The Grim Game

I recently saw this as a DVD extra included with the film HALDANE OF THE SECRET SERVICE. Both films star Harry Houdini but THE GRIM GAME is only a film fragment today--the rest of it no longer exists. While I have enjoyed the reviews of both reviewers who have already reviewed this film, I really must agree with CryFi's review--and it reflects that most of the original film is gone AND gives nice information about the film.

As for me, I can't see giving the fragment anything more than a 3. Although the clip is pretty good, there really isn't a coherent story and it is really just an excuse by Houdini and the film makers to use some accidental footage involving an air tragedy. It is funny to realize that Houdini took credit for the mid-air stunts he didn't even perform.

This film is essentially a curio for history teachers, magic lovers and film historians. It is NOT a film that is coherent or worth seeking out because it only is a piece of a longer film.

I was skeptical of this film and prepared not to like it, However, I was pleasantly surprised by the TCM 'television premier' last Sunday of a nicely completed full-length restoration. I find most films from the 1916-1920 era to be horribly dated with that era's overdone style of acting. There are notable exceptions like Pickford, Chaplin, and Fairbanks, of course, but these older silents are sometimes hard to watch and even absurdly clumsy. The Grim Game has some of that chewed-scenery aspect, but overall it is well done. The story is a bit far fetched, but nonetheless entertaining. And many of our later favorites - Tully Marshall, Mae Busch, and Arthur Hoyt - appear. As for Houdini, he performs as expected in several escape scenes which naturally is what one expects. I had never seen him before and considering that his name is still legendary after 100 years, the film is worth a look if only for that. The Grim Game also has some really interesting 'snapshots' of the era including an incredible (in the sense of 'not believable') aeroplane (sic) chase. All of that having been said, kudos to preservationists and restorers for their tedious and painstaking work on films like these. It is greatly appreciated by me and legions of movie buffs.

With financing from TCM, the only known print of Houdini's first film was restored to near-perfect condition (except for some deterioration damage toward the end) and found its television premiere on TCM on Sunday, October 18, 2015. A recap of the finding and restoring of the film can be found in ellebrennan's review here of October 20.

Although Brennan's recap (excerpted from Houdini.org) credits renowned composer Brane Živković with having created a new score for the restoration, what neither hers nor any other review here to date of the restored film mentions is that TCM showed the film twice that night, first with Živković's score, then again later with a more traditional silent film score by Steve Sterner.

Unfortunately, I missed what host Robert Osborne may or may not have said about the Sterner score, but in my estimation, although less innovative, it may in some way be preferable.

Živković's score is thematically more operatic in that characters have their own themes assigned to them. Since Houdini (and his character) is on the screen so much throughout the film, his theme eventually becomes monotonous. Variations of his theme would be highly appreciated.

Sterner's score, being more traditional as silent film scores go, does not vary with the characters, per se, but if with anything, the action.

Let the discussion begin.

FGM has fun reviewing lost films, which is apt to be confusing to some.

A five minute excerpt from this film is all that survives, in the George Eastman collection, which is included as an extra on the disc with Haldane of the Secret Service in the recent Kino DVD collection of his films.

There are explanatory titles on it that suggest the clip would be exhibited by itself without the rest of the film. Houdini goes up in an airplane and does a mid-air transfer to the other airplane, after which the two crash. Houdini and the female passenger survive. The closeups of Houdini on the airplane appear to have been done on the ground, and the crash landing must have been staged somehow, or else how would they have happened to have had the camera in the right place? Likewise, one can't imagine they would have put their star and leading lady in danger. It's a nice little clip and certainly more exciting than any single moment from the tedious Haldane film.

Originally made in 1919 and long thought lost, this recently-restored full-length movie features the legendary Harry Houdini, performing the sort of escapes for which he was celebrated in his own time and is still famous even today. For that reason alone, this film deserves 10- out-of-10. Since his death in 1924 many magicians and escape artists have striven to replicate the incredible things Houdini did, and many of his feats have still not been done. Those expecting subtle characterization or modern production values need to look elsewhere. However, for those with an appreciation of something absolutely unique, something that simply cannot be duplicated today, this film is truly priceless.