Outside the Law

With a sometimes hard-to-follow storyline, "Outside the Law" begins with some observations from a famous Chinese philosopher. Confucius said, "If a country had none but good rulers for a hundred years, crime might be stamped out and the death penalty abolished." This view lives through the ages, and brings us to the present setting of filmmaker Tod Browning's crime drama, "On the crest of a yellow torrent" to "the Orient of America" in San Francisco's Chinatown. The poppy-smoked streets and alleys are a haven for crime, but trusty Chinese do-gooder E. Alyn Warren (as Chang Low) is attempting to reform underworld mastermind Ralph Lewis (as "Silent" Madden).

Elsewhere, forces are plotting against Mr. Lewis' reformation. Fearsome and vengeful Lon Chaney (as "Black Mike" Sylva) arranges for Lewis to be framed for killing a cop during a shoot-out. Nasty business. Next, Mr. Chaney plans to lure Lewis' strong-willed daughter Priscilla Dean (as Molly "Silky Moll" Madden) into participation in a jewel heist. But Chaney's sticky-fingered friend Wheeler Oakman (as "Dapper Bill" Ballard) decides to team-up with Ms. Dean and escape with the booty. As the film plays, we see Dean and Mr. Oakman as a possible romantic couple. Oakman develops a fatherly relationship with a "Kid Across the Hall" (Stanley Goethals). Confucius approves.

This is a nicely-produced film. The actors are much more natural that you might assume, with Mr. Browning's direction being an obviously positive factor. The problem is that the story, while a good one, unfolds in a confusing manner and seems to leave out details regarding the characters' relationships and motivations; we must make assumptions. "Yellow-face" watchers note Chaney also plays Mr. Warren's devoted servant; both men use the standard tape method to achieve their "slant eye" effect. There is some obvious film deterioration during the climax (making it look like a fire is also blazing!) but the film's basic integrity is intact; still photographs reveal beautiful detail.

Also note the words "you dirty rat!" often wrongly attributed to James Cagney are written herein for Chaney.

****** Outside the Law (12/26/20) Tod Browning ~ Priscilla Dean, Lon Chaney, Wheeler Oakman, Ralph Lewis

This is an awesome film, Lon Chaney is so creepy looking as the gangster 'Black Mike'. When Lon Chaney is on the screen you can't get your eyes off of him, his facial expressions and body gestures speak a thousand words. Not only was he brilliant as the gangster he also plays another role as a chinese servant, (a somewhat similar role he would reprise 2 years later in the film Shadows) the transformation is astonishing! Thats why he is called a man of a thousand faces!

The story is about Black Mike's attempt to frame an affluent citizen in a crime, and then have him turn against the law because of his time spent in jail as an innocent. Most of the story focuses on the man's daughter who turns to a life of crime by stealing some expensive jewelry. There is tons of swindling and double crossing in this film.

This Film Directed by 'Freaks' Director Todd Browning is a tense thriller that can still keep you riveted to your seat. It is most saddening that many of Lon Chaney's films are lost, the quality is pretty bad on this one with last reel being totally washed out. Something must be done to restore all of these films or we will loose an integral part of film history, and one of best actors ever!

I can't believe that this is the same movie that came out on DVD 20 years ago. So much has happened since then regarding the preservation and restoration of silent movies that this Blu-Ray looks like a completely different film. It's the same movie but the picture image is so much sharper and the previous defects (scratches, splices) have been cleaned up considerably. The last reel had suffered such severe nitrate decomposition as to be unwatchable. That's not the case now. The edges are still quite obvious but there is enough image in the center of the frame that you can clearly see what is going on. This is very important as the ending contains one of the most physical knockdown drag-out fights ever captured on film. An alternate ending from a later 16mm print which eliminates all that mayhem is included as a bonus extra.

The main reason OUTSIDE THE LAW is around today is that it marks an early collaboration between director Tod Browning and Lon Chaney but the movie was made as a starring vehicle for Priscilla Dean who was Universal's biggest star in 1921. She was a carryover from the late teens when how a woman acted was more important than how she looked. Priscilla would be considered too heavy by later standards (especially today's) but she was attractive, intelligent, and resourceful. No man was needed to save her as she could more than take care of herself. That was the principal theme in most of her movies as her characters were strong and independent although she usually fell in love at the end and wound up with the leading man.

