IMDb-BEWERTUNG
5,8/10
3567
IHRE BEWERTUNG
Ein Ägyptologe kehrt von den Toten zurück, um sich an denen zu rächen, die sein Grab geschändet haben.Ein Ägyptologe kehrt von den Toten zurück, um sich an denen zu rächen, die sein Grab geschändet haben.Ein Ägyptologe kehrt von den Toten zurück, um sich an denen zu rächen, die sein Grab geschändet haben.
- Auszeichnungen
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Jack Raine
- Davis the Chauffeur
- (Nicht genannt)
George Relph
- Doctor
- (Nicht genannt)
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The surprising thing about THE GHOUL is that it features an impressive background score for a film made in '33, when most soundtracks were almost completely devoid of music. This is something the other comments here failed to mention.
The other plus factor is the brilliant B&W photography done in Gothic style to suit the story elements here. An Egyptologist returns from the grave to take revenge on a servant who has stolen a sacred jewel. BORIS KARLOFF is the doctor with his own rules about how to offer sacrifices to Anubis in order to have eternal life.
The pace is slow and there's too much silly banter that features KATHLEEN HARRISON in a role designed to give the audience comedy relief. RALPH RICHARDSON is excellent as a cleric who seems to be a helpful visitor and ERNEST THESIGER is fine as the nervous servant.
The Gothic ambiance is strong with handsome interiors of a house in shadows and the flavor of an "old dark house mystery" is well sustained. Plotwise, there are loopholes and the story only really picks up once Karloff has returned from the grave.
For fans of this genre, this is an interesting film and Karloff's performance is first rate.
The other plus factor is the brilliant B&W photography done in Gothic style to suit the story elements here. An Egyptologist returns from the grave to take revenge on a servant who has stolen a sacred jewel. BORIS KARLOFF is the doctor with his own rules about how to offer sacrifices to Anubis in order to have eternal life.
The pace is slow and there's too much silly banter that features KATHLEEN HARRISON in a role designed to give the audience comedy relief. RALPH RICHARDSON is excellent as a cleric who seems to be a helpful visitor and ERNEST THESIGER is fine as the nervous servant.
The Gothic ambiance is strong with handsome interiors of a house in shadows and the flavor of an "old dark house mystery" is well sustained. Plotwise, there are loopholes and the story only really picks up once Karloff has returned from the grave.
For fans of this genre, this is an interesting film and Karloff's performance is first rate.
I disagree wholeheartedly with those who have given this film a bad review. The acting is superb, particularly Ralph Richardson as the 'Vicar', and the character actors, and of course Boris himself. Beautifully shot with wonderful props and set (I'd love to know which house they used!) it could put many a famous cinematic Haunted House to shame! The plot is reasonably clever and well-paced --nobody wants anything too complex in this atmospheric genre-- and the romantic subplot is suitably unsentimental and unobtrusive. Especially wonderful is the moment when the second woman, who had been swooning ridiculously in front of the man who calls himself a Sheik and generally acting silly, turns suddenly brave and holds the baddies at bay with the words (remember this is 1933!) "I don't THINK so!"
After Boris Karloff starred in The Mummy, he went back to England to film this eerie followup. In this film, he looks like a combination Frankenstein monster and the mummy I'm-Ho-Tep - and as grotesque as possible.
The tomb-robbing Ernest Thesiger gets the action going. Karloff stalking through the moldy mansion is as eerie as you can imagine. The end in which Karloff goes back to his tomb has some scenes that are the most hair-raising as you can imagine.
NOTE: Avoid copies that are incomplete or cut. The version that I have is 76 minutes long and some of the others seem to be abridged.
Watch it with your B-movie buddies.
The tomb-robbing Ernest Thesiger gets the action going. Karloff stalking through the moldy mansion is as eerie as you can imagine. The end in which Karloff goes back to his tomb has some scenes that are the most hair-raising as you can imagine.
NOTE: Avoid copies that are incomplete or cut. The version that I have is 76 minutes long and some of the others seem to be abridged.
Watch it with your B-movie buddies.
T. Hayes Hunter's "The Ghoul" of 1933 is certainly not one of the best movies starring the incomparable Boris Karloff, as Karloff sadly doesn't have the screen time one could have hoped for, but it has its qualities and is doubtlessly worth watching, also for the reason that "The Ghoul" was thought of as a lost film for a long time.
