...aber das Fleisch ist schwach

After watching this silent film i began to realize how large of a roll the music production contributed to the film industry through out America's cinema history. With all the flashy yet realistic effects that are produced now a days its hard to notice what makes a good movie good, and to me a lot of that has to do with the music. The audio of a silent film really helps you understand the language, emotion, and even gestures of a setting for a particular scene. The other portion of this film that i found interesting was the language and slang of the late 1920's. Words like "brazen" "boodwar" "brothel" "scarlet" and even "blood thirsty blizzard" are words were never hear now a days. I guess it just helps with the understanding of the era of silent films.

Religious hypocrisy is the main theme of 'Sadie Thompson', based on a short story by W. Somerset Maugham. Sharing the same hotel in Pago Pago, a religious reformer (Lionel Barrymore) takes a dim view of a 'loose' woman (Gloria Swanson), and after failing to get her to change her ways, lobbies the local governor to get her shipped back to San Francisco.

I liked this version a bit better than the 1932 version with Walter Huston and Joan Crawford because Barrymore is so brilliant, so harshly upright but at the same time, hinting at a demonic side as he glowers away. Despite the movie being silent, director Raoul Walsh (who also plays Swanson's love interest) delivers a couple of compelling scenes with Barrymore trying to exert his will, Swanson resisting, and the rain coming down, unrelenting. Swanson also lets loose with her anger, and in one funny moment it's obvious she's cursed a blue streak, as the ladies around her cover their ears and scamper off. 1928 was the first year for the Oscars and Swanson would be nominated for her performance. I admire her for it, but admire her more for producing the movie despite pressure because of its content, and considered a slightly higher rating.

The film itself is not in that great a shape, and while the last couple of minutes are mostly gone forever, we're fortunate that Dennis Doros restored it as best possible mostly with carefully selected stills. Watching this one has you clearly thinking you're getting a window into the past, but at the same time, aren't these themes of religious overreach still so prevalent today? Thank you Gloria Swanson.

What a performance - Swanson bursts out of the screen, as Somerset Maugham's prostitute heroine trapped on a tropical island with a crusading parson and a sexy sergeant. And Lionel Barrymore as the parson and the director Raoul Walsh as the sergeant are her match. This is silent acting at its best.

Yes the piece is a little stagey and the action too confined for a silent picture, but when the photography is as brilliant as it is here - who cares? It deservedly won the first ever Oscar for cinematography.

This is a passionate and beautiful production. What a tragedy that the last few minutes have been lost. They have been reconstructed using titles and stills - but how I would have loved to have seen the scene when Barrymore rapes Swanson. It must have been breathtaking. Don't miss this film.

This was the first version of the W. Somerset Maugham novel "Rain," which was remade in 1932 by the original title and again in 1953 as "Miss Sadie Thompson." Gloria Swanson is amazing in the title role as a prostitute who becomes stranded on the remote Island of Pago Pago. She flirts with a soldier (Raoul Walsh, who was the director), then seduces a respected preacher played by Lionel Barrymore. This certainly can be called one of the "pre-code" films of the 1920s/1930s, before the Hays Code was in effect. For many years the final scenes were lost, so now the restored versions use still photos and new title cards to complete the picture.

Sadie Thompson (1928) : Brief Review -

Raoul Walsh's zealous attempt to discover new proportions of human redemption powered by Gloria Swanson's Amazing performance. Walsh was a known name after he made the Magnum Opus 'The Thief Of Bagdad' (1924), before making this film. So it was unlikely to expect another gigantic adventure from him with a female-led film. Sadie Thompson has some issues in the climax, which might have been controversial for that time, but today when I look at the film, I understand his zealousness. Especially in the character played by Lionel Barrymore. It's a Gloria Swanson-led film alright but this character keeps tangling you. One just can't say whether he is a villain or a good soul. The same goes with Sadie's character too. You know she is a prostitute yet you want to see her get reformed. However, one must realise that it's not that easy. You just can't reform yourself just after you have decided, there's a process to test your ability. Sadie Thompson is a well made film in that sense. The way it shows that process and the desperate nature of all three leading actors, but the film gets a little messy and confusing at the end. There could be some valid reasons for that, philosophical or religious ones, but I don't want to get into such conversations. Sadie Thompson tells the story of a "fallen woman" who comes to Pago Pago to start a new life, but encounters a zealous missionary who wants to force her back to her former life. Her love story isn't formed well, too rushed I mean, but okay. The performances of all three leading actors makes it a must watch. Whatever remakes and adaptations are available out there, are not worthy enough. So prefer this first copy. It's no match to Raoul Walsh's best works like 'The Thief Of Bagdad' and 'White Heat', but as good as his 'High Sierra', and better than 'The Roaring Twenties'.

RATING - 7/10*

By - #samthebestest.