A Shriek in the Night

The always delightful Ginger Rogers is seen here in this relic of a murder mystery "A Shriek In The Night". Looking cute and acting her usual cheerful self, Miss Rogers is a reporter posing as a personal secretary to a wealthy man until...he gets murdered! Whodunit? Rogers and rival reporter, played by Lyle Talbot, vie furiously with each other to get the scoop with some very hilarious results. Rogers always did have the splendid knack of delivering a wisecrack with just the right touch and in one scene where a cab driver refers to Talbot as a "man", Rogers snaps: "Man? Don't be vulgar!" Her timing and facial expressions are still fresh and charming today. What a splendid performer! The inspector and his sidekick have some funny bits and even the morgue keeper has a howling funny line. "A Shriek in the Night" is low-budget, but it doesn't always seem to be. Nice art deco sets and a good cast save it. One thing annoys me though. Why aren't we shown how Rogers gets out of the furnace near the end of the picture? Apart from that, "A Shriek in the Night" is not a bad film, although it is a film where you really need to pay attention to what's being said at the finish since we never meet some of the characters that are talked about during the conclusion.

The film literally starts off with a shriek in the night when a man falls to his death from the penthouse of an apartment building. What appeared to be suicide turns out an act of murder and, much more than the local police force, two competing journalists start looking for the murderer. This is a rather curious film because it's not really the plot which interests you…but only the characters. The actual search for the murderer's identity and his whole motivation is mediocre, but the dialogues between the two journalists are very wit and cleverly written. They constantly try to overtrump each other, which results in scenes that are both funny and emotional. The supportive characters are very enchanting as well, particularly the hysterical housemaid (Lillian Harmer) and the overly shy police-assistant Wilfred. "A Shriek in the Night" might not be the most memorable murder-mystery of the 1930's, but it's definitely worth a look in case you're a fan of classic, primitive cinema.

A very funny and quite well made poverty row whodunnit from 1932, this pairing of Ginger Rogers and Lyle Talbot might have just set the ideas in motion for THE THIN MAN series at MGM a year later. I think this film was made at the Tiffany Studio in 1932 just as this company ceased production.... or just after...this is exactly the sort of film they made especially with very snazzy overstuffed deco furniture and solid clunky sound and production values. Credits say it is made by Allied Productions which nobody has ever heard of or from, so my guess as a faux Tiffany Production, might be right. The 1929 Tiffany film PARTY GIRL is made in exactly the same way and with the same solid look and quality sets. Ginger and Lyle also seen in the 'haunted' Monogram pic from the same year: THE THIRTEENTH GUEST offer a smart alec couple making verbal quips and asides and leave the audience well pleased in their natural delivery and likable sparring. This film is well directed with a refreshing and timeless modern style. SHREIK IN THE NIGHT is essentially a haunted house movie set in a skyscraper penthouse and for lovers of pre code goofiness and sexual antics (and even prohibition speakeasy asides) leaves a 2005 viewer with a knowing smile that someone 73 years ago was tuned into long lasting imagery and dialogue. One scene in a cellar with a furnace is particularly creepy and if seen in a 3000 seat movie palace in 1932 must have caused huge screams and genuine shrieks! This is great fun, well made and 'modern' and shows that if Tiffany had survived, they might have outlasted even Grand National Pictures - which I strongly suspect was their successor - and partly ultimately the re-formed 1937 Monogram and certainly PRC ...which I can track as their location and later name. It's a good film, made under what I would think was swiftly changing technology and times. The direction and dialogue and delivery has certainly successfully stood the test of time.

This 66 minute 1933 movie starring the 22 year old Ginger Rogers and Lyle Talbot is an excellent representation of pre-film noire of its era. This was Rogers' 20+ film, but the wise cracking/endearing personality that she eventually developed for the Astaire movies had not yet appeared. She comes off stiff and unsure. Leading man Lyle Talbot, a veteran of almost 200 movies plays as Ginger's rival reporter, and a romance that started before this movie began blossoms despite some back-stabbing by each of the other. Talbot is excellent and carries the show. Notable performances are given by Pernell Pratt as the police detective and Harvey Clark as the janitor. Actress Louise Beavers who went on to make more than 160 films, many notable, plays the stereotypical "negro". The roll can be excused as it is a benchmark of the Hollywood problems of the times. The story, an excellent whodunnit written by Francis Hyland and Kurt Kempler, is good but gets muddled at the end. Even so it does not interfere with the understanding of the plot. There is a scene at the end that has gruesome implications but is not gratuitous and therefore adds to the depth of the story. One gaff I noticed: about 5 minutes into the picture Rogers is talking to the detective. She is smoking a cigarette (there's a lot of smoking going on through out the film) and he is smoking a cigar. While holding the smoking butt she leaves the room only to enter another room sans cigarette. It is very interesting to see the styles of dress and automobiles of the times. Many of the shots were outdoors. The camera work is some what stilted and has only a few pans. It is almost like a theater play. I saw this film from the 50 Movie Pack Horror Classics box. Well worth buying and this film is not-to-be-missed.

This is a good mystery-thriller from the 1930s... it's got enough comedy in it to bust up all the drama unfolding on the screen to keep the film more interesting. There is quite a bit of dark humor in this tale.

This is one of Ginger Rogers cutest roles; she plays Pat Morgan a reporter that is getting the scoop on the murders taking place while her rival reporter, Ted Kord (Lyle Talbot), works on the same case to report. These two rivals find themselves working closer together to help solve the crimes while falling in love.

What is big scoop? Who is killing people in the apartment building and why? If you like comedy mystery-thrillers then I would recommend watching this movie to find out the answers - it's an entertaining film.

8/10