Professor Morlant (Boris Karloff), a dying Egyptologist who believes in ancient Egyptian Gods, gives the instructions for his burial to his butler (Ernest Thesinger). Hoping to gain eternal life as a follower of an Egyptian deity, Morlant wants to be buried in a tomb by his mansion, with a statue of his God and a valuable jewel in his hand...
This movie's biggest flaw is the lack of screen time for Karloff, out of the movie's 80 minutes, Karloff appears for 25 minutes at the most. In other respects, the movie has many qualities, it is very well photographed, the score is great and fits in perfectly, and all that, as well as lots of shadows, make the movie highly atmospheric and obscure, as the film maintains a certain darkness throughout its entire 80 minutes. Karloff is great as always, and, in spite of the fact that he should have had more screen time, this brilliant actor is so eerie and remarkable that he carries the movie. Seeing Ernest Thesinger (Dr. Pretorius in "Bride Of Frankenstein") deliver a great performance as the butler is another great quality of "The Ghoul". The performances are generally good, Cedrick Hardwicke is great as the lawyer Broughton, and Kathleen Harrison and Harold Huth are great fun to watch in the film's more humorous parts. Unfortunately, the movie, which starts out greatly, gets quite boring in the middle, and nothing really happens for quite some time. Apart from the unnecessary boredom in the middle of the movie, and the fact that Karloff's role could have been a lot bigger, the movie is certainly worth watching. When it comes to Egyptian themed movies with Karloff, however, I'll recommend "The Mummy" of 1932, a true masterpiece, ten times over "The Ghoul".
All things considered, "The Ghoul" is certainly no highlight in the great Boris Karloff's career, but warmly recommended to my fellow fans of classic Horror cinema. 6/10
Professor Morlant (Boris Karloff), a dying Egyptologist who believes in ancient Egyptian Gods, gives the instructions for his burial to his butler (Ernest Thesinger). Hoping to gain eternal life as a follower of an Egyptian deity, Morlant wants to be buried in a tomb by his mansion, with a statue of his God and a valuable jewel in his hand...
This movie's biggest flaw is the lack of screen time for Karloff, out of the movie's 80 minutes, Karloff appears for 25 minutes at the most. In other respects, the movie has many qualities, it is very well photographed, the score is great and fits in perfectly, and all that, as well as lots of shadows, make the movie highly atmospheric and obscure, as the film maintains a certain darkness throughout its entire 80 minutes. Karloff is great as always, and, in spite of the fact that he should have had more screen time, this brilliant actor is so eerie and remarkable that he carries the movie. Seeing Ernest Thesinger (Dr. Pretorius in "Bride Of Frankenstein") deliver a great performance as the butler is another great quality of "The Ghoul". The performances are generally good, Cedrick Hardwicke is great as the lawyer Broughton, and Kathleen Harrison and Harold Huth are great fun to watch in the film's more humorous parts. Unfortunately, the movie, which starts out greatly, gets quite boring in the middle, and nothing really happens for quite some time. Apart from the unnecessary boredom in the middle of the movie, and the fact that Karloff's role could have been a lot bigger, the movie is certainly worth watching. When it comes to Egyptian themed movies with Karloff, however, I'll recommend "The Mummy" of 1932, a true masterpiece, ten times over "The Ghoul".
All things considered, "The Ghoul" is certainly no highlight in the great Boris Karloff's career, but warmly recommended to my fellow fans of classic Horror cinema. 6/10
On this site there is a criticism which says to stay away from this film because it is incomprehensible. That's correct for the incomplete copies heretofore available. Now MGM Video has released a complete version on VHS and DVD, a very high quality print. The story is very clear now, and this is one of the high end Karloff flicks. If you like vintage horror films, if you're a Karloff fan, if you liked Karloff's "The Mummy," you will like this film.
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- WissenswertesFor many years this was regarded as a "lost film", with no prints or elements known to exist. A nitrate release print was discovered in the Czech National Archives, in Prague, in then Czechoslovakia. This print was a subtitled, edited version that was in poor condition, and contained numerous splices. Several years later, a print of the uncut British version was finally discovered.
- PatzerAt 40:15 when the candles are being lit, the fill light to the right flashes off and then on.
- Alternative VersionenMost theatrical/TV prints run 73 minutes. Video release restores original running length of 79 minutes.
- VerbindungenEdited into Pale Moonlight Theater: The Ghoul (2014)
- SoundtracksSiegfried's Funeral March
(uncredited)
from "Der Götterdämmerung"
Music by Richard Wagner
Arranged by Louis Levy
Played during Morlant's funeral procession and thereafter
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- 1 Std. 20 Min.(80 min)
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