Füge eine Handlung in deiner Sprache hinzuDick Wallace secretly marries a minister's grand-daughter but his father, who thinks she is a gold digger, is opposed. She takes a job with the company under her maiden name to prove she's o... Alles lesenDick Wallace secretly marries a minister's grand-daughter but his father, who thinks she is a gold digger, is opposed. She takes a job with the company under her maiden name to prove she's okay.Dick Wallace secretly marries a minister's grand-daughter but his father, who thinks she is a gold digger, is opposed. She takes a job with the company under her maiden name to prove she's okay.
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I have to say that I was pleasantly surprised with this one. Granted that the film doesn't exactly have the production values that one would have associated with the major studios and it can't get a better rating from me because of that. Still the performances were not bad and the Duke did a fine job in this one.
John Wayne plays the young playboy son of banker Reginald Barlow and all he has on his mind is chasing women. He's the despair of dear old dad who would like the Duke to just settle down in the family business. When he agrees to come to work, his first assignment is to get some deadbeat to cough up his loan money or foreclose.
Remember this is the Great Depression and a lot of people were in similar circumstances. But in this case the deadbeat is minister Alec B. Francis who has a pretty granddaughter Evelyn Knapp and with the Duke it's always pleasure before business.
Because Knapp doesn't immediately fall for his line and shows a serious side he's not seen in many women, Wayne is really taken with her. I think I need not say more because if you've seen thirties type comedies you know where this is heading.
The interesting thing to speculate is if this film had been the product of one of the major studios and had been given production values and a distribution level commiserate with same, what kind of turn John Wayne's career might have taken.
Wayne plays the carefree son of a rich man. His Father disapproves of him and his lifestyle, and after giving him one last chance, rejects him and the woman he has married (Evalyn Knapp). His wife decides to take matters into her own hands, with a creative scheme intended to bring the cold-hearted father to his senses. It's a fairly interesting scenario, and most of the possibilities are realized. The acting is generally good, and Wayne does well in a role much different from those he would later become famous for.
Wayne's fans should enjoy seeing how he performs in this atypical role, and fans of old-fashioned romantic comedies should also find this worth a look.
Richard (Dick) Wallace is a playboy whose father wants him to straighten up and join the family business, but Dick only wants to have a good time. He meets Marion and falls in love with her. He trades his car for a gas station in order to stay in the town she lives in to be near her, and convinces her to marry him. But, his father will not be convinced that Marion is not a gold digger. She sets out to prove to the old man that she is different, and does. Dick, however, has not yet changed, and suffers the consequences of his folly.
The movie is a bit choppy, and the plot is weak in places. Some of the supporting roles could have been stronger. Never-the-less, it is fun to watch John Wayne as the ne'er-do-well son of a rich man, and get his come-uppance at the hands of the preacher's granddaughter.
It is fun to see John Wayne in this atypical role. He plays the part of a fun-loving rich playboy, whose father wants him to settle down and start working in the family business. When he does the ultimate in settling down, by getting married, his father is convinced the wife is a gold-digger. How she convinces him otherwise is clever and well done, and shows the value of being a positive person with initiative.
MOST of the other comments on this movie say it so well, but I wanted to add one more very positive comment for the film.
If you are a John Wayne fan, you should definitely watch this movie.
The film was made by Mascot, one of the Tin Pan Alley studios of the time. It's an early John Wayne film – one of the first in which he is credited and has a lead. Even then, Evalyn Knapp is billed ahead of him. But like so many other players from Tin Pan Alley, she never went much further in film and was forgotten by the 1940s. Wayne is one of a small number of players who got a start in the bottom rung of movie makers but who climbed to the highest rung and stardom.
The acting is so-so here, but it does show that Wayne had some talent and early on was comfortable in front of the camera. He would go on to make many more films of various genres, including a host of dime Westerns before the 1939 John Ford film, "Stagecoach," that caused his star to rise.
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- WissenswertesProducer Sam Katzman only had $2500 of the film's $9600 budget available. The rest was deferred. Star John Wayne was paid only $150 per week.
- PatzerWhen Dick and Marion first meet at the gas station she is by the rear left fender of his car, talking to the attendant on the other side, yet when Dick adjusts the rear view mirror we see Marion's full face instead of a left profile. Then Marion turns her back on the mirror, but when Dick adjusts it downward, we see the front of Marion's feet and legs instead of the back. Only when the camera backs off does Marion turn around and face Dick and the mirror.
- Zitate
Jenkins - the Butler: [opening the front door to allow Dick and friends in] Shhh!
Dick Wallace: [Coming in boisterously drunk after a night on the town] Hello, Diggsy, old boy!
Jenkins - the Butler: Your father's trying to sleep, sir.
Dick Wallace: Ohhhh... better let sleeping dads lie, eh, Diggs?
- VerbindungenReferenced in They Came from Beyond - Sam Katzman at Columbia (2023)
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Details
Box Office
- Budget
- 9.600 $ (geschätzt)
- Laufzeit1 Stunde
- Farbe
- Seitenverhältnis
- 1.37 : 1