Zustände wie im Paradies

Sir J. M. Barrie was still very much alive and kicking when this well crafted adaptation of his "Admirable Crichton" (1902) story was made and I wonder if he ever saw it... It is the story of the "Earl of Loam" (Theodore Roberts) who decides to take his entirely spoiled, aristocratic family on his yacht for a cruise on the South Seas. It's up to the butler "Crichton" (Thomas Meighan) to organise it all before the mollycoddled bunch all set sail... It's all, well, plain sailing until their boat runs aground on a desert island and their whole, nicely ordered, lives are thrown asunder... In order to survive, let alone thrive, in this outwardly hostile place, they must forget the protocols and deferences that bound their hitherto formal relationships and it isn't soon before roles are reversed and the butler is in charge... The original story offers a whimsical swipe at the landed gentry - amiably exemplified here by Roberts, Robert Cain ("Lord Brocklehurst") and the feisty "Lady Mary" (Gloria Swanson) - but it is also a bit of a love story that demonstrates how their lives might progress without the social restrictions placed on them - indeed, until the timely arrival of a rescue ship - their new meritocracy might just have prevailed!. The characters are exactly that, they add a richness to the story that is well developed here by the likes of the delightful scullery maid Lila Lee and "Lady Agatha" - who has about as much common sense as a teabag (Mildred Reardon) as well as Mayme Kelso ensuring due propriety at the end... This is a thoroughly enjoyable film that looks great, flows well and makes us all think, just a little about the things we all take for granted.

In the beginning we are introduced to a genuine old British aristocratic family: the spoiled, lazy Lady Mary, her quirky father and her younger sister. And, of course, Lady Mary is engaged to another aristocratic parasite, Lord Brockelhurst. And, on the 'other side of the fence', are the servants: butler Crichton, who is secretly in love with Lady Mary (although this is of course 'impossible': you can't break out of your 'caste'...), and maid Tweeny who in turn is in love with Crichton. A typical picture of old aristocratic England...

... Until one day, when the blue-blooded clan starts out on a South Sea cruise - and are stranded there on a lonely island; without luxury, without lodgings, even without food. And NOW it shows WHO is able to survive when being put to the test: Crichton with his energy and inventive spirit soon becomes the leader of the 'Swiss Family Robinson', while Lady Mary, completely helpless on her own, must admit that now HE's the strong man, HE's the 'King' (he even dreams of being the King of Babylon and she his Christian slave...) - and falls in love with him, while Tweeny jealously has to stand by and watch... BUT if they'll ever be rescued and return to England, will everything be as it was before??

This early work of Cecil B. De Mille already shows pretty clearly his vivid fantasy and love for ancient settings and costumes, as well as his belief in old-fashioned morales and institutions. The best part is, of course, when Crichton becomes the 'King', wild and strong, far away at last from his stiff butler image (Thomas Meighan, with his cocksure and almost a little menacing expression, somehow seems to look here like a kind of Rudolph Valentino 10 years older...), and Lady Mary alias Gloria Swanson, in the new surroundings of the wilderness, at last becomes a REAL woman. But - will it last??

For someone who has seen Bing Crosby and Carole Lombard in We're Not Dressing you will get a nice musical and comedy treat as Bing sings some nice songs and comedy is nicely handled by Burns&Allen and Leon Errol. But while the broad comedy aspects of The Admirable Crichton are handled well there, the broad range of James M. Barrie's story is done in the Cecil B. DeMille silent film Male And Female. Starring of course DeMille's latest discovery Gloria Swanson.

Elliott Dexter a DeMille silent regular was unavailable so Thomas Meighan takes the title role as the butler on Theodore Roberts estate. He has two daughters and a silly sot of a nephew in Raymond Hatton. The daughters are Gloria Swanson and Lila Lee.

We have class distinctions in America, but they're not as rigid as they are in the United Kingdom. It's those aspects that are dealt with in Male And Female not the Americanized We're Not Dressing. Meighan has it bad for Swanson, but the rigid class structure makes that union impossible.

But when they're shipwrecked on a tropical island while on a cruise the social order is reversed. Theodore Roberts by dint of his title tries to assert his authority. But Meighan as the man with the most knowledge on how to survive upsets that in a hurry. Unlike the Crosby/Lombard film, these folks are here for a few years and thinking even with the social order reversed, it's not like Robinson Crusoe with no one to converse with for years.

