Der Mann von Monterey

Cavalry officer John Wayne fights Spaniards over land rights and over a pretty senorita. Early baby-faced Wayne doesn't do much to hint at what's to come later in his career. Luis Alberni is fun at times. Ruth Hall and Nina Quartero pretty things up. One of a half-dozen B westerns John Wayne made for Leon Schlesinger and WB in the early '30s. These are all watchable but ultimately forgettable. This one's not great and has some particularly spotty stunt work. If you're a John Wayne completist and you want to see all of his films, go right ahead and watch this. Everybody else should probably look elsewhere for something with more meat on the bone.

John Wayne's first starring role was in Raoul Walsh's "The Big Trail" from 1930, but when this film flopped at the box-office he spend most of the rest of the decade making third-rate horse-operas for the smaller "Poverty Row" studios. "The Man from Monterey", however, is a cut above that sort of thing. It was the last of six films Wayne made for Warner Brothers in 1932 and 1933, although it is still a B-movie, less than an hour long. The action takes place in California in 1848, during the brief interval between that territory's annexation by the United States following the Mexican-American war and the arrival of the miners in the Gold Rush of 1849, a period during which the majority of the white population of the area were Hispanic rather than Anglo.

The story revolves around a love-triangle between Wayne's character John Holmes, Dolores Castanares, the daughter of a wealthy Spanish landowner, and Don Luis Gonzales, the son of another landowning family. No prizes for guessing who gets the girl. Although Don Luis seems handsome and dashing, he and his father are plotting to acquire the Castanares land by underhand methods. The new US administration have required Spanish land owners to register their lands before a deadline, and the Gonzaleses are aiming to use this requirement as part of their plot. It falls to Holmes, a U. S. Army Captain charged with administering the registration scheme, to foil them.

None of the other cast members are of any great fame; second billing goes not to any of Wayne's human co-stars but to his white horse, Duke. (Presumably named after Wayne's own nickname). Duke had been introduced to the public the previous year in "Ride Him, Cowboy" (in which he plays a major role in the plot) and was a regular fixture in Wayne's Warner Brothers movies.

This film is a lot better than many of Wayne's offerings from the thirties. It is not marked by the sort of bad acting, cheap special effects and incompetently choreographed fight scenes that marred films like "Paradise Canyon" or "The Desert Trail". There is a relatively entertaining story and Wayne, although by no means at his best, is certainly than he was to be in those two films and many others like them. It is also better than "Ride Him, Cowboy", which has a glaring plot-hole at its centre. It would doubtless have vanished from public view entirely had Wayne not gone on to become an American legend in his later career, but it still remains relatively watchable. 6/10.

The Man from Monterey has virtually nothing to offer the movie fan, not even the John Wayne completist. Its story is hackneyed, its actor's mostly amateurish and their character's boring. On the plus side, the exterior scenery is pleasant and Luis Alberni gives a comic performance that, while not especially funny, seems positively inspired compared with the rest of the cast. But undoubtedly the movie's greatest asset is that it lasts less than an hour.

26 Year old John Wayne is Captain Holmes in this short shortie from Warner Brothers. The US guv-ment is trying to convince land-owners to register their land, or it will be declared open land. Holmes has been ordered to get the large ranchers to register their land to avoid property wars, and his first challenge is "Castanares", owner of a very large ranch. Slim Whitaker is "Morgan", who wants to make sure the landowners DON'T register their deed, so they can get the ranch and the land, free of charge. Would be interesting to know the locations, but was probably the director's house or maybe Corriganville in north LA. It's all okay. Wayne is still the young, energetic, wide-eyed kid, on a mission. He's not yet the older, wiser, all-knowing gentleman of an older generation. He comes to the rescue of Dolores ( Ruth Hall ), the don's daughter. and SOMEONE is dressed up in drag, but we're not sure quite who! Kind of a funny bit where Holmes and the good guys are running from room to room to escape the bad guys, and it looks like a scene from Scooby Doo. or maybe the three stooges. and a sword fight breaks out. and Duke the horse goes for help as oats are being burned by the bushel. It's not bad. shows on Turner Classic. directed by Mack Wright. certainly important for john wayne fans.

In 1848, Spanish landowners are losing their lands when the US government refuses to acknowledge the land grants given years before to the citizens. Some unscrupulous types are also using the upheaval as an opportunity to swindle others. Cavalry officer John Holmes (John Wayne) is sent to make sure that the land owners know that they have a chance to register their lands with the government, which upsets scheming bad guys Don Luis (Donald Reed) and Don Pablo (Francis Ford). Holmes tries to outwit them while also wooing local beauty Dolores (Ruth Hall).

This is a little better than many of the other Wayne/Duke movies, with an emphasis on character, and better costumes and sets. It's still pretty bad, though, with stilted acting and an uninspired script. Luis Alberni gets a scene in drag. It's largely interesting from a standpoint of seeing what John Wayne was doing between The Big Trail and Stagecoach.