Los - Harold - los

A delightful Harold Lloyd piece in which, in a nice change of pace, his character is a self-assured, confident young man living in New York during the roaring twenties, who loves baseball as much as he loves his girlfriend. Trouble is afoot however, when business tycoons try to buyout his father-in-law's lone horse and buggy track for their development. Things turn unlawful when goons are hired to try and thwart the buggy's run, which must be made at least once every 24 hours, or Pop can lose his license.

Everything plays out in the traditional Lloyd way, with wonderful gags and set pieces, but the biggest treat of all is the roughly twenty minute escape Lloyd takes with his girl to Coney Island. Wonderfully shot, it is truly a pleasure to see Coney Island in it's hey day. As well, Babe Ruth does a nice turn playing himself.

A must see.

Unlike some of his films in which Lloyd plays an underdog until his final self-assertion, here Lloyd plays a would-be Horatio Alger type who nevertheless is fired from one job to another, yet who is ingenious in handling every minor problem that arises, such as finding seats on the subway while still failing at every job. Highlights: The taxi ride with a terrified Babe Ruth; the old geezers defeating a bunch of hired toughs; a dog who comes close to stealing the show; a climactic mad dash across New York in a horse-drawn trolley; a tender not mawkish romance; and always the Lloyd charm and calculating innocence.

A SPEEDY young fellow races against time to save an unscrupulous syndicate from destroying the horse car line belonging to his girlfriend's grandfather.

Harold Lloyd made his final silent screen appearance in this very funny movie, which solidifies his reputation as one of the greatest film stars of the era. His impeccable timing and elaborate stunts are abundantly on display and his athletic abilities, despite the severe accident suffered to his right hand some years earlier, are still honed to a razor sharpness. He makes comic mincemeat out of his stints as soda jerk & taxi driver, and whether rallying the neighborhood Civil War veterans to fight off a gang of hoodlums, or ending the film with another of his marvelous trademark chase scenes, Harold is never less than utterly hilarious.

His new leading lady is played by spunky Ann Christy; they share a glorious, extended Coney Island Sunday sequence full of sight gags, high jinks & sweet romance. Elderly Bert Woodruff plays her beloved grandfather, a grumpy old coot with a heart of gold. And, for a few splendid moments, the immortal Babe Ruth finds himself uncomfortably ensconced in the back seat of Harold's taxi for a madcap dash to Yankee Stadium.

Movie mavens will recognize an uncredited Josephine Crowell as the very nervous lady in a limousine who has a close encounter with Harold's runaway trolley.

Rear screen projection was thankfully very rare during the silent era. What was filmed was really happening. However, it's use can be seen encroaching on the sublime reality of Harold's final chase sequence in SPEEDY. Safety factors, among other considerations, had to be accommodated.

Carl Davis has composed an excellent film score which perfectly complements Harold's antics on the screen.

SPEEDY might not be as tight as his other masterpieces- it's a bit episodic, yet those scenes on Coney Island are lovely all the same, and the way they set up a little home inside the truck is poetic. This is the last silent of Lloyd, and it reflects the helplessness towards progression and the nostalgia of the good old past, which is the essence of what makes this film so wonderfully rich and graceful. That attempt of saving the last horse-drawn tram as goal(instead of personal achievement), and especially the help from the civil war veterans and on-lookers(instead of himself as an all-able hero) is atypical of Lloyd, but makes this film warmer, special, and very lovely.

Pop Dillon operates the last horse-drawn trolley in New York. His loving granddaughter Jane has boyfriend Harold 'Speedy' Swift (Harold Lloyd) who is constantly changing jobs and dreams of being a baseball player. A railroad is trying to buy Pop's track. Pop negotiates a price but Speedy torpedoes the negotiations when he reads that the big railroads need Pop's run. Speedy takes Jane to Coney Island. He next gets a new job as a taxi cab driver. It goes badly until he picks up Babe Ruth. At Yankee Stadium, he overhears a man scheming to steal Pop's track by stopping the run for 24 hours.

This is famed silent era star Harold Lloyd's final silent movie. It's great to see Coney Island at its heights and the old rides. Babe Ruth makes a solid cameo. Harold Lloyd driving the Babe around is harrowing and kinda infuriating. It actually made me not like Speedy as much. There is quite a bit of action. I love the old Coney Island rides. The car chases are sometimes interesting with one shocking crash. It looks like it really hurted. The plot rambles around a bit. This has some fun and it's an easy watch.