Betragen ungenügend

I saw this film on a double bill tonight with Jean Vigo's L'Atalante. I love French movies but until now I had seen nothing from this long ago.

It seems to be one hilarious set piece after another, I say hilarious and I really mean that. The children are wonderful but the teachers are all there to be made fun of in any manner of ways. I must say the Head master is brilliant.

Whilst this is only about 40 minutes or so long, it is a fine introduction to the Jean Vigo's full length feature film, L'Atalante.

If you love cinema, you will love Zero for Conduct.

In a repressive boarding school with rigid rules of behavior, four boys decide to rebel against the direction on a celebration day.

"Zéro de Conduite: Jeunes Diables au College" is based on the real life experience of Jean Vigo, who was the son of an anarchist militant that died in jail and was abandoned by his mother at the age of twelve, passing from boarding school to boarding school along his childhood. He died with only twenty-nine years old one year after the release of this film in France on 07 April 1933, but it has been censored by the French authorities until 15 February 1946.

Every decade, the cinema industry releases at least one movie about the relationship between students and teachers that reflects the behavior of the society. The surrealistic and anarchist satire "Zéro de Conduite: Jeunes Diables au College" shows a repressive school and is probably the predecessor to explore this theme in 1933. Therefore it is influential and important to see it at least once. François Truffaut's "The 400 Blows" (1959); James Clavell's "To Sir with Love" (1967); John N. Smith's Dangerous Minds (1995); Laurent Cantet's "Entre les Murs" (2008) among others, are more recent movies that discloses the increasing violence and lack of respect for the authorities in school and consequently in the society itself. My vote is seven.

Title (Brazil): "Zero de Conduite"

In the spirit of anti-authoritarian revolution, a playful rallying cry for rebellion and non-conformity. I still find the film a bit sloppy, but perhaps sloppy is suitable for this material. Vigo has a lot of fun with form, making the structure as anarchic as the content, including surreal sequences that embody the heroes with magical properties. Again, we have some masterful visual work, reaching a crescendo in the magnificent trashing of the dormitory scene. The movie is very witty and subversive, although I do have to admit that I'm not likely to watch it a third time as it's a work I respect more than I enjoy.

Zero for Conduct - 8/10

One thing for sure, the film's appropriate for the son of an anarchist, like Vigo. The school's not much better than a prison, and when the kids get into the mess hall (oops! I mean dining room) and start throwing the tiresome beans around, I thought Cagney in White Heat (1949). But then they're being trained for dull conformity into the machinery of French society. But these kids aren't going to give up their joyful high spirits without a struggle—just watch them bounce down the street. They may troop along two-by-two, but underneath there's a lively heartbeat that won't stand for deadening hierarchy as the ending shows.

Okay, the movie's disjointed, so no smooth narrative here, perhaps the result of a myopic editor. Still, the 40-minutes is full of imagination and amusing effects, while the theme shines through in unmistakable fashion. In fact, I particularly liked the general absence of dialog. That way, I didn't get a sore neck bouncing from captions to visuals. All in all, I wish Vigo's little classic had been shown at my military school—we could have used the inspiration.

Yes, this movie is surrealistic alright. Perhaps not as much as for instance a Luis Buñuel movie but it features lots of symbolism and metaphors. You have to like these sort of movies obviously to fully appreciate and enjoy it.

It's of course also a protest to the very strong regime on boarding schools, which makes this movie a social commentary, like often surrealistic-like movies are. It caused Jean Vigo's movies not to be appreciated until after WW II, since prior to that his movies mostly got banned everywhere.

French always had a thing with revolutions, which also plays a central theme within this movie. The movie might feel and look a bit disjointed at times but its always connected through its central themes.

As odd as this movie might seem like at times, it always knows to remain an enjoyable one, with also some good comedy in it at times, as well as some great looking and directed sequences.

An enjoyable little short surrealistic picture from Jean Vigo.

8/10

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