Herr Wu

Turner Classic Movies aired this movie with a new music score for the first time on Oct 31, 2000. It was GREAT! It was the first time it has been shown on TV. Mr. WU is about a Chinese man who's daughter has fallen in love with a man from the west. The man already has plans to marry his daughter into another Chinese family of great society. When Wu finds out the man from the west decided to leave his daughter he realizes he must carry out an old Chinese law stating if a daughter is defiled the father must kill her. Will WU kill his daughter? TCM should be showing this movie often now that it has a music score. Look for Lon Chaney's make up as both Mr. Wu and Wu's grandfather. A must see for Lon Chaney fans.

In this weighted telling of the clash of two cultures Lon Chaney gives two magnificent portrayals of a Chinese Patriarch and his son bound to an ancient Cantonese Tradition regarding honor. The problem is the story pitting American mother Courage against ancient, outmoded bloