Anne of Green Gables

Anne of Green Gables is directed by George Nichols Jr. and adapted to screenplay by Sam Mintz from the book of the same name written by Lucy Maud Montgomery. It stars Anne Shirley, Tom Brown, O.P. Heggie, Helen Westley & Sara Haden. Story sees Anne Shirley as an orphan girl who is adopted by farmer Matthew Cuthbert and his sister Marilla. That they were expecting a boy means it's quite a surprise, but in spite of Marilla's initial reservations, they accept her into the family home and a good family unit is formed. But can Anne ingratiate herself into school and the village way of life?

Having not read the book I personally have no frame of reference in which to judge this film adaptation. What is there for its modest running time is a charming little picture capturing a time period long since past. The acting and English language is very correct, while the innocence of the story, including that of young love blossoming, has a simplicity that's hard to dislike. There's some nice country shots to sample as well, while O.P. Heggie's performance is worthy of investment on its own. Old time film making with old time values, it's a film easily digestible for the undemanding film fan. 7/10

Vivacious & irrepressible, ANNE OF GREEN GABLES brings unlooked-for happiness into the lives of a lonely old sister & brother on Prince Edward Island.

Lucy Maud Montgomery's well-loved novel comes to life in this wonderful little movie. Excellent production values, a literate script and first class performances gives the story exactly the touch of quality it deserves.

Taking her professional name from the character she portrayed, actress Anne Shirley is a joy as the red-headed fourteen-year-old orphan who completely alters the lives of her new guardians. Completely assured in her starring role, Miss Shirley is a delight, entertaining the viewer with Anne's boundless imagination, quick temper and not-so-secret sorrows.

Playing the stern spinster who gives the girl a home, Helen Westley also completely commands her role; the viewer will enjoy seeing this sharp-tongued woman slowly unbend to Anne's affection and child-like innocence. Australian character actor O. P. Heggie gives one of his finest performances as Westley's shy, gentle brother who welcomes Anne into his heart from the moment he arrives to fetch her from the railroad station.

Tom Brown most agreeably plays the schoolboy who quickly grabs Anne's attention. Sara Haden is appropriately prickly as a nosy neighbor. Charley Grapewin makes the most of his few moments as Avonlea's doctor.

In "Anne of Green Gables" (1934), Marilla Cuthbert (Helen Westley) and Matthew Cuthbert (O.P. Heggie), middle-aged siblings who live together at Green Gables, a farm in Avonlea, on Prince Edward Island, decide to adopt a boy from distant orphanage to help on their farm. But the orphan sent to them is a precocious girl of 14 named Anne Shirley (Dawn Evelyn Paris-a veteran of Disney's series of "Alice" shorts who later would adopt her character's name).

Anne was only 11 in Lucy Maude Montgomery's source novel but the same actress could not credibly go from 11 to college age during the course of the story. The movie suffers somewhat from this concession, as many of Anne's reactions and much of what she says would be far more entertaining coming from an eleven-year-old than from a teenager. As in the book, Anne is bright and quick, eager to please but dissatisfied with her name, her build, her freckles, and her long red hair. Being a child of imagination, however, Anne takes much joy in life, and adapts quickly to her new family and the environment of Prince Edward Island.

In fact Anne is the original "Teenage Drama Queen" and the film's screenwriter elected to focus on this aspect of her character. Which transformed the basic genre from mildly amusing family drama to comedy. A change that delighted audiences and that continues to frustrate reader purists.

Since the comedy is very much in the spirit of Montgomery's story I can see no reason to take issue with the changes, but let this serve as fair warning to anyone expecting a totally faithful adaptation. The comedy element is the strength of the film as it is one of the earliest self-reflexive parodies of Hollywood conventions. The actress Anne Shirley was one of Hollywood's all- time beauties and the film is in black and white. So much of the amusement is in seeing the title character's endless laments about her appearance and hair color contradicted by what is appearing on the screen. Anne regularly regales her no nonsense rural companions with melodramatic lines like: "If you refuse it will be a lifelong sorrow to me". Perhaps the funniest moment is when she corrects the spelling of her name on the classroom blackboard.

Tom Brown does a nice job as Anne's love interest Gilbert Blythe and Sara Haden steals all the scenes in which she appears as the Cuthbert's pompous neighbor.

Then again, what do I know? I'm only a child.

B-picture-level adaptation from RKO, modestly budgeted, with OK performances. Anne Shirley (who took her screen name from this role) looks rather older here than in some of her contemporary appearances. Film is much too rushed (the ending posits and wraps a major medical and romantic crisis in about 5 minutes), and the all-indoor shooting is no plus. No match whatever for the lovely Canadian miniseries version of 1985, whose leisurely pacing allowed better character development.

In cinematic terms, George Nicholls Jr.'s version of the classic tale is very much of its time. There is very little music, and the narrative unfolds in episodic fashion through long takes with characters moving through the frame. To film-goers brought up on more pacey forms of narrative, influenced by advertising, the film might seem slow, even static, but Nicholls' camera-work focuses on the characters' expressions, making us aware of their true feelings lurking beneath the surface. This is especially true of Marilla (Helen Westley), an actress famed for playing unattractive roles, but who lets the mask drop as the narrative unfolds, especially when Anne (Anne Shirley) is about to go away to school. Marilla's forbidding exterior is contrasted with her brother Matthew (O. P. Heggie) who is never without a twinkle in his eye.

Thematically speaking ANNE OF GREEN GABLES makes fun of romanticism, especially in Anne's characterization. Having been brought up on a diet of dime novels, Anne is full of extreme emotions; she is not just upset but devastated; she is not happy but ecstatic. When she is reprimanded for being rude to Mrs. Barry (Sara Haden), she believes it is the end of the world; and she will "never" apologize to the older lady. Needless to say Matthew manages to persuade Anne to revise her judgment - not by force, but rather through appealing to her better nature. In a later sequence, Anne is so enamored of the idea of reciting Tennyson's "The Lady of Shalott" in a rowboat that she doesn't realize the danger she is about to encounter; it is only through Gilbert's (Tom Brown's) timely intervention that she is spared a watery grave.

This film is undoubtedly sentimental, advocating family values and love as life's raisons d'etre. Everything ends happily, even though Matthew has a life-threatening illness. In the central role, Anne Shirley thoroughly enjoys herself; she is very good at handling the central character's transition from gawky teenager to idealistic young woman, even if the hairstyles are a little incongruous (her ponytails are almost too pronounced).

The ANNE OF GREEN GABLES is quite short - a "B" Picture length of only 75 minutes - but remains thoroughly entertaining.