Zustände wie im Paradies

Sir J. M. Barrie was still very much alive and kicking when this well crafted adaptation of his "Admirable Crichton" (1902) story was made and I wonder if he ever saw it... It is the story of the "Earl of Loam" (Theodore Roberts) who decides to take his entirely spoiled, aristocratic family on his yacht for a cruise on the South Seas. It's up to the butler "Crichton" (Thomas Meighan) to organise it all before the mollycoddled bunch all set sail... It's all, well, plain sailing until their boat runs aground on a desert island and their whole, nicely ordered, lives are thrown asunder... In order to survive, let alone thrive, in this outwardly hostile place, they must forget the protocols and deferences that bound their hitherto formal relationships and it isn't soon before roles are reversed and the butler is in charge... The original story offers a whimsical swipe at the landed gentry - amiably exemplified here by Roberts, Robert Cain ("Lord Brocklehurst") and the feisty "Lady Mary" (Gloria Swanson) - but it is also a bit of a love story that demonstrates how their lives might progress without the social restrictions placed on them - indeed, until the timely arrival of a rescue ship - their new meritocracy might just have prevailed!. The characters are exactly that, they add a richness to the story that is well developed here by the likes of the delightful scullery maid Lila Lee and "Lady Agatha" - who has about as much common sense as a teabag (Mildred Reardon) as well as Mayme Kelso ensuring due propriety at the end... This is a thoroughly enjoyable film that looks great, flows well and makes us all think, just a little about the things we all take for granted.

Thomas Meighan (as the admirable Crichton) is head butler for an aristocratic British family; he is obviously quite taken with luscious Gloria Swanson (as Lady Mary Lasenby), but unable to cross class barriers. The household's scullery maid Lila Lee (as Tweeny) is in love with Crichton. The threesome, and some others, go out yachting; when cross currents hit, the ensemble is shipwrecked! Turns out, the servant class has far more advanced survival skills. Who knew?

Ms. Swanson is the film's main attraction; her bathing and showering scenes, near the beginning of the film, helped clean-up at the box office. Note that whenever there is nakedness afoot, DeMille has an object cover-up Swanson's figure, however. Though not as famed, Swanson's later wet spot, when she is nearly drowned in the bowel of the sideswiped yacht, is far superior. Swanson and Ms. Lee perform well, actually, with the material given. Loved the "upper crust" lady complaining about limp toast!

Mr. Meighan delivers the movie's finest performance; the other players have moments, but Meighan is outstanding in the pivotal role of Butler Crichton. From the moment he checks the mansion for dust, he is delightful; the actor makes the movie even more interesting when the suppressed desire for Swanson begins registering on his face. A couple of smaller roles are noteworthy: Wesley Barry is great as the peeping Buttons, indicating what Cecil B. DeMille's "Male and Female" is really all about (more or less). You should also keep an eye on Bebe Daniels during the "King of Babylon" imaginary sequence; she is terrific as Meighan's right-hand lady. Silent film veterans Guy Oliver and Clarence Burton inexplicably disappear, after the shipwreck. Theodore Roberts and Raymond Hatton are around much longer, thankfully.

The film is recommended, and DeMille obviously expert - but it's one of the more ludicrously-themed silent era classics preserved for modern scrutiny. Apparently, in adapting "The Admirable Crichton" for DeMilledom, the director substituted sex for satire. AND, he gets his titillating re-title "Male and Female" from no less than God Himself! quoting, "So God created Man in His own image, in the image of God created He him: Male and Female created He them." There is also a oddly placed bow to the good ol' U.S.A. With all its oddities, it's still a fun film.

******** Male and Female (11/23/19) Cecil B. DeMille ~ Thomas Meighan, Gloria Swanson, Lila Lee

Very solid Cecil B. DeMille production of JM Barrie's play, "The Admirable Crichton" with a few DeMille flourishes.

Crichton (Thomas Meighan) is a very proper butler in a staid British home. Of course he has a distant crush on Lady Mary (Gloria Swanson), a very pampered and spoiled young lady. Tweeny the household maid (Lila Lee) has a crush on Crichton.

The family, headed by a silly old man (Theodore Roberts) decides to take a sailing trip to the South Seas and gathers up a party of family and friends. Of course they run the yacht into a rock and are washed ashore on a deserted island. The rich are all nitwits and haven't a clue how to do anything for themselves. They assume Meighan and Lee will continue to wait on them. Wrong.

Slowly it occurs to everyone that there is a new order on the island. The crafty and self-sufficient Meighan sets out to build a shelter, a fire, harvest food, etc. while the rich sit and watch. Their attempts to copy him are sadly disastrous. Eventually they "join" the former butler's group with Meighan as a sort of king.

