handle every case personally. –Such is our introduction to the great lawyer before we even meet him.

Warren William is appropriately self-assured as the super-successful lawyer in this classy and well-plotted murder mystery.

The complicated story involves a very nervous-looking man named Cartwright (Gordon Westcott) who comes to Mason with questions about his will—and about a neighbor's dog that has been howling for 48 hours. We soon learn that that neighbor, Clinton Foley (Russell Hicks), had once run off with Cartwright's wife…Cartwright had sworn to get even with them both and tracked them down and moved in next door….and soon enough the man Foley is shot dead in his house.

The murder scene is particularly well done: We see Foley and his dog in the house, we see Mrs. Foley walk in, and we watch their brief confrontation. And then we hear the shots: We see Mrs. Foley's face and her reaction but not who fired the shots. A door swings shut….

Mary Astor is excellent as Mrs. Foley—her expressive face never quite giving away all she is thinking. Allen Jenkins is good as always as the skeptical police sergeant looking for answers. Warren William gives a smooth performance as the masterful investigator whose work and methods are in the interest of justice but not necessarily popular with the police.

It's well written and fast moving, too—with an ending that surprised me. Very enjoyable!