The story is set in San Francisco's Chinatown and concerns a gangster and his feisty daughter (Dean) who are being reformed by a sympathetic Chinese philosopher who follows the teachings of Confucius. They cross paths with "Black Mike" Sylva (Chaney), a thoroughly despicable hoodlum who frames Dean's father forcing her to go "outside the law" in order to clear his name. They are aided by a young safecracker (Wheeler Oakman, Dean's real life husband) and the philosopher's Chinese servant (also Chaney) as they battle "Black Mike" and his gang leading to the climatic free-for-all. In addition to the performers, the movie is noteworthy today as a prototype for film noir with its dark lighting, interesting camera set-ups and tight editing.

The problem for a modern audience is that, even though they are sympathetic, the main Chinese characters are played by white actors which was standard practice for the day. The philosopher doesn't look Asian at all and Chaney's make-up, though remarkable, is strictly caricature with slant eyes and buck teeth. Personally it doesn't bother me as I always try to view old movies within the context and the time period of when they were made but there are many people today who would find it offensive. If you can get past that then what you have is a crackerjack crime film with a strong heroine, a vile villain, and a powerhouse ending. This is one of two Priscilla Dean Blu-Rays that have just been made available (the other is DRIFTING / WHITE TIGER) from Kino. Thanks to them and to Universal for making this unjustly forgotten star available once again...For more reviews visit The Capsule Critic.

Silky Moll (Priscilla Dean) is a renowned thief and the daughter of gang boss Silent Madden (Ralph Lewis). They're friends with Chinatown businessman and personal counselor Chang Lo (E. Alyn Warren), who has convinced them both to go legit and leave their life of crime. Rival gangster Black Mike Sylva (Lon Chaney) needs Silky Moll's skills for a jewel heist, so he concocts a frame-up on her dad that drives the angry young woman back into the life. However, fellow criminal Dapper Bill Ballard (Wheeler Oakman) gives Silky the lowdown, and the two of them steal the jewels for themselves. They go into hiding until things cool down, during which time they both reflect on the life they've lived and what their future holds. Chaney also plays Ah Wing, the Chinese servant of Chang Lo. Also featuring Anna May Wong.

There's a lot to applaud here, and also some to lament. On the positive side, both Dean and Oakman are terrific. They were a real couple at the time, and they have genuine chemistry. Dean, in particular, gives one of the most nuanced, multi-layered performances by an actress that I have seen from this period in film. One thing that helps is Browning's use of close-ups, allowing the performers to emote more naturally. Chaney is of course terrific, but this brings up the issues I have with the movie.

The only version that survives is a re-release from several years after the original premiere, and a good chunk of footage had been edited out, namely the majority of the sub-plot featuring the Chinese characters Chang Lo and Ah Wing, and it's a real shame, too, since, although still being played by Caucasian actors in "yellow-face", the Chinese are treated with respect, and Confucian philosophy and its strength are keys to the plot. What remains of the film is very enjoyable, though, and the climax is a surprisingly violent, fast-edited powerhouse. Recommended.

I have always been a fan of Lon Chaney, but I have never had the opportunity to see some of his early films. "Outside the Law", released in 1920 is one of his early gems.

Chaney at this time, had not yet achieved the stardom that he was to experience in a few short years. In this film, Chaney plays two supporting roles, that of a thug named "Black Mike" and a Chinese servant named Ah Wing. The hero and heroine are played by Priscilla Dean and Wheeler Oakman. I had not heard of Ms. Dean before this, but I can say that she gave an excellent performance. Oakman, who wound up in "B" westerns in the 30s, was good as well.

Chaney's characters are totally different and his makeup for the Ah Wing character is phenominal. It gives us a glimpse of kind of makeup artistry that we would experience in his future films.

The tape that I watched this film on was duplicated from a partially decomposed nitrate print, however most of the "bad film" is in the final reels but is still watchable.

In "Outside the Law", we can see the emergence of the genius that was Lon Chaney.