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King Kong und die weiße Frau

Originaltitel: King Kong
  • 1933
  • 6
  • 1 Std. 40 Min.
IMDb-BEWERTUNG
7,9/10
94.387
IHRE BEWERTUNG
Fay Wray and King Kong in King Kong und die weiße Frau (1933)
Trailer for the original, classic film
trailer wiedergeben1:32
1 Video
99+ Fotos
Abenteuer EpischDinosaurier-AbenteuerDschungelabenteuerHorrormonsterUrbanes AbenteuerAbenteuerHorror

Eine Filmcrew reist auf eine tropische Insel und entdeckt dort einen riesigen Affen, der sich in ihren blonden Filmstar verguckt. Er wird dann gefangen genommen und zur öffentlichen Ausstell... Alles lesenEine Filmcrew reist auf eine tropische Insel und entdeckt dort einen riesigen Affen, der sich in ihren blonden Filmstar verguckt. Er wird dann gefangen genommen und zur öffentlichen Ausstellung nach New York City zurückgebracht.Eine Filmcrew reist auf eine tropische Insel und entdeckt dort einen riesigen Affen, der sich in ihren blonden Filmstar verguckt. Er wird dann gefangen genommen und zur öffentlichen Ausstellung nach New York City zurückgebracht.

  • Regie
    • Merian C. Cooper
    • Ernest B. Schoedsack
  • Drehbuch
    • James Ashmore Creelman
    • Ruth Rose
    • Merian C. Cooper
  • Hauptbesetzung
    • Fay Wray
    • Robert Armstrong
    • Bruce Cabot
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,9/10
    94.387
    IHRE BEWERTUNG
    • Regie
      • Merian C. Cooper
      • Ernest B. Schoedsack
    • Drehbuch
      • James Ashmore Creelman
      • Ruth Rose
      • Merian C. Cooper
    • Hauptbesetzung
      • Fay Wray
      • Robert Armstrong
      • Bruce Cabot
    • 615Benutzerrezensionen
    • 206Kritische Rezensionen
    • 92Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 4 Gewinne & 8 Nominierungen insgesamt

    Videos1

    King Kong
    Trailer 1:32
    King Kong

    Fotos262

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    Topbesetzung99+

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    Fay Wray
    Fay Wray
    • Ann Darrow
    Robert Armstrong
    Robert Armstrong
    • Carl Denham
    Bruce Cabot
    Bruce Cabot
    • Jack Driscoll
    Frank Reicher
    Frank Reicher
    • Capt. Englehorn
    Sam Hardy
    Sam Hardy
    • Charles Weston
    Noble Johnson
    Noble Johnson
    • Native Chief
    Steve Clemente
    Steve Clemente
    • Witch King
    • (as Steve Clemento)
    James Flavin
    James Flavin
    • Second Mate Briggs
    Walter Ackerman
    • Reporter
    • (Nicht genannt)
    James Adamson
    • Native Child
    • (Nicht genannt)
    Van Alder
    • Member of Ship's Crew
    • (Nicht genannt)
    Ed Allen
    • Native
    • (Nicht genannt)
    Etta Mae Allen
    • Native
    • (Nicht genannt)
    Frank Angel
    • Reporter
    • (Nicht genannt)
    Roscoe Ates
    Roscoe Ates
    • Press Photographer
    • (Nicht genannt)
    Ralph Bard
    • Member of Ship's Crew
    • (Nicht genannt)
    Reginald Barlow
    Reginald Barlow
    • Ship's Engineer
    • (Nicht genannt)
    Leo Beard
    • Member of Ship's Crew
    • (Nicht genannt)
    • Regie
      • Merian C. Cooper
      • Ernest B. Schoedsack
    • Drehbuch
      • James Ashmore Creelman
      • Ruth Rose
      • Merian C. Cooper
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen615

    7,994.3K
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    Empfohlene Bewertungen

    8Ben_Cheshire

    Tongue in cheek movie about Hollywood.

    "He was a king and a god in the world he knew, but now he comes to civilisation merely a captive, a show to gratify your curiosity," the director says to the vaudeville house, before a curtain goes up and we see Kong suspended with his arms nailed out, as if on a cross.

