Flitterwochen im Fertighaus

Man, this 19-minute Buster Keaton short is almost too exhausting to watch as one crazy scene after another is shown. This is a wild and always-entertaining short, considered one of Buster's best. It's total lunacy.

Newlywed Buster and his bride (the pretty Sybil Sealey) get a "portable house" as a wedding present. When they get to the site, they find out they have to build the house themselves.

A poor loser who lost the girl, "Handy Hank," sabotages the house-building process by fouling up the numbered directions. When finished, the house is a little strange, to say the least! One look and you are guaranteed to laugh out loud. Anyway, there's work to be done decorating and adding a few more little things like th chimney or trying to fit a piano through a front window.

A calendar is shown throughout the movie and we see the daily "progress." Obstacles are many but the couple persists and kisses their way through all the problems.

Most of the film turns out to be sight gags and slapstick, especially when they have their "housewarming" at the end of the week and a big windstorm literally turns the house into a "merry-go-round."

If that isn't enough, you should see the ending when the train.......

Buster gets married, and as a wedding present his uncle gives him and his new bride some land and a house to go with it, but only when they get to the lot do they realised that the house is not yet assembled!

The framing device of the week both gives Keaton the opportunity to devise seven comic episodes, and also gives the whole piece a wonderful unity. I rank this alongside The Boat (1921) as one of Keaton's best shorts, alongside The Electric House (1922) for the best use of gadgets (in case you didn't know, Keaton trained as an engineer, and so his films are filled with marvellously clever gadgets), and alongside The Scarecrow (1920) for general fun and enjoyment.

For me, this was THE perfect Keaton comedy.

Keaton was now out on his own, no longer working with Fatty Arbuckel. 'One Week'was his first independent film. Joseph Schneck produced the film, having done work on the Fatty and Keaton shorts. The team of Buster Keaton and Eddi Cline directed and did script work as would follow in most of Keaton's other shorts. 'One Week' is definitive of Buster Keaton's style. It is purely gag over narrative. Keaton's performance is more important than the story, and that was pretty much how all his later movies worked. Keaton also enjoyed capturing the world around him as it happened. His stunts in this movie did not rely on editing. The house really did turn, the train sequence was real. This was a good beginning to what followed.

What a wonderful short feature this is - it's very funny, filled with creative gags and exciting stunts, and also quite charming. The plot follows newlywed Buster and his wife in their first week together, as they attempt to build, furnish, and settle into their new 'do-it-yourself' home. There are lots of very wacky moments, with a great variety of inventive comic material. It's also quite endearing to watch the young couple having to contend with all the difficulties they face in setting out together. Keaton is really good at making his character sympathetic without getting bogged down in pity that would detract from the great humor.

"One Week" deserves its reputation as one of Keaton's finest achievements. It's a must-see for anyone who has even a passing interest in silent comedies.

The first Keaton 2 reeler to be released (he had already made 'the High Sign' but, considered it to weak to be his debut solo effort). 'One Week' is a gem of a movie. Newly weds, Buster and Sybil are given a house and plot of land by an Aunt and Uncle, however, Handy Hank, who lost out to Buster for Sybil's hand in marriage, sabotages the pre fab house by changing the numbers on the boxes, the result is the oddest looking house, however to the newly weds it's home. Various mishaps occur, especially when they have relations over for a house warming. The film climaxes with one of the best double crosses in movies, I hate to spoil films by telling people the ending, just watch it for yourself and enjoy. Just to clear something up, Keaton did not break both arms doing a stunt in this movie, as written by an earlier reviewer, although he did get injured doing a stunt causing swelling to his back and arms. However he did suffer a broken ankle filming 'The Electric House' and broke his neck, which went undiagnosed for 13 years, this was always blamed on a stunt in 'Sherlock jr' Keaton is the king of the silent comedies, his movies from his golden period of film making stand the test of time, the humour is fresh and innovated, his stunts, which everyone knows he did himself are breathtaking and he shows an aptitude for the art of film making that places him among the greatest ever. His decline after losing his independence is tragic, both for him and movie fans as we are left to wonder what he could have achieved if he's been allowed by MGM to make the movies he was capable of, our only consolation is the treasures he did leave behind.