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IMDbPro

Der brennende Acker

  • 1922
  • 1 Std. 38 Min.
IMDb-BEWERTUNG
6,9/10
827
IHRE BEWERTUNG
Josef Fenneker in Der brennende Acker (1922)
Drama

Füge eine Handlung in deiner Sprache hinzuWhen farmer Rog dies, his son Peter stays, but Johannes can not be satisfied with such a condition (and servant Maria's love) and finds a job as old Count Rudenberg's secretary. His ambition... Alles lesenWhen farmer Rog dies, his son Peter stays, but Johannes can not be satisfied with such a condition (and servant Maria's love) and finds a job as old Count Rudenberg's secretary. His ambition leads him to charm Gerda, the Count's unique daughter. But when he discovers that Count's... Alles lesenWhen farmer Rog dies, his son Peter stays, but Johannes can not be satisfied with such a condition (and servant Maria's love) and finds a job as old Count Rudenberg's secretary. His ambition leads him to charm Gerda, the Count's unique daughter. But when he discovers that Count's second wife Helga will soon inherit a field that only he knows his underground is full wi... Alles lesen

  • Regie
    • F.W. Murnau
  • Drehbuch
    • Willy Haas
    • Arthur Rosen
    • Thea von Harbou
  • Hauptbesetzung
    • Werner Krauss
    • Eugen Klöpfer
    • Vladimir Gajdarov
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,9/10
    827
    IHRE BEWERTUNG
    • Regie
      • F.W. Murnau
    • Drehbuch
      • Willy Haas
      • Arthur Rosen
      • Thea von Harbou
    • Hauptbesetzung
      • Werner Krauss
      • Eugen Klöpfer
      • Vladimir Gajdarov
    • 16Benutzerrezensionen
    • 5Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos3

    Poster ansehen
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    Topbesetzung25

    Ändern
    Werner Krauss
    Werner Krauss
    • Der alte Rog…
    Eugen Klöpfer
    Eugen Klöpfer
    • Peter Rog
    Vladimir Gajdarov
    Vladimir Gajdarov
    • Johannes Rog
    Eduard von Winterstein
    Eduard von Winterstein
    • Graf Rudenburg…
    Lya De Putti
    Lya De Putti
    • Gerda - Rudenburg's Tochter…
    Stella Arbenina
    Stella Arbenina
    • Helga - Rudenburg's zweite Frau…
    Alfred Abel
    Alfred Abel
    • Ludwig von Lellewel
    Grete Diercks
    • Maria
    Elsa Wagner
    • Magda
    Emilia Unda
    Emilia Unda
    • Alte Magd…
    Leonie Taliansky
    • Gerdas Zofe…
    Georg John
    Georg John
    • Großknecht…
    Emilie Kurz
    • Großmagd
    Robert Leffler
    Robert Leffler
    • Diener
    Eugen Rex
    Eugen Rex
    • Ackerkäufer
    Hellmuth Bergmann
    Hellmuth Bergmann
    • Kutscher
    Leonhard Haskel
    • Pferdehändler
    Gustav Botz
    • Prof. Butkin
    • Regie
      • F.W. Murnau
    • Drehbuch
      • Willy Haas
      • Arthur Rosen
      • Thea von Harbou
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen16

    6,9827
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    Empfohlene Bewertungen

    7Ben-207

    Obscure but not lost

    A print of this movie was found a few years ago in an Italian monastery, apparently. It is particularly interesting because it is the film Murnau shot right before his seminal "Nosferatu". It contains some incredible exterior shots, but is not as amazing as "sunrise" or "the last laugh". Still, Murnau's reputation as one of the TRUE film geniuses remains intact.
    6TheLittleSongbird

    Doesn't burn enough

    FW Murnau was a fantastic and influential director/film maker, with interesting themes and full of stunning and unlike anything seen before for the time imagery. Evident in 'Faust', 'The Last Laugh', 'Nosferatu', 'City Girl' and especially 'Sunrise'. When it comes to silent film, he, Fritz Lang and Georges Melies were particularly important in its development, DW Griffith also but his output wasn't as consistent, and even lesser films are worth a look for curiosity sake.

