Flieger

One of several attempts to talk-up William A. Wellman's high flying "Wings" (1927) **********. This time, the leading threesome form the more traditional triangle of love -- younger Marine pilot Ralph Graves (as Lefty Phelps) and his mentor/Sergeant Jack Holt as (Panama Williams) are in both love with lovely nurse Lila Lee (as Elinor Murray). Ms. Lee loves Mr. Graves (in a romantic way). Mr. Graves loves Lee (in a romantic way) and Mr. Holt (in a fatherly way). Circumstances put the characters' relationships in turmoil, and danger…

An interesting early effort by director Frank Capra; but, of course, it is nowhere near his best. Harold Goodwin has a great supporting role (as Steve Roberts). Graves and Holt are a reliable team. Graves seems a little younger and Holt a little older than they appear; the actors are about the same age, however; and, they have a nice rapport.

Watch for a scene right after the "stuck in the mud" segment concludes -- in their tent, Holt scolds Graves for wanting to go out and get "tight"; he tries to pull his pal's shirt off, but Graves resists. Then, the men wrestle, which ends up with Holt pulling Graves' legs up to give him a spanking! As a bonus, Graves' hairpiece almost flips off his head!

Frank Capra made a trilogy of action dramas starring Ralph Graves and Jack Holt (Tim Holt's father) as rivals in some branch of the military service. Holt always played the cautious older man who followed regulations, Graves his impetuous younger rival. A woman always came between them. "Dirigible" is probably the best of the three, although "Submarine" (a silent film) and "Flight" are excellent too.

The only flaw in "Flight" is that it's a little too similar to the better-known "Wings" and "Tell It to the Marines", both of which were bigger box-office hits.

The opening scene in 'Flight' is based on a real-life event that had made headlines a few months earlier. In the Rose Bowl football match on New Year's Day, 1929, a college football player named Roy Riegels carried the ball 64-1/2 yards the wrong way, very nearly scoring an own goal when a teammate finally stopped him on the one-yard line. (The rival team ran interference for him against his own side!) A news photo of this event received nationwide distribution, and Riegels became a laughingstock. (Actually, when I saw 'Flight', all I knew about the Riegels incident was the famous Rose Bowl photograph. I looked up all the specifics before I posted this review. Did you really think I've got all this information memorised?)

"Flight" uses this true incident to begin its fictional story. Lefty Phelps (Ralph Graves) isn't noticeably left-handed, but he's a promising college athlete who's all set to triumph in the big game. Phelps runs the wrong way, scoring the winning touchdown for the wrong team. A photo of Phelps achieving this error gets national distribution, and Phelps becomes the butt of jokes. (We see a close-up of the Riegels photo - a well-known image in 1929 - substituting as a photo of Ralph Graves.) Phelps decides that he's ruined for life, but a friendly recruiting agent suggests that he can make a clean start by enlisting in the U.S. Marine Corps. Phelps decides to become a pilot, as that's the most glamorous job in the military.

There's a very funny scene when Phelps completes his first training flight. I'm really surprised that this gag sequence (dealing with nausea and vomiting) made it into the movie. Ralph Graves steps out of the plane with one hand over his mouth, and we can tell by the look on his face that he's going to be sick. Graves looks round desperately, and then we see an immense close-up of a bucket at the far end of the runway. Graves runs all the way to the bucket with one hand over his mouth and the other hand over his gut. Will he make it in time? The pay-off is hilarious.

During his training, Phelps becomes attracted to an Army nurse (played by Lila Lee) and he runs afoul of topkick Sergeant Williams (Jack Holt). Williams thinks Phelps is paying too much attention to girls, and not enough attention to his flight training. As soon as Phelps completes his pilot training, the United States Marines invade Nicaragua (wot, again?), and off we go to Central America. There's a slam-bang action climax. Lila Lee was a very pretty actress, unfairly forgotten today. (She was also the mother of James Kirkwood Junior, who wrote "A Chorus Line".) "Flight" and "The Unholy Three" are the best examples of her talents and beauty. I'll rate 'Flight' 10 out of 10; a splendid example of early Capra.

The film is about two pilots--one who is the veteran flight instructor at Pensacola Naval Air Station (Tim Holt) and the other is a man who desperately wants to earn his wings, but he's terribly unsure of himself (Ralph Graves). Over time, a friendship develops between them that is challenged when both men fall for the same Navy nurse.

While all this might seem a bit predictable and clichéd, for 1929 it was pretty good stuff. Plus, all the familiar story elements contained in the film were NOT clichés, as this film introduced many of these items that would later become standard plot lines. Plus, the film is aided by excellent flying scenes and some amazingly fun and witty dialog every now and again. Graves made several comments that had me laughing. Because of this and the easy-going banter between them, this was a very likable film--particularly for nuts like me that adore early aviation films. The film abounds with great footage of aircraft and is a must-see for aviation fans.