Barrie both satirizes and deals with the subject class seriously. As for DeMille he gets to do one of his spectacle type sequences in a flashback when the cast imagines they're in ancient Babylon with Meighan as king. In that flashback is a young Bebe Daniels who was getting started and she would shortly being starring in DeMille silent films. DeMille in his autobiography pays compliments to a new member of his team Mitchell Leisen who did the costumes. He would be a DeMille regular until he went out on his own as a director.

I liked the film and I'll let you others decide whether there is more Barrie or more DeMille in this film.

Thomas Meighan (as the admirable Crichton) is head butler for an aristocratic British family; he is obviously quite taken with luscious Gloria Swanson (as Lady Mary Lasenby), but unable to cross class barriers. The household's scullery maid Lila Lee (as Tweeny) is in love with Crichton. The threesome, and some others, go out yachting; when cross currents hit, the ensemble is shipwrecked! Turns out, the servant class has far more advanced survival skills. Who knew?

Ms. Swanson is the film's main attraction; her bathing and showering scenes, near the beginning of the film, helped clean-up at the box office. Note that whenever there is nakedness afoot, DeMille has an object cover-up Swanson's figure, however. Though not as famed, Swanson's later wet spot, when she is nearly drowned in the bowel of the sideswiped yacht, is far superior. Swanson and Ms. Lee perform well, actually, with the material given. Loved the "upper crust" lady complaining about limp toast!

Mr. Meighan delivers the movie's finest performance; the other players have moments, but Meighan is outstanding in the pivotal role of Butler Crichton. From the moment he checks the mansion for dust, he is delightful; the actor makes the movie even more interesting when the suppressed desire for Swanson begins registering on his face. A couple of smaller roles are noteworthy: Wesley Barry is great as the peeping Buttons, indicating what Cecil B. DeMille's "Male and Female" is really all about (more or less). You should also keep an eye on Bebe Daniels during the "King of Babylon" imaginary sequence; she is terrific as Meighan's right-hand lady. Silent film veterans Guy Oliver and Clarence Burton inexplicably disappear, after the shipwreck. Theodore Roberts and Raymond Hatton are around much longer, thankfully.

The film is recommended, and DeMille obviously expert - but it's one of the more ludicrously-themed silent era classics preserved for modern scrutiny. Apparently, in adapting "The Admirable Crichton" for DeMilledom, the director substituted sex for satire. AND, he gets his titillating re-title "Male and Female" from no less than God Himself! quoting, "So God created Man in His own image, in the image of God created He him: Male and Female created He them." There is also a oddly placed bow to the good ol' U.S.A. With all its oddities, it's still a fun film.

******** Male and Female (11/23/19) Cecil B. DeMille ~ Thomas Meighan, Gloria Swanson, Lila Lee

Male And Female (1919) : Brief Review -

Thy created humans, all equal, humans created class, all differ. DeMille's early days' Classic is all about a powerful message rather than his trademark grandeur. I have known Cecile B DeMille for his grand films like "Cleopatra" (1933), the undeserving Oscar winner "The Greatest Show On Earth" (1952), and Biblicals like "Samson and Delilah" (1949) and "The Ten Commandments (1956, my all time favorite). But I never knew that this man had made so many silent films towards the end of the 1910s and throughout the 1920s. For me, the major boss of the silent cinema of the 20s was and always will be DW Griffith, despite the other 50+ classics I have seen from the same decade. Somehow, Male and Female came into the watchlist because of Gloria Swanson, and I'm happy about that. This film has surprised me. It has surpassed my expectations, but more importantly, it has taught me a lot. Imagine me watching the film after 103 years and still saying this. Then imagine what impact it would have left on the audience who watched it at the time of its release. Cecile DeMille's directorial doesn't have her trademark grandeur, but it has all the content you'd expect from a heartfelt and educational film. Lady Mary Lasenby is a spoiled maiden who always gets her way until shipwrecked with her butler, then learns which qualities are really admirable in a person. That tragic ending adds a cherry on top, and let me remind you again that it was 1919. Such endings were called classics in the 40s too (Casablanca), and even today, so you can imagine how it must have felt in the 1910s decade. The chemistry between Thomas Meighan and Gloria Swanson will have you hooked and leave you with some thoughts. From social injustice to class differences, human nature, Babylon references, influential cliches (love story being the most common) to equality, this film is a learning experience for many reasons. Strongly recommended!

RATING - 8/10*

By - #samthebestest.