Among the items that have washed ashore after the wreck is a book of poems that talks about a Babylonian king. In a typical DeMille moment, Swanson daydreams about her life in a Babylonian court. The sequence that follows ranks among the most famous in silent film history as Meighan becomes the Babylonian king who sentences the reluctant maiden (Swanson) to the lions' den as his jealous courtesan (Bebe Daniels) gleefully watches. The scene is much shorter than I remembered as the fabulously gowned Swanson walks in among the lions. The famous scene of the bare-backed Swanson with the roaring lion atop her was very real (no double).

And so the merry band of islanders, under King Crichton, goes on for a few years until, just before the marriage of Swanson and Meighan), they are "rescued" and returned to their former lives (and stations).

Meighan and Swanson are terrific. Roberts is funny as the old man. The supporting cast includes Julia Faye (as a maid), Robert Cain (as Swanson's boring suitor), Edmund Burns (as the vicar), Raymond Hatton (as the silly ass Ernie), Mildred Reardon (as Lady Agatha), and Rhy Darby (as the pitiful Lady Duncraigie who marries her chauffeur).

Logic aside, this is a stylish and solid film and features a ravishing 20-year-old Gloria Swanson in one of her first big hits for DeMille. Another famous scene is early in the film as Swanson prepares to taker her morning bath, a ritual that includes several maids, gallons of rose water, and another of DeMille's groundbreaking interior designs.

A must see for fans of silent films.

Male And Female (1919) : Brief Review -

Thy created humans, all equal, humans created class, all differ. DeMille's early days' Classic is all about a powerful message rather than his trademark grandeur. I have known Cecile B DeMille for his grand films like "Cleopatra" (1933), the undeserving Oscar winner "The Greatest Show On Earth" (1952), and Biblicals like "Samson and Delilah" (1949) and "The Ten Commandments (1956, my all time favorite). But I never knew that this man had made so many silent films towards the end of the 1910s and throughout the 1920s. For me, the major boss of the silent cinema of the 20s was and always will be DW Griffith, despite the other 50+ classics I have seen from the same decade. Somehow, Male and Female came into the watchlist because of Gloria Swanson, and I'm happy about that. This film has surprised me. It has surpassed my expectations, but more importantly, it has taught me a lot. Imagine me watching the film after 103 years and still saying this. Then imagine what impact it would have left on the audience who watched it at the time of its release. Cecile DeMille's directorial doesn't have her trademark grandeur, but it has all the content you'd expect from a heartfelt and educational film. Lady Mary Lasenby is a spoiled maiden who always gets her way until shipwrecked with her butler, then learns which qualities are really admirable in a person. That tragic ending adds a cherry on top, and let me remind you again that it was 1919. Such endings were called classics in the 40s too (Casablanca), and even today, so you can imagine how it must have felt in the 1910s decade. The chemistry between Thomas Meighan and Gloria Swanson will have you hooked and leave you with some thoughts. From social injustice to class differences, human nature, Babylon references, influential cliches (love story being the most common) to equality, this film is a learning experience for many reasons. Strongly recommended!

RATING - 8/10*

By - #samthebestest.

For someone who has seen Bing Crosby and Carole Lombard in We're Not Dressing you will get a nice musical and comedy treat as Bing sings some nice songs and comedy is nicely handled by Burns&Allen and Leon Errol. But while the broad comedy aspects of The Admirable Crichton are handled well there, the broad range of James M. Barrie's story is done in the Cecil B. DeMille silent film Male And Female. Starring of course DeMille's latest discovery Gloria Swanson.

Elliott Dexter a DeMille silent regular was unavailable so Thomas Meighan takes the title role as the butler on Theodore Roberts estate. He has two daughters and a silly sot of a nephew in Raymond Hatton. The daughters are Gloria Swanson and Lila Lee.

We have class distinctions in America, but they're not as rigid as they are in the United Kingdom. It's those aspects that are dealt with in Male And Female not the Americanized We're Not Dressing. Meighan has it bad for Swanson, but the rigid class structure makes that union impossible.

But when they're shipwrecked on a tropical island while on a cruise the social order is reversed. Theodore Roberts by dint of his title tries to assert his authority. But Meighan as the man with the most knowledge on how to survive upsets that in a hurry. Unlike the Crosby/Lombard film, these folks are here for a few years and thinking even with the social order reversed, it's not like Robinson Crusoe with no one to converse with for years.

Barrie both satirizes and deals with the subject class seriously. As for DeMille he gets to do one of his spectacle type sequences in a flashback when the cast imagines they're in ancient Babylon with Meighan as king. In that flashback is a young Bebe Daniels who was getting started and she would shortly being starring in DeMille silent films. DeMille in his autobiography pays compliments to a new member of his team Mitchell Leisen who did the costumes. He would be a DeMille regular until he went out on his own as a director.

I liked the film and I'll let you others decide whether there is more Barrie or more DeMille in this film.