Füge eine Handlung in deiner Sprache hinzuA bumbling sawmill employee tries to win the hand of the owner's daughter while staying out of the clutches of the mill's bullying foreman.A bumbling sawmill employee tries to win the hand of the owner's daughter while staying out of the clutches of the mill's bullying foreman.A bumbling sawmill employee tries to win the hand of the owner's daughter while staying out of the clutches of the mill's bullying foreman.
- Regie
- Drehbuch
- Hauptbesetzung
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The Sawmill, despite its big budget, seems no different from any of the other Larry Semon films. It is the same story as usual. As the title suggests it is set in a sawmill. Larry has fallen for the owners daughter and Oliver Hardy has done the same. Hardy appears in his usual role of, the crook who tries to get the girl using brute force. This film features the usual Semon stunts, such as falling off buildings (rarely self performed) and jumping huge gaps. This film is nothing great, but you really have to pity Semon, for the film appears to have had a great deal put into it (virtually everything gets destroyed at some point).
As nobody else has commented on it yet I might as well. Pretty run of the mill slapstick comedy of the time. Obviously from the title set at a sawmill. Larry Semon manages to get the girl in the end after a series of chases etc. Interesting to most people I would imagine for the appearance of Oliver Hardy as Semon's "competition". Perhaps rates 5/10.
This comedy short contains some fantastic stunt work. I wish I knew how many were done by the actors and which were done by the uncredited stunt performers, but while the film is filled with familiar gags and features an early appearance by Babe Hardy--better known as Oliver Hardy after his partnership with Stan Laurel--the real star of this film is some amazing stunt work. From massive falling trees barely missing the performers to high dive and one amazing double rope swing, these amazing stunts are worth watching just to enjoy for their own merit.
Overall, not a bad film, but just sit back and marvel at the work of stunt men (and perhaps stunt women) long before the days of CGI and all the safety procedures we have a century later.
Overall, not a bad film, but just sit back and marvel at the work of stunt men (and perhaps stunt women) long before the days of CGI and all the safety procedures we have a century later.
As a supporting player Oliver Hardy worked in several silent films before teaming with Stan Laurel. This one, The Sawmill, was done with now forgotten silent screen comedian Larry Semon as both star and producer. Hardy did several with him.
I couldn't quite get Semon's style down, he seemed to flit from Buster Keaton, to Harry Langdon, to Stan Laurel with a little Charley Chase thrown in as well. Maybe a dash of Harold Lloyd. He's the little dunce of a worker at a sawmill who's in love with the owner's daughter. But so is Hardy who plays a Simon Legree like foreman who carries a bullwhip to enforce his will.
The more Hardy chased, the more Semon ran until the worm turned and he got the girl at the expense of a sawmill. The Sawmill had a few good moments, but it was not up to the standards of any of the folks that Semon copied.
I couldn't quite get Semon's style down, he seemed to flit from Buster Keaton, to Harry Langdon, to Stan Laurel with a little Charley Chase thrown in as well. Maybe a dash of Harold Lloyd. He's the little dunce of a worker at a sawmill who's in love with the owner's daughter. But so is Hardy who plays a Simon Legree like foreman who carries a bullwhip to enforce his will.
The more Hardy chased, the more Semon ran until the worm turned and he got the girl at the expense of a sawmill. The Sawmill had a few good moments, but it was not up to the standards of any of the folks that Semon copied.
In the 'teens and '20's, Larry Semon was a second-echelon comedian primarily in two-reel comedies. His comedies, while expensively mounted and populated with good comic actors, never quite made the leap to Chaplin, Arbuckle or Keaton standards.
It was set in (naturally enough) a lumber camp. Larry plays the "rugged he-man type" usually portrayed by Wallace Beery or Jack Holt. Semon's physical bearing makes this an amusing target.
The Sawmill was a very expensive comedy to make, more than some Chaplin pictures, but it just doesn't make it as a great comedy. If you like Ben Turpin, Lloyd Hamilton, or Charley Bower (You may have to look these names up) you'll like Semon.
It was set in (naturally enough) a lumber camp. Larry plays the "rugged he-man type" usually portrayed by Wallace Beery or Jack Holt. Semon's physical bearing makes this an amusing target.
The Sawmill was a very expensive comedy to make, more than some Chaplin pictures, but it just doesn't make it as a great comedy. If you like Ben Turpin, Lloyd Hamilton, or Charley Bower (You may have to look these names up) you'll like Semon.
Wusstest du schon
- WissenswertesThis holds the record as the most expensive short silent comedy ever produced. The cast and crew (consisting of 75 grips and electrical technicians, caterers, costumers, riggers, prop men and prop makers, construction and paint technicians, payroll cashiers, secretaries and script clerks, special effects technicians, transportation captains and drivers, assistant directors and production assistants) lived in a specially built bunker town while filming the short on location.
- VerbindungenEdited into Stop! Look and Laugh (1951)
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Details
- Laufzeit
- 25 Min.
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
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