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Ein Schloß in New York

Originaltitel: Man's Castle
  • 1933
  • Approved
  • 1 Std. 18 Min.
IMDb-BEWERTUNG
7,1/10
2098
IHRE BEWERTUNG
Spencer Tracy and Loretta Young in Ein Schloß in New York (1933)
DramaRomance

Bill nimmt Trina mit in seine bescheidene Hütte am Rande eines Slums. Gerade als er eine Affäre mit der Tingeltangelsängerin LaRue beginnt, die ihn unterstützt, wird Trina schwanger.Bill nimmt Trina mit in seine bescheidene Hütte am Rande eines Slums. Gerade als er eine Affäre mit der Tingeltangelsängerin LaRue beginnt, die ihn unterstützt, wird Trina schwanger.Bill nimmt Trina mit in seine bescheidene Hütte am Rande eines Slums. Gerade als er eine Affäre mit der Tingeltangelsängerin LaRue beginnt, die ihn unterstützt, wird Trina schwanger.

  • Regie
    • Frank Borzage
  • Drehbuch
    • Jo Swerling
    • Lawrence Hazard
  • Hauptbesetzung
    • Spencer Tracy
    • Loretta Young
    • Marjorie Rambeau
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    2098
    IHRE BEWERTUNG
    • Regie
      • Frank Borzage
    • Drehbuch
      • Jo Swerling
      • Lawrence Hazard
    • Hauptbesetzung
      • Spencer Tracy
      • Loretta Young
      • Marjorie Rambeau
    • 39Benutzerrezensionen
    • 21Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos33

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    Topbesetzung22

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    Spencer Tracy
    Spencer Tracy
    • Bill
    Loretta Young
    Loretta Young
    • Trina
    Marjorie Rambeau
    Marjorie Rambeau
    • Flossie
    Glenda Farrell
    Glenda Farrell
    • Fay La Rue
    Walter Connolly
    Walter Connolly
    • Ira
    Arthur Hohl
    Arthur Hohl
    • Bragg
    Dickie Moore
    Dickie Moore
    • Joey
    Harry Akst
    • Piano Player
    • (Nicht genannt)
    Harvey Clark
    Harvey Clark
    • Cafe Manager
    • (Nicht genannt)
    Helen Jerome Eddy
    Helen Jerome Eddy
    • Mother
    • (Nicht genannt)
    R. Henry Grey
    R. Henry Grey
    • Headwaiter
    • (Nicht genannt)
    Leonard Kibrick
    Leonard Kibrick
    • Baseball Team's Catcher
    • (Nicht genannt)
    Carl M. Leviness
    Carl M. Leviness
    • Restaurant Patron
    • (Nicht genannt)
    Kendall McComas
    • Slades
    • (Nicht genannt)
    Etta McDaniel
    Etta McDaniel
    • Dressing Room Maid
    • (Nicht genannt)
    Tony Merlo
    • Waiter
    • (Nicht genannt)
    Harold Miller
    Harold Miller
    • Restaurant Patron
    • (Nicht genannt)
    Edmund Mortimer
    Edmund Mortimer
    • Restaurant Patron
    • (Nicht genannt)
    • Regie
      • Frank Borzage
    • Drehbuch
      • Jo Swerling
      • Lawrence Hazard
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen39

    7,12K
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    Empfohlene Bewertungen

    10lqualls-dchin

    One of the essential Depression dramas

    Unfortunately, this film has long been unavailable (as other posters have noted), but this is one of the essential dramas of the Great Depression, a lyrical and touching drama of love set in a shanty-town. It features performances by Spencer Tracy and Loretta Young that are just about the finest of their careers, and it's a surpassing example of how the director, Frank Borzage, was able to create an almost fairy-tale aura around elements of poverty, crime, and horrendous social inequity, which just proves that how truly romantic and spiritual his talents were. This film shows how love survives amidst squalor and desperate need, and it is totally life-affirming. This is a real masterpiece of the period, and is a movie that deserves to be more widely known.
    Sleepy-17

    Luminous, a must-see

    I haven't seen this for years, but I remember both Spencer and Loretta being as hot as a pistol, brimming with talent and longing. Interesting pre-code depiction of tramp-town down by the river. There's a sparkling scene of Spencer working as a sandwich-board man. Great photography which shows the influence of Murnau's Sunrise.
    8AlsExGal

    Borzage treads familiar ground here

    Bill (Spencer Tracy) and Trina (Loretta Young) meet on a park bench during the depth of the Great Depression where Trina admits she has not eaten in two days - she is homeless and jobless like so many others. Bill is dressed in a tuxedo, she thinks he is rich. He invites her to eat a sumptuous meal at a fine restaurant. But it turns out he is broke and manages to bluster and threaten his - and her - way out of trouble with the restaurant. They very shortly end up lovers, living together in a shack in a homeless encampment of other forgotten men and women. Lots of complications that you have probably seen in other precode films ensue.

