Condemned!

Ronald Colman's second talkie feature film was Condemned and for that and Bulldog Drummond he received his first Oscar nomination. He lost in that second Oscar sweepstakes for Best Actor to Warner Baxter for In Old Arizona. Nevertheless Condemned holds up very well in this story set in the infamous French Devil's Island penal colony.

In the story Colman's a convict and since it's Ronald Colman he's going to have a bit of polish more than the others there like fellow new inmate Louis Wolheim. The warden's wife Ann Harding is unhappily married to warden Dudley Digges who insists that she get herself a house servant from the group. Colman is a bit less threatening so he's chosen.

The inevitable happens as Colman is better company than her lout of a husband. That's when they planned to escape.

Dudley Digges who also doubled as dialogue director for this new fangled talking picture said that stage trained actors like both Colman and Ann Harding were a pleasure to work with. Both grasped that a bit more subtlety in technique had to be used. Both also emoted well when that was called for.

According to Citadel Film series book on Ronald Colman, Colman said how grateful he was that sound came along and what a boon it was to him and other players like William Powell who was both staged trained and a good friend of Colman's. Powell also did well in his talkie debut in one of the Philo Vance films he made.

The depiction of Devil's Island was outstanding. Condemned still holds up well for today's audience.

This film was based on the bestselling fictionalized account of the escapes of René Belbenoît, a prisoner on the Devil's Island penal colony in French Guiana, written by Blair Niles. The novel helped raise awareness of conditions there which eventually led to its closure.

In his second talking film Ronald Colman plays Michel Oman, an unrepentant thief condemned to Devil's Island. Michel is not a noble guy or an innocent guy, so immediately the niceties are out of the way. Madame Vadal (Ann Harding) is the wife of the warden of the prison (Dudley Digges). He is a big slob, harsh and rude to his wife. I wondered how this pretty and demure woman came to be married to this brute beast, but apparently at the time of their marriage he looked like St. John. I doubt that St. John ever looked like Dudley Digges! But I digress.

Vidal is quite a snob considering he is also a slob, and thinks someone of "his station" should have a servant. He makes Michel his houseboy because he seems more refined than the other convicts, and Michel likes this job because it keeps him from having to do hard labor with the rest of the convicts. But Michel and Vidal's wife fall in love, although they don't act on it. But the wives of the other prison employees begin to gossip based on absolutely nothing but their own boredom, and soon the gossip gets back to Vidal, who reacts exactly like you'd expect him to.

I have to wonder...what would this pair be like in everyday life? Would they make it? Or would ordinary life in a world populated with plenty of other people to which they could turn break them up? What happens when one of them forgets to pay the electric bill, when the sex stops being hot, when the upstairs neighbors turn out to be flamenco dancers? This film isn't alone in being one about people from completely different backgrounds falling in love because they are the only people available to one another, but these scripts never have the subjects in love talk about these obstacles. But, again, I digress.

Originally this was supposed to be shot on Devil's Island, but the expense and practicality of it all prevented that from happening. Colman gives a very subtle performance as Michel, contrasting with Digges and Harding being more theatrical. That surprised me, since Digges and Harding have acting styles here that seem somewhat like holdovers from the silent era, yet they never acted in silent films, where Colman was a veteran of silent films and does not display that style.

The camera work here is excellent, really giving off the feeling of being shot in a prison even though it was not.

And if you think Louis Wolheim is being wasted here, I will tell you he is a very key part of the resolution. This is a precode, but it is definitely not one in the Warner Brothers tradition.

This Ronald Colman film was his second talkie, following a rousing success in Bulldog Drummond earlier in 1929. For these two films, Colman received an Academy Award nomination for Best Actor and his work in this one is good. Samuel Goldwyn went through great pains to prepare Colman for talkies and for audiences' expectations of his voice to match his on-screen persona. In this film, Colman plays a suave thief who is sentenced to prison on Devil's Island. Once there, the warden employs him to aid his wife in household chores and there Colman falls in love with the beautiful Ann Harding.

The plot is surprisingly not too ridiculous as both Colman's and Harding's characters really don't want to start an affair out of respect for each other and for the warden (a solid Dudley Digges). However, once the warden buys into local gossip that his wife is having an affair, he cannot help but constantly become angry. Each time the plot has a chance to become silly and over-melodramatic, it takes a step back and seems to have a conscience. For an early talkie, that is impressive. Further more impressive were the many dolly moves employed by the cameraman. This is not too static for such an early sound film and there is good use of sound effects being layed over the montage. All that being said, it is not a great film. It is never fully engrossing as Alibi and Applause were at times, but for a film from the class of 1929 this one is a winner and Colman, Harding, Digges and Louis Wolheim as Colman's convict friend are all excellent.

Talkies were still a very new idea when this film was made, and this was star Ronald Coleman's second film with sound.

Surprisingly perhaps the film isn't particularly archaic in the way it is made; the camerawork, the lighting, the direction etc all bear comparison with later films. Of particular interest is the soundtrack; for a 'new idea at the time' the soundtrack is surprisingly good, for example you hear the taunting voices echoing in the warden's mind in one scene.

The plot and acting are of their time, of course; one only needs to (say) listen to popular music of the time to see how certain cultural ideas have changed, but the language of cinematography it seems remains more constant.

Interestingly this film was originally also released in a silent version; presumably many cinemas were not then sound equipped and it wasn't yet certain whether this 'new sound thing' would just be a fad or not.

For something that should be completely anachronistic, a museum piece even, this is a surprising watchable film.

I enjoyed the film in spite of the rather somber depressing theme. I am not usually a fan of Ann Harding's rather theatrical over the top acting but she is surprisingly down to earth in this picture and enjoyable. Dudley Digges plays his part as her husband well manages to be both repulsive and disgusting in his portrayal. Ronald Colman is very good as the convict who falls in love with the warden's wife, played by Ann Harding.

The film only seems to be available in a post 1934 reissue print.... the original titles have ending have been replaced so I can only assume some Pre-Code footage is missing as the new titles look like they date to the late 1930's or 1940's.