By the way, the team of Graves and Holt made quite a few early military-inspired films for Columbia--making them the first stars for this fledgling studio. In addition to Marine pilots like they were in this film, they also starred in other films about US military (such as DIRIGIBLE, A DANGEROUS AFFAIR, FLYING FLEET and SUBMARINE). Oddly, despite their success, by 1931-1932, their careers as leading men were pretty much over.

One negative about the film is the sound quality. Though it does improve later in the film, FLIGHT is terribly in need of restoration as some of the dialog is very, very difficult to understand--a rather common problem with films from the early sound era. Closed captioning would have been nice, but was not included.

Charles Lindbergh's solo flight across the Atlantic in 1927 catapulted him into celebrity, and made aviators the ultimate American heroes of the late 1920s. Hollywood reflected this in a series of aviation-themed movies, most notably the first Best Picture Academy Award winner Wings, but also in the Howard Hughes extravaganza Hell's Angels and the Howard Hawks-directed Dawn Patrol. A lesser-known entry is this early talkie, simply titled "Flight".

Being of the first wave of sound pictures, Flight is a somewhat awkward production. The sound is of rather fuzzy quality, and the dialogue a little stilted. The three lead actors however, all veterans of the silent era, make the transition fairly well. They had worked together before and the rapport between them is believably strong. Ralph Graves (who also wrote the screenplay) is easily the least interesting of them, but he still has an easygoing charm and realism to him, and reminds me a little of Fred MacMurray. I particularly like his sarcastic "hooray" when he is assigned as a mechanic. Jack Holt makes a loveably gruff sergeant and fatherly mentor to Graves, and he is responsible for building up the movie's atmosphere of rough-edged friendliness. Lila Lee was a popular star in the silents, and her voice and manner adapt well to the new format. Like many leading ladies of this period however she would not maintain her success past a certain age and would soon be retiring to private life.

The director is a youthful Frank Capra, making his talkie debut. Capra's silents were typically marked with an obvious desire to make his mark with lots of attention-grabbing set-ups. By this point he is starting to settle down a bit and a more serious style is beginning to emerge. The opening shot, where the commentator's head looms over half the screen and the later cantina scene where various faces mill about in the foreground betray a love of a certain look, but also point towards a technique Capra would later perfect, that is of having the camera amid the action as if it was a person on the set. Capra also uses appropriate distances for dialogue scenes, as oppose to many early sound features where the actors were placed too far back while they were talking, giving an unnatural effect. There are however a few clunky moments; a quick dolly-in on a bucket is reminiscent of Capra's overdone slapstick comedies. His biggest weak point however seems to be action, and it appears that the fighting scenes in Flight were largely rescued in the editing suite.

And it appears that, in spite of the title, the emphasis on flying in this movie isn't as pronounced as it could be. Wings, Hell's Angels and Dawn Patrol all strove to give us viewers a taste of the thrill of being airborne. Here however Capra alternates between rather bland stock-footage like shots of planes in flight and reaction shots of the men on board. But you see Flight is more about the camaraderie and self-sacrifice of military life. The plot may be a rather predictable love triangle between friends affair, and a little more pizazz in the action scenes might have given more of a sense of danger to their circumstances, but as it is this is a worthy attempt which points towards the more technically modest yet dramatically powerful movies of 1930s Hollywood.

Frank Capra made three films with the same two actors, Jack Holt and Ralph Graves, probably in an effort to establish the male buddy film. It would take James Cagney and Pat O'Brien to get that genre off the ground. Flight is the second of those three Graves/Holt films and the first one in sound.

It also has the same kind of roughhouse humor that would characterize the work of John Ford. In fact if you didn't know this was an early Capra film, you'd swear Ford did it.

Flight is certainly a film from the headlines of the day. It begins with college football hero Ralph Graves making a spectacular run in the Rose Bowl, the wrong way. Capra made no secret of it, he was at the Rose Bowl that year with Harry Cohn and saw Roy Rieggles playing for USC get turned around in eluding tacklers and made a spectacular run the wrong way and scored the margin of victory for Georgia Tech. The poor man never lived it down.

In fact Graves decides the Marine Corps is the place for blessed anonymity and he gets involved with aviation under the tutelage of Jack Holt. But the two of them have a falling out over nurse Lila Lees. Later on they see action in Nicaragua where the USA was maintaining a presence in hunting down those original Sandinistas.

The Marine aviators rescue a company of Marines in a Dienbienphu like situation with the Sandinistas. The battle scenes were very well staged.

Flight is not a typical Frank Capra film because Frank Capra had not found his style and type of story. Still it's a well made action film for the time.