Die Nummer, bitte?

Typical of many of the better silent slapstick comedies, 'Number, Please?' is a highly entertaining, charming, and, simply put, FUNNY short. The gags are aplenty, and many of them take full creative advantage of the setting and the circumstances of the central characters. This short takes place largely within the realms of an amusement park, and this leads to many rather interesting cinematic moments (ex.: a gag taking place on a roller coaster in which some of the footage was shot on an actual roller coaster while it was moving, the placement of the camera on a carousel for a few shots in another fast paced slapstick sequence). The timing, choreography, etc. are all done near perfectly. It is also worth noting that the ending of the short is surprisingly bleak, as is the entire overall story it tells. It is full on comical slapstick, but at its very core is a theme of heartbreak and failure. However, Harold Lloyd is able to deal w/this heartbreak and failure w/a self deprecating and highly amusing smile.

This middling Harold Lloyd short is neatly divided into three sections: concerning romantic rivalry at an amusement park, it starts off with a dog chase (this early part also involving a distorted mirror gag); the mid-section is devoted to the inventive telephone antics which give the film its title; the last part, then, resolves itself into a rather overstretched sequence in which Lloyd, chased by the police, tries to get rid of an incriminating purse.

Still, perhaps the single funniest bit occurs at the very beginning - a succession of title cards categorizing how various lovesick men deal with their predicament.

This is a very good short comedy, with some good material and a fine job by Harold Lloyd as one of his slightly amoral but still sympathetic characters. Lloyd was as good as anyone was at taking a simple situation and building it up with as much comic material as he could fit into it without going too far. The telephone booth sequence here is a great example, and it is as impressive in its creativity as it is enjoyable to watch. The rest of "Number, Please" also works pretty well, and while there isn't much of a story to speak of, Lloyd is creative enough that you barely notice. Lloyd's style works well in this one, and it's a very entertaining feature.

Hijinks ensue at an amusement park when Harold Lloyd decides to compete with another for the affections of his true love. There are quite a few set pieces to earn giggles from its audience, and a couple to earn outright guffaws. There's some funny business with a carousel, but the funniest bit in the movie involves a stolen purse that both Lloyd and his rival desperately try not to get caught holding. As always, Lloyd is a delightful screen presence, and his silent comedy persona instantly makes you root for it.

I saw this as a double bill with Lloyd's "Grandma's Boy" at the Pickwick Theatre in Park Ridge, Illinois as part of a summer silent movie festival. Let's keep festivals like that alive.

NUMBER, PLEASE? (1920)

*** (out of four)

Harold Lloyd two-reeler has Lloyd trying to mend a broken heart by going to an amusement part where he meets a lovely young lady but he must compete with her boyfriend. The first reel is wonderfully funny with all sorts of great gags including one where Lloyd is in the last cart of a ride with everyone else's hats hitting him. The second reel loses a lot of its punch but overall this was still a pretty good short that shows off what was to come in Lloyd's career.

Available on DVD through Kino and New Line.