    'The Burning Soil' is definitely worth seeing, if more for curiosity to see more of Murnau's films (that are available) than anything else. It isn't Murnau's worst, it is better than 'The Haunted Castle' for instance, but 'The Burning Soil' is to me a lesser effort of his and it is better seeing the films mentioned in the first paragraph. There is a sense of Murnau having not yet found his comfort zone, but it is watchable and in many places pretty good. Its good things even being great.

    Especially good about 'The Burning Soil' is the way it looks. Especially in the very atmospheric and often exquisite, by his early period standards, cinematography. The sets show ambition and skill. Murnau directs with an assured hand generally. Also really liked the hauntingly dark atmosphere and melancholic edge, when it comes to atmosphere, 'The Burning Soil' is a triumph.

    While there aren't any performances that are iconic as such, most of the acting is actually fine and a lot more subtle than that in 'The Haunted Castle'. Would go as far as calling Lye De Patti and affecting Stella Arbenina excellent.

    Did feel that there was an exception when it came to the acting, for my tastes Vladimir Gajidarov came over as too theatrical and like he was over-compensating. Werner Krauss is severely underused but does what he can with what he has. Really didn't like how Johannes was written, very one-dimensional and with few redeeming qualities which made it hard to understand what the other characters saw in him.

    Moreover, 'The Burning Soil' is very flawed in story. Which came over as too melodramatic and over-stretched from being too thin and pace wise some of it really plods. Murnau's direction had moments where it seemed like he wasn't in complete control of the material, and the music is a pretty ill match.

    In conclusion, interesting film but not one of the Murnau essentials. 6/10.
    10overseer-3

    Murnau's Version Of The Prodigal Son

    Another masterpiece by Murnau, dark and moody, very little romance, mostly the dark side of life reflected in the greed and ambition of a prodigal son who arrives home too late to say goodbye to his dying father. Instead of obeying his father's last wishes, to marry his childhood friend and work the farm, Johannes wants to rise above his station in life, and he doesn't care who he has to walk over to get there. There is positive restoration by the end of the film that is rather jarring, but this seems to be a favorite theme of Murnau's. Instead of restoration with the father, as in the biblical story of the prodigal son, we see the genuine restoration of the two brothers, and forgiveness. We're not quite sure if the two brothers in the bible story ever truly reconcile, but in Murnau's story it is clearly evident.

    If you are someone who enjoys Murnau's films definitely see The Burning Soil. Interesting story, good acting, overall good condition of the surviving film.
    8blue-7

    Available on DVD from Grapevine

    Murnau's SUNRISE ranks as one my ten favorite films -- it may be number one! It has been exciting to see SUNRISE and other of his films make it to DVD, many in beautifully restored prints. It is also exciting to discover some of his earlier works and see the genius of this master filmmaker developing. That is certainly the case with his 1922 BURNING SOIL. Like a reviewer elsewhere on this site I felt that I was watching a work done by Ingmar Bergman. The story may be viewed as somewhat melodramatic but the directing, acting and cinematography are for the most part quite stunning. It is frustrating to read about a film that you would like to see and not find it available to see, so I am pleased to let anyone interested in seeing this early Murnau work know that Grapevine Video of Phoenix, Arizona has released it. The picture quality is quite sharp and the tones quite nice though the print has a lot of specks. However, coming from the only known print to exist, I was more then pleased with the print. The orchestra score provided by Lou McMahon does not fit the mood some of the time, but for the most part it adds to the watching of the film. If you are interested in obtaining this title then get check it out on www.grapevinevideo.com . Grapevine Video offers a number of silent titles that can not be found anywhere else.
    7F Gwynplaine MacIntyre

    "God's Little Acre" with umlauts

    Any film directed by F.W. Murnau merits attention, but "The Burning Field" is one of his more turgid efforts. This film reminds me of "God's Little Acre", "Giant", "Duel in the Sun" and "Dallas" ... and the comparisons are not to this movie's advantage. Several scriptwriters are credited, but I suspect that the soap-opera excesses of this film's plot can safely be credited to Thea von Harbou, whose heavy hand is all over the storyline.

