IMDb-BEWERTUNG
7,4/10
5046
IHRE BEWERTUNG
Ein Gangster versucht, Apple Annie, die Apfelverkäuferin am Times Square, für einen Tag zu einer Dame zu machen.Ein Gangster versucht, Apple Annie, die Apfelverkäuferin am Times Square, für einen Tag zu einer Dame zu machen.Ein Gangster versucht, Apple Annie, die Apfelverkäuferin am Times Square, für einen Tag zu einer Dame zu machen.
- Für 4 Oscars nominiert
- 2 Gewinne & 4 Nominierungen insgesamt
Ernie Adams
- Reception Guest
- (Nicht genannt)
Irving Bacon
- Pool Hall Dupe
- (Nicht genannt)
Ward Bond
- Mounted Policeman
- (Nicht genannt)
Joe Bordeaux
- Reception Guest
- (Nicht genannt)
Harry C. Bradley
- Lloyd - Hotel Mail Clerk
- (Nicht genannt)
Raymond Brown
- Seated Man in Mayor's Office
- (Nicht genannt)
Empfohlene Bewertungen
It's not often (especially these days) that a character actor or actress pulls a leading role. This movie rates my 8/10 vote mostly on the strength of the marvelous character performance of May Robson in the central role as Apple Annie, an elderly down-and-out who must somehow preserve the imaginary persona she has built for herself to her daughter, soon to arrive from Paris with a prospective husband in tow. Robson was nominated for an Oscar, as lead, and richly deserved it for her tragicomic characterization.
Frank Capra's excellent direction (also nominated for an Oscar) keeps the plot unfolding with the speed and apparently effortless fluidity so characteristic of the comedies of this period. Capra did not win the Oscar that year, but this film launched his series of feel-good dramas and sparkling comedies that netted him three subsequent Oscars.
But this is far more than a feel-good comedy/drama. It's an excellent movie that stands on its merits outside the genre, with a solid supporting cast. Capra's own remake (Pocketful of Miracles), doesn't meet the standard he himself set here. And although I have tremendous respect for Bette Davis, who played the lead in the remake, it is the difference between a good performance and an exceptional portrayal. Now that I've seen this version, May Robson simply IS Apple Annie.
Frank Capra's excellent direction (also nominated for an Oscar) keeps the plot unfolding with the speed and apparently effortless fluidity so characteristic of the comedies of this period. Capra did not win the Oscar that year, but this film launched his series of feel-good dramas and sparkling comedies that netted him three subsequent Oscars.
But this is far more than a feel-good comedy/drama. It's an excellent movie that stands on its merits outside the genre, with a solid supporting cast. Capra's own remake (Pocketful of Miracles), doesn't meet the standard he himself set here. And although I have tremendous respect for Bette Davis, who played the lead in the remake, it is the difference between a good performance and an exceptional portrayal. Now that I've seen this version, May Robson simply IS Apple Annie.
This sublime, charming fairy tale, about an old apple seller (the lovely May Robson) who is helped by a gangster named Dave the Dude (Warren William) and his buddies in order to make her rich and respectable for her returning daughter and in-law from Spain, is conceivably Capra's freshest, most underrated classic, perhaps with the exception of "The Bitter Tea of General Yen", which was also released in 1933. While "Bitter Tea" was a commercial flop, "Lady For a Day" proved to be Capra's first big success with the Depression-era audiences and a sign of things to come. A must-see!
Glenn Ford and Betty Davis in color fall short competing with the BW original version with lesser known but more convincing actors. Lets face facts. Glenn Ford never played a convincing bad guy/bad boy. On the other hand little known Warren William had to convince the viewers that he wasn't a bad guy all the time. Dave the Dude is basically a bad guy with a touch of good. Even his act of kindness to Annie is self serving. This movie is a perfect example that technical advances don't make a better story, lesser known actors can play the role better, and age can define whether any work of art can stand up to the ultimate critic - Time. Different audiences, tastes, standards and means of portraying the play, are the ultimate judge regarding the worth of the production.
Almost 70 years on, this film is as fresh as ever, with brilliant performances, great dialogue, and an irresistible story, even if you don't believe in fairy tales. Watch out for the butler's line, addressing Happy MacGuire, who talks in the not-so-grammatically-correct mob-lingo of the 1930s: "If I had a choice of weapon with you, Sir, I'd choose grammar." Definitely a must see!
Another old film I was excited to discover, and puzzled to not have heard of. I was unsurprised to find its a Frank Capra film, but I think I like this better than his later, more well-known films.
May Robson's performance in this is superb, I was gratified to see she was nominated as Best actress, but sorry she did not win. The other leads are great, and dialog well-written. As some others have noted the scene of the lovers on the patio is beautifully set and filmed.
If you love Frank Capra you'll love this one, and if not, you may find it a somewhat less saccarhine effort than his others....highly recommended!!
May Robson's performance in this is superb, I was gratified to see she was nominated as Best actress, but sorry she did not win. The other leads are great, and dialog well-written. As some others have noted the scene of the lovers on the patio is beautifully set and filmed.
If you love Frank Capra you'll love this one, and if not, you may find it a somewhat less saccarhine effort than his others....highly recommended!!
Wusstest du schon
- WissenswertesA number of beggars in downtown Los Angeles were cast in small roles, including the legless man, nicknamed William F. Sauls, whom Frank Capra had remembered as selling pencils when the director was a paperboy.
- PatzerWhile Dave the Dude's gang waits inside Missouri Martin's nightclub, Happy McGuire and Dave stand outside and are informed of the presence of the cops. Behind them on the left side of the double doors, there is a "Closed" sign, but the sign is gone when the interior shot has the two entering the club.
- Zitate
Happy McGuire: That should be a cinch.
Butler: I beg your pardon, Sir.
Happy McGuire: I said that should be a leadpipe cinch!
Butler: If I had choice of weapons with you, Sir, I'd choose grammar!
- VerbindungenFeatured in Frank Capra's American Dream (1997)
- SoundtracksThe Sidewalks of New York
(1894) (uncredited)
Music by Charles Lawlor and James W. Blake
Played during the openng credits
Top-Auswahl
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Details
Box Office
- Budget
- 300.000 $ (geschätzt)
- Laufzeit
- 1 Std. 36 Min.(96 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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