    This movie was a lot like other Borzage films, in particular the director seemed like he was trying for a redo of the earthbound parts of Lilliom to some extent with traces of Seventh Heaven - A poor, lonely girl falls head over heels for a swaggering lay about who seems, from the outside, to use and mistreat her and have no appreciation for her. But her love sees past his cloddish behavior and fulfills her so completely that, for her, the domestic life she makes with him is bliss.

    The casting is what makes the difference in this film. As opposed to Lilliom's Charles Farrell, Spencer Tracy is believable as someone who could throw a punch and knock somebody out and never give full throated - or even half throated - praise to Young's character, yet there is tenderness under that rough and seemingly uncaring exterior. Likewise, when Young moons after Tracy, the screen lights up like Times Square. That makes all the difference in terms of how much we're likely to be invested in her love for a guy who doesn't really deserve it (though it's also true that she domesticates/redeems Tracy a lot more over the course of Man's Castle).

    The supporting cast is excellent too. Arthur Hoyl is the aptly named Bragg who lusts after Young and tries to get her by fair means or foul. Marjorie Rambeau is a hardened perpetually drunken woman whose problems probably started a long time before the Great Depression started. Columbia stalwart Walter Connolly is an ex preacher living in the encampment who is quite gentle and fatherly with the other residents to the point that I wonder how he got there and how he stopped being a man of the cloth.

    I'd highly recommend this one, which has only recently been restored.
    9Maleejandra

    Can't Get Enough Pre-Codes

    Man's Castle is a wonderful example of a Pre-Code film. It involves realistic events with truly enjoyable and imperfect characters. Spencer Tracy plays Bill, a free soul without a dime in his pocket. He makes a living doing odd jobs and traveling to a new city when he gets bored of his surroundings. One night, he meets Trina, a beauty by any standards who is cold and alone. She has refused to resort to prostitution so she has not eaten for several days, but the two take very well to each other and form a relationship. His free spirit tempts him to leave her, so life is rocky, but there is a true spark between the two, even if they live in a shack by the river.

    Tracy is one of the great actors of the silver screen. His characters are amazing and relatable. We can see his thoughts on his face, making him easy to identify with, even if we believe he is behaving badly. Young is great in pre-code films. Her character is very sweet but far from perfect, making her all the more likable.

    Pre-code elements include skinny dipping, pregnancy before marriage, and crime.
    10Greta-Garbo

    Young and Spencer star in the finest film of the pre-code era

    It's a shame this movie is so hard to get your hands on in the US. I found it through a rare video dealer, and it was certainly worth it. This is, without a doubt, the best film made during the pre-code era, and the finest film of the 1930s. Masterful director Frank Borzage made wonderful films about the Depression, and with MAN'S CASTLE he created a fairy tale amidst the hardships of the era.

    Loretta Young and Spencer Tracy have a wonderful chemistry between them, and they help make this movie a wonderful romance. Young's Trina is sweet and hopeful, while Tracy's Bill is gruff and closed-off. The dynamic between the character creates one of the most difficult, but in the end rewarding relationships on film.

    MAN'S CASTLE is the most soft-focus pre-code film I've seen. Borzage uses the hazy and dreamy technique to turn the squatter's village where Bill and Trina live into a palace. The hardships of the Depression are never ignored, in fact they're integral to the film. But as Borzage crafts the film as a soft focus fairy tale, the love between the characters makes the situation seem less harsh. It makes the film warm and affectionate.

    MAN'S CASTLE is the crowning achievement of the pre-code era. If only more people could see it.

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    Handlung

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    Wusstest du schon

    Ändern
    • Wissenswertes
      Loretta Young and Spencer Tracy began a torrid love affair that lasted about a year. Young ended the relationship ostensibly due to not being granted absolution because she was dating a married Catholic.
    • Patzer
      Spencer Tracy wears his wedding ring throughout the film.
    • Zitate

      Trina: Gosh, even birds can't fly all the time. They get tired and have to come home.

    • Verbindungen
      Featured in Hollywood: The Great Stars (1963)
    • Soundtracks
      Surprise!
      Sung by Glenda Farrell

    Top-Auswahl

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    FAQ14

    • How long is Man's Castle?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 20. November 1933 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Man's Castle
    • Drehorte
      • Columbia/Sunset Gower Studios - 1438 N. Gower Street, Hollywood, Los Angeles, Kalifornien, USA(Studio)
    • Produktionsfirma
      • Columbia Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 18 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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    Spencer Tracy and Loretta Young in Ein Schloß in New York (1933)
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