Popeye the Sailor

This is the first Popeye cartoon. He had appeared in newspaper comic strips. At the beginning we get to hear the entire version of his theme song as he disintegrates various items of property. While impressive, he is really pretty destructive. Of course, Bluto shows up and he has to deal with him. At no point does the big guy seem to have a chance. Of course, he can't leave Olive Oyl alone and Popeye saves her several times. Mostly, they show off at the carnival where Bluto does something well and Popeye does him one better. Betty Boop makes and appearance as a hula girl and Popeye gets on stage and copies her dancing. Eventually, Bluto ties Oliive to a railroad track (original!) and this forces the use of spinach, that performance enhancing drug. This is really a nice introduction to the Popeye oeuvre.

Popeye the Sailor (1933)

**** (out of 4)

First film in the series of shorts was also the first I've seen of any of these early films. I watched some of the later ones when I was a kid and I wasn't sure what to expect out of these theatrical shorts but this first one was great. Popeye takes Olive Oyl to a fair when Bluto shows up to start trouble. There's a lot of great humor here and I really loved the animation style. The opening scene of Popeye singing his famous song is priceless as is the appearance by Betty Boop.

Now available through Warner in a 4-disc box set.

Despite a brief (semi-nude!) appearance by Betty Boop as an exotic dancer at a fair, this cartoon by the Fleischer brothers introduced us to the popular figures of Popeye, Olive Oyl and Bluto – who would naturally take off in a long-running series of their own and basically eclipsed the career of the studio's afore-mentioned star attraction! It is interesting to note, at this juncture, that the essence – with respect to characterization, gag type and plot structure (not to mention, the equally iconic theme tune!) – was there from the outset. That said, while I admit to having sat through many of these during my childhood, much like the live-action stuff of The Three Stooges which yours truly sampled again a few years back (let alone their strictly kiddie-oriented animated fare!), I seem to have irrevocably outgrown this particular brand of comedy and now approach it with an inevitable measured step

'Popeye the Sailor' is a good debut for Popeye, but there have been better cartoons of his since.

There is not much wrong with it. There is a finding its feet/style feel, and there is a preference to the voice actors who would take on the roles later. Popeye and Bluto were fine courtesy of William Costello and William Pennell, but Bonnie Poe's voice agreed (from personal opinion this is) doesn't really fit Olive Oyl, and it was strange hearing a deeper voice when so used to Mae Questel's pretty iconic interpretation.

On the other hand, the animation is beautifully drawn, smooth and meticulously detailed, the black and white crisply shaded. The music is merry and energetic, though again am more familiar with the scoring of Winston Sharples later.

It's a very entertaining cartoon and smartly written, with a lot of charm and energy. All three lead characters are engaging and their personalities established well even for so early on. Betty Boop makes a small but memorable appearance, that's both sexy and cute.

All in all, a very good debut cartoon but not among my favourite Popeye cartoons. 8/10 Bethany Cox

The first Popeye motion picture cartoon was presented as a Betty Boop movie for marketing purposes. It quickly establishes most of the tropes that would sustain the series for the next two dozen years: he sings his song, he and Bluto fight over Olive Oyl, Popeye defeats Bluto by eating spinach, and there's a surfeit of gags in the Fleischer style, both big and little, enough to make it easily watchable many times. True, the character design is unsophisticated, with the characters' designs ornamented on basic shapes, but it's a great start to what would quickly become the Fleischers' best-known franchise.

Betty Boop makes an appearance as a hula dancer, her bosom concealed solely by a lei. Ah, for those pre-code cartoons!