    Most of the action takes place on a farm owned by the Rog family, who give fealty to Count Rudenburg. In the role of the Rog patriarch, the great actor Werner Krauss is nearly wasted. Krauss does a bog-standard death scene ... but then, unexpectedly, just before he dies he makes an "ach, forget it" gesture with one hand, neatly defining his character just as he expires.

    Old Rog has two sons, who come dangerously close to the hoary cliché of "good brother, bad brother". Modest Peter merely wants to work the farm. Johannes wants something more out of life. The most impressive thing about this film is how the character of Johannes is written (and performed by actor Vladimir Gaidarov). It would have been easy to make Johannes a clear-cut villain. Instead, he's an opportunist and a manipulator, and somewhat unethical, but he never quite descends to outright criminality.

    Early in the film, there's a brief flashback to an earlier period, apparently the 17th century. When this movie was made in 1922, the fade-out and the dissolve were already established in film language as the transitional devices for flashbacks. Murnau doesn't use them here. Instead, a shadow passes across the screen image, almost like a primitive example of an optical wipe.

    Lya De Putti gives an excellent performance as the Count's daughter. De Putti has a reputation as an exotic screen vamp, but she really wasn't very beautiful. Here, her mouth is lipsticked into a grotesque cupid's bow, and her eyebrows are plucked into a shape that's both too elaborate and asymmetrical with it. A close-up reveals her fingers to be short, thick and ungainly. Yet, when she strides across the screen in full riding habit and spurs, haughtily pulling a pair of riding-gloves onto her hands while spurning Alfred Abel's advances -- "Excuse me. My horse is waiting." -- she is very sexy indeed.

    The photography is excellent throughout. Several times, we see the Rog family's house in long shot, in the midst of an absolutely flat plain. This shot reminded me of a very similar shot in George Stevens's "Giant". Later, an oil derrick appears near the Rog house. Again, this also happened in "Giant". George Stevens was a brilliant director who didn't have to borrow from anyone else, yet the similarities in these two films are so strong that I can't help wondering if Stevens was influenced by this film.

    Murnau's sure hand wavers just occasionally. At several points during this drama, small objects (coins, the fragments of a torn document) are dropped or flung to the floor. With one exception, all of these moments are shown in full shot. They would have been far more effective if Murnau had inserted a closer shot of the coins rolling, the fragments fluttering. During one exterior sequence, while De Putti and Gaidarov are emoting in the foreground, nobody seems to notice a little black dog running through the snowdrifts behind them. The dog isn't in the script, but he's there anyway.

    Stella Arbenina gives a beautifully subtle and poignant performance in a sympathetic role, except for one ludicrous moment when her character goes out into deep snow wearing high-heeled shoes. The modest farmer Peter is played by Eugen Klöpfer, an actor I've never seen before. In close-ups of Klöpfer, I was amused to discover that he had two small moles on his left cheek ... in exactly the same places where Lon Chaney also had facial moles. Klöpfer wears heavy makeup in this role, yet the blemishes appear to be genuine. Is it possible that Eugen Klöpfer was actually Lon Chaney, moonlighting under another name? Probably not. I'll rate this movie 7 points out of 10. The plot has many flaws, but the photography and the performances (and Murnau's direction) go a considerable distance to compensate.

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    Handlung

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    • Wissenswertes
      This movie was considered lost for many years. In 1978, an almost complete print was found in the estate of an Italian priest who had organised screenings in mental hospitals. The same was true of Die Passion der Jeanne d'Arc (1928).
    • Verbindungen
      Featured in Der Weg nach Murnau (2003)

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    Details

    Ändern
    • Erscheinungsdatum
      • 24. April 1922 (Schweden)
    • Herkunftsland
      • Deutschland
    • Sprache
      • Noon
    • Auch bekannt als
      • The Burning Soil
    • Drehorte
      • Bornstedter Feld, Potsdam, Brandenburg, Deutschland
    • Produktionsfirmen
      • Deulig Film
      • Goron Film
      • ARTE
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    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 38 Minuten
    • Farbe
      • Black and White
    • Sound-Mix
      • Silent
    • Seitenverhältnis
      • 1.33 : 1

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