    Self-reflection and satire of Hollywood is everywhere, which came as a great shock to me. There is a great subtext: the story is about a filmmaker who travels to overseas locations, such as jungles, to film his movies - he cares nothing for the cultures he may be violating, all he cares is capturing the spectacle on film. If he is unable to capture it on film, he tells us early on in the picture, he'll destroy it without a second thought. This is a film about the emptiness and recklessness of Hollywood, yet the satire is not bitter, but tongue-in-cheek in a way that follows James Whale's advice for putting subtexts in genre films, ie, not spoiling it for those viewers who don't "get the joke." So Kong can be enjoyed as a pure genre picture. The performances have false moments, but as an adventure picture it develops well, taking us gradually further towards the mystery of the legend of Kong, then follows Kong as the whole drama of his attempted capture plays out. The music also, is great, and along with mist and good cinematography helps create a mysterious atmosphere. The beginning is fairly talky, but it picks up. And the lovely Fay Wray offers reason enough to watch this on her own. If I was Kong, i know i'd beat the hell out of any dinosaur there was in order to protect her!

    Luckily, King Kong came in the period between 1930 and 1934 when there was no production code in Hollywood, so content was not censored. A couple years later we wouldn't have had the pleasure of seeing Fay Wray clad in a torn to shreds jungle jane costume, and especially not then falling in the water wearing said outfit! And probably not the degree of violence we have here: in one particular fight Kong has with T-rex he breaks the dinosaur's head by pulling its jaws so far open!

    The vintage special effects are great. They're so fun for quaintness value, but in places they're actually really good. The wrestling match with the T-rex, when Kong cracks a giant snake's back, and especially when he shakes the men off the log - all these sequences in particular were very well done. When I think about it, these effects aren't as quaint next to today's as you might initially think. How would we do a convincing giant ape onscreen (how will Peter Jackson do it in 2005)? By computer? Most of our completely computerised creatures at this writing are ridiculously fake looking. Try the ridiculous creature in Hulk? Everyone commented on how fake it looked. I'll go for the much more fun stop-motion Hickenlooper Kong over Hulk anyday.

    And the famous climax in New York City, which ends on the Empire State Building with Kong swatting at planes, is marvellous.
    10jon-larsen

    King Kong - One small step for man. One giant leap for film making!

    It's a shame that young people these days, don't know how to enjoy a black & white movie! I'm 14, and I love black & white movies. We saw this movie at school, and everyone hated it. They said it sucked, because it was in black & white, and the effects were hilariously bad!

    I disagreed!

    This movie is nearly 80 years old, and it's still a hit!

    The cinematography is incredibly beautiful. One of the greatest shots of all time is when Kong is on the top of the building!

    The acting is fine.

    The story is great, but my friends found it stupid. They thought it was unrealistic because there were dinosaurs and a giant gorilla on the island etc.

    This movie is entertaining throughout the whole movie! Most black & whites movies got a lot of dialog and long scenes with no editing, but not in this one! There are plenty of scenes in this movie where there are no dialog, but great editing and entertainment!

    The effects are so fantastic! Young people may find Kong hilarious when they see a close-up picture of him. But I was absolutely blown away! Imagine that you're in 1933. You go to the movies and you've never seen something like this before!

    King Kong is a one small step for man. One giant leap for film making!

    10/10
    9ccthemovieman-1

    The First King Kong Still Going Strong

    With the recent DVD release of this film, and the latest version on the big screen being released two days from this writing, I hope more people take the opportunity to check this movie out, the original King Kong, if they've never seen it.

    This movie must have been astounding to the people watching it over 70 years ago. I doubt they'd ever seen anything like this, action-wise, and monster-wise. It is still fascinating today, even with the great advancements in special effects.

    Most action films from the classic years, from 1920 to the late 1960s had corny mostly unrealistic special effects but this film still holds up, extraordinarily so considering its age. The film also had a tremendous amount of action. Young people today are usually bored watching old black-and-white movies but they wouldn't be bored with this one. Once the "girl," Fay Wray gets captured by King Kong, the rest of the movie is one long action scene.

    Kong was not the only beast in the movie, either, which surprised me the first time I ever saw this. Protecting Wray, Kong battles a dinosaur, a giant snake, a giant bird and then human beings firing bullets and bombs at him.

    Wray also was fun to watch, but I''m a male so a pretty woman like her - shockingly exposing her breasts in one scene, too - makes it easier to enjoy the film. Her screaming, however, can get on your nerves. She must have been hoarse for a month after filming this movie.

    Robert Armstrong, as the film director, and Bruce Cabot, as the ship crewman and Wray''s rescuer, also are interesting to watch and hear. As I said, once the action kicks in, the his a very entertaining movie and impossible to put down.
    8Xstal

    Giant of the Silver Screen...

