Seines Glückes Schmied

I would rate this below-par for a Buster Keaton short. It's not bad, just not quite up to Buster's wild and craziness he usually exhibits in these short 20-minute films. He set high standards.

Instead of amazing physical feats or a bunch of chase scenes, most of the jokes are either Buster getting a horse dirty or breaking something or someone else doing it, or a nutty invention for a "shock absorber" for riding a horse. They are all mildly amusing, but that's it.

Perhaps part of the problem is that most of the movie takes place in a blacksmith shop/automobile garage. Keaton, with his athletic prowess, needs room to maneuver, and he doesn't have it here.

And films like this one is why. Its just one laugh after another. This is absolutely one of Keaton's better works. One gag after another, all pulled off as only Keaton could. All things work well. The photography is well done, the continuity is much better than in most films of that day, the sets, the props, the other players, all done well. And I loved the last minute or two of the film. Its just cool. And there is, of course, the destruction of the Rolls Royce. The beautiful new car had been a gift to Keaton from his in-laws. I wonder how funny THEY thought THAT was? I suppose it was cost efficient in the making of the film. But as far as cost efficiency and laughs go this flick is extravagant.

Buster Keaton works as apprentice in the blacksmith's shop. When little misunderstanding sends the blacksmith into jail, Buster has to take over all the jobs. One little mistake leads to another and accidents grow bigger, until Buster destroys gleaming white Rolls Royce, and he is finally chased out from the town.

'The Blacksmith' doesn't include stunts on the large scale, but every little gag is so well tied with the next one, that it makes the film flow. Above the average on Buster Keaton scale, but probably the best one in the sense of pure storytelling - every joke and gag moves the story forward, and are not there just for the laughs. Or just for the sake of performing big stunt.

Buster Keaton was nothing short of a genius, in comedy or for anything for that matter. Not just because of his humour hilarious, his charm endearing and his physical comedy enough to make many envious, but also because of how he was never afraid to take risks (his most daring work making the jaw drop) and because he was an unparallelled master when it came to deadpan, a lot of people struggle to do it well but Keaton was brilliant at it.

He did do a lot better than 'The Blacksmith', whether short films or feature films. When it comes to his short films, there is a preference for the likes of 'The Scarecrow', 'The Goat' and 'The Boat', which like a lot of other Keaton outings were much funnier, more imaginative, more daring and played to Keaton's strengths more. His physical comedy has been better served elsewhere as well, to me at least. That sounds like 'The Blacksmith' is bad. Actually, it is definitely worth watching and is well done, just a little underwhelming by inevitably high Keaton standards.

'The Blacksmith' is very thinly plotted and even as a short film it feels a little over-stretched. The romantic subplot is (for a Keaton short and feature film) uncharacteristically bland and feels padded.

For Keaton, 'The Blacksmith' is pretty tame. The pace is not as breakneck compared to most of Keaton's work and the physical comedy not near as daring or inventive. The gags are definitely well constructed and bring a smile to the face but they don't rise above pleasantly amusing.

As said though, this does not mean that 'The Blacksmith' is bad. It is a good looking short film, not among the most technically advanced of Keaton's but it's not primitive either. As said, the gags are pleasant and amusing and are timed well. It is not dull generally, not breakneck but there is energy, and there is an easy-going charm and natural likeability.

Keaton has great comic timing and is easy to endear to, his deadpan "Great Stone Face" acting style, expressive and nuanced as always, having not lost its appeal.

Overall, nice enough but not exceptional. For Keaton, this could have been better. 7/10

A simple story. A great effect. A lovely comedy, in which not exactly the story is significant but the amazing inventivity. A nice short film, proposing an apprentice and his hilarious mistakes and a love story among horses and cars.