Seine persönliche Sekretärin

The plot for "His Private Secretary" is a good one. It's a variation on a common theme for later films about a rich father who rues that he has a son who has been spoiled. Only, the screenplay for this film is not very good. It has holes in places and isn't tightly put together. The quality overall is crude and rough.

The film was made by Mascot, one of the Tin Pan Alley studios of the time. It's an early John Wayne film – one of the first in which he is credited and has a lead. Even then, Evalyn Knapp is billed ahead of him. But like so many other players from Tin Pan Alley, she never went much further in film and was forgotten by the 1940s. Wayne is one of a small number of players who got a start in the bottom rung of movie makers but who climbed to the highest rung and stardom.

The acting is so-so here, but it does show that Wayne had some talent and early on was comfortable in front of the camera. He would go on to make many more films of various genres, including a host of dime Westerns before the 1939 John Ford film, "Stagecoach," that caused his star to rise.

Though the quality of the film is not too great (hey, it IS from 1933!), it is a good little movie, and the entertainment value exceeds the quality (at least in the version we watched).

It is fun to see John Wayne in this atypical role. He plays the part of a fun-loving rich playboy, whose father wants him to settle down and start working in the family business. When he does the ultimate in settling down, by getting married, his father is convinced the wife is a gold-digger. How she convinces him otherwise is clever and well done, and shows the value of being a positive person with initiative.

MOST of the other comments on this movie say it so well, but I wanted to add one more very positive comment for the film.

If you are a John Wayne fan, you should definitely watch this movie.

It's strange to see a youthful John Wayne receiving a ticking off from his curmudgeonly father for staying out late and gallivanting with inappropriate girls. Even the Duke seems a little ill at ease and it's easy to see why he ultimately spent so much time in the saddle in the first ten years of his movie career. He just looked right up there somehow, while dressed in a suit he looks like a school kid at a wedding.

He plays Dick Wallace, the playboy son of a hard-hearted industrialist in this cheap programmer, who finds it impossible to keep his mind off women. Dad sets him to work in the office, but Big John spends his time breaking pencils so that he can ogle the legs of the secretary who re-sharpens them for him (which isn't quite the same as putting lead in it I suppose…).

Sent to a tiny village to collect a debt he tricks wholesome Evelyn Knapp into accepting a ride from him. Of course it turns out that she is the granddaughter of the man who owes Dick's dad all that money. Granddad's the village vicar, a kindly old chap who wears a hearing aid the size of an ear-muff, and he gave away all the money to the poor. Keen to get back into Evelyn's good books, Dick waives the debt, getting himself sacked in the process. Then he goes and blows it with Evelyn by trying to snog her before she's ready.

Evelyn Knapp's a pretty little creature with a winning smile and saucy hips, and it wouldn't bother me one little bit if I lost my job over her. Dick certainly isn't bothered – he just swaps his fancy car for the local garage so that he can stay close to her, even though she won't give him the time of day. Of course his dogged pursuit wears her down in the end, and within a minute of making up they're sharing rings. With that particular avenue closed to it, the film changes tack, and instead of Wayne pursuing Knapp, she now goes after his dad in order to get his blessing. Dad's convinced she's a gold-digger after Dick's inheritance, but she inadvertently winds up as his private secretary (although he doesn't know who she is) and he soon begins to thaw…

This one's obviously made on the cheap, but at least a little care has gone into the screenplay. It's supposed to be a romantic comedy but it isn't really very funny. Despite this, like John Wayne's aimless character, it is undeniably amiable, and its short running time ensures that it doesn't outlast its welcome. By the way, if you happen to watch this film, check out that stair banister in Dick's dad's house – it's got to be one of moviedom's strangest

This is one of those movies that a person is going to have to make several allowances for in order to enjoy it. First, this movie was very short (60 minutes). Along with that, it seems to be filmed in segments and doesn't flow smoothly from one to the other. Quite choppy. Now, part of the reason for both of these aspects is probably to contain costs. And I fully understand that in lieu of the fact that this movie was produced during the Great Depression. However, these factors really stood out and gave the entire film a rather cheap feeling to it. Fortunately, there are a couple of good things going for this movie too. For one, it has John Wayne ("Richard Wallace") as the leading actor. Granted this is one of his earliest films and he doesn't quite have the screen presence he commanded in his later years. But that's only to be expected. Another good thing was the performance of Evalyn Knapp (as "Marion Hall"). She was really special. Be that as it may, these two ingredients couldn't quite overcome the weaknesses I mentioned earlier. As such, while the movie is definitely cute, I have to give it an average rating.

I first caught a glimpse of this film on a Sunday morning on a local independent station. The film was abruptly pre-empted for a college wrestling match or something. Until recently I was not able to revisit this film in it's entirety, but I remembered one thing that stood out, Evalyn Knapp. She is a mixture of silent actress Bessie Love and talkies Jean Harlow and Barbara Stanwyck. The obvious attraction to this film today is the presence of John Wayne in the male lead. Got to give him credit for doing something other than riding a horse and for trying his hands at something purporting to be drama. Others have complained that this movie was put on DVD and not restored to better condition. Got to understand one thing, this film has been in the public domain for so long it is lucky that it survives in any condition. It is a poverty row film, from something called Showmen's Pictures, sheesh never heard of em. The negative and first generation materials of this movie have probably long since gone out of existence and all that remains is the sub-par 16mm prints floating around in public domain. It was available on several low budget home video labels during the videotape years. Albeit the original print quality probably wasn't all that good to begin with but the picture is what it is. The plot of this movie has been reiterated by some of the other posters so it need not be repeated by me. So I'll get back to the thing that stood out for me before that college game interrupted my original viewing, Evalyn Knapp. She is perhaps the real star of this near 'dog' of a picture and she provides the grasping factor of 'cheesecake'. While she is presented as Wayne's love interest the producer's(and I agree) felt that she could add eye candy value to a hard to sell low budget by wearing slinky form fitting dresses. For being the female lead, we first see her in the film 30 minutes in and she is given nothing more to do than utter several lines and walk in and out of scenes with several tight fitting dresses. Arthur Hoyt(from the silent LOST WORLD)plays a secretary to Wayne's dad and ogles Knapp on several instances and who could blame him. So for many a depression era out of work guy in the audience he would be glad to enjoy a few minutes of Miss Knapp's figure before leaving the theatre back to the miserable reality of the Great Depression. So there's nothing more to be gotten out of this flick but Evalyn Knapp does really save the flick for this viewer and on a historical basis it provides a glimpse into John Wayne's early dramatic abilities.