    So much more than a film about a giant ape, you can pretty much conjure him into almost any allegorical theme or representation that takes your fancy, although I'm not sure that was the original intent. The scenes on the Empire State Building are as iconic as any that were ever produced, perhaps the most iconic ever. A timeless classic, a timeless story that will continue to be copied in variation, and remade, but seldom equalled.
    baz-15

    Holy Mackerel, what a show!

    I could never tire of this movie, i've seen it so many times and always watch it when it's on tv-in fact i watched it just a week ago! It's one of those films that is rewatchable countless times, like many other 'monster' movies. But this is the best 'monster' movie , it is so well made-it is a masterpiece. Everything is right-the effects,the photography,the score,pacing,continuity. My favourite part would be the big middle chunk on the island. Ann captured-natives dance-a sacrifice to kong-rescue mission-defeat of stegasoraus-swamp adventure-swamp escape-log catastrophe-trex battle-snake creature fight-pterydactil disposal-rescue/escape-kong wrecks village-gas bomb. There is almost no let up in the action in this sequence. I have seen two versions of the film though. One was cut, the other wasn't. Some scenes that were cut: kong pulls a native out of his hut and stomps him into the mud. Brilliant. Also the bits when kong chews a native, and when he chews on a new yorker. And when he throws a woman down from a scraper into the street. Needless cutting in my book. A lot of people complain about the acting. The acting is swell. Robert Armstrong is perfect as the over enthusiastic director who is completely responsible for the deaths of hundreds of innocent people but has absolutely no scruples about it. He provides the silent chuckles of the movie e.g my one line summary is actually what denham says when he sees the savages and their dancing. And Bruce Cabot to Fay Wray: ' hey, i guess i love you!' in a moment of clarity. Overall a smashing film with a great climax. And kong is supposed to have the hots for fay wray too when he plays with her and her clothes

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    Verwandte Interessen

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    Horror

    Handlung

    Ändern

    Wusstest du schon

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    • Wissenswertes
      Merian C. Cooper's first vision for the film was of a giant ape on top of the world's tallest building, fighting airplanes. He worked backward from there to develop the rest of the story.
    • Patzer
      (at around 1h 14 mins) A Skull Island resident jumps from a hut and falls beside a domed chicken cage, which then hinges backwards and catches the actor's wig, taking it off his head, and remaining on top of the cage.
    • Zitate

      [last lines]

      Police Lieutenant: Well, Denham, the airplanes got him.

      Carl Denham: Oh no, it wasn't the airplanes. It was beauty killed the beast.

    • Crazy Credits
      Opening Card: And the prophet said: "And lo, the beast looked upon the face of beauty. And it stayed its hand from killing. And from that day, it was as one dead." Old Arabian Proverb
    • Alternative Versionen
      On November 22, 2005, Turner Classic Movies premiered a version with a four minute overture added. This increased the run time to slightly over 104 minutes. This is also the U.S. two-disc DVD collector's edition version. Note, however, that the overture was not part of the film's original exhibition. According to John Morgan's notes on the score's re-construction, the overture was not written by Max Steiner. Morgan writes, "Another rumor has recently surfaced that Steiner composed an Overture for the film's world premiere opening in 1933 - there was even a recent recording claiming to be this long-lost Overture. Hearing the recorded "proof" of this Overture confirmed our suspicions: it was merely those same few acetates that have been floating around for years, professionally edited into a short Suite and called an Overture. In conversations I had with people who attended and remembered this opening, there was no music from the film used in any of these shows." Source: John Morgan, "Reconstruction Notes by John Morgan," Steiner: King Kong. Marco Polo (8.223763), 1997, pg. 21 (near bottom).
    • Verbindungen
      Edited into The Ghost Ship (1943)
    • Soundtracks
      St. Louis Blues
      (1914) (uncredited)

      Music by W.C. Handy

      Whistled by Robert Armstrong

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 1. Dezember 1933 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Die Fabel von King Kong - Ein amerikanischer Trick- und Sensationsfilm
    • Drehorte
      • San Pedro Harbor, Long Beach, Kalifornien, USA
    • Produktionsfirma
      • RKO Radio Pictures
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    Box Office

    Ändern
    • Budget
      • 670.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 1.181 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 40 Min.(100 min)
    • Farbe
      • Black and White(original release)
      • Black and White

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