Die Wüstensöhne

Laurel & Hardy have sworn an oath to their brotherhood, the Sons of the Desert to attend their convention in Chicago. The trouble is their wives are against the idea so they need to find an excuse.

Hardy pretends to be ill and Laurel gets a vet who tells Mrs Hardy that he needs a sea voyage to Honolulu.

Once they arrive in Chicago they get involved in all sorts of pranks courtesy by an obnoxious funster who turns out to be Hardy's long lost brother in law.

Our duo have failed to keep themselves inconspicuous in Chicago as the Sons of the Desert march has been filmed and unbeknown to them their return ship from Honolulu has sunk and their wives worried that they are lost at sea. Laurel & Hardy are in trouble when they return home and do not realise that honesty is the best politics.

Lots of fun here as Hardy boasts that he rules the roost in his house when we know he does not. Charley Chase pops up at the convention scenes as an obnoxious reveller with Hardy always falling for his pranks. A memorable song with Honolulu Baby and a great one line response delivered by Laurel when questioned why he got a veterinarian over. 'I didn't think the man's religion should have any bearing.'

Stan Laurel and Oliver Hardy want to go to their 87th annual "Sons of the Desert" convention in Chicago, which no member has ever missed. But, domineering wives Mae Busch (as Lottie) and Dorothy Christy (as Betty) have other ideas. The women want to vacation in the mountains. While Ms. Christy gives permission for Mr. Laurel to attend the convention, Ms. Busch isn't so accommodating. So, Mr. Hardy decides to play sick, which (somewhat inexplicably) earns he and Laurel a trip to Hawaii (Chicago), without the wives.

Laurel & Hardy perform the old story smoothly; this film surely earns them the plot's patent. Clever scripting (Frank Craven) and direction (William A. Seiter) keeps things moving, and bits are well chosen. The slapstick hits a little too hard, sometimes; with the coming of sound, some of the physical comedy would look better in moderation (with a silly sound effect). Busch is one of the best Laurel & Hardy "wives". The duo's convention appearance, with the riotous Charley Chase is fantastic -- it includes a great theme song, "Honolulu Baby", performed by Ty Parvis and his hilarious hula dancers. Oh, lei!

Almost perfect! The finish isn't up to the rest of the movie, but the absolutely hilarious beginning and middle make it one of the funniest movies ever.

Here are Stan and Ollie at their peak. Many of their trademark gags and takes appear, easily woven into the story, perfectly timed and crafted with comic panache.

The plot- henpecked husbands sneaking off for revelry- is now rather obsolete, but that doesn't diminish the clever narrative movement. Putting Charley Chase into a small role enhanced it, and the wives were very well played.

I don't rate many movies a 10, but one that gives pleasure over and over and over deserves it.

It's really the only good full-length Laurel & Hardy movie that isn't distracted by a sub-plot, therefore an interesting story develops, and we get to see more of Laurel & Hardy. This movie more than any other just lets us laugh at the two characters we love best: Stan and Ollie. We see them as kids, sneaking around to a juvenile convention to escape the clutches of their motherly, domineering wives. There are some great sequences, and some truly hilarious moments. Stan is especially at his best, and the sequence where Ollie is sick is classic. "Why did you get a veterinarian?" "I didn't think his religion would make any difference."

A must for any Laurel & Hardy fan, and indeed a must for everyone who enjoys an utterly pleasant experience and a truly divine comedy.

There are a lot of funny scenes squeezed into one of the thinest "plots" you'll ever see in a story. Our heroes - Stan Laurel and Oliver Hardy - simply want to go to the annual convention of their group - "The Sons Of The Desert" and want their wives' approval to make the trip. As it turns out, they go anyway and, well, it's one wild scene after another.

Along the way, we see all the trademarks of these two famous comedians: Laurel scratching his head, crying when in trouble, having the better heart of the two and providing some clever slapstick and dialog. Hardy does his normal routine, too, with the dirty looks, the scheming and the pratfalls.

The women are the bosses and Hardy's wife is the toughest of the two, throwing plates at Olllie's head! These are tough old bags.

Oddly enough, on the second viewing of this film I found a bit slow going, which I didn't find the first time. Charley Chase, a famous silent comedian, is also in the film as are a few things you wouldn't associate with Laurel & Hardy: some sexual stuff! Really! There is a dance number in the middle of the film where I swear I saw a see-through blouse on the main dancer. Also, there was a play- on-words here about some woman "who likes to pump the organ." Well, this film was made a year or so before the Hays' Code went into effect.

At any rate, if you have never seen the famous duo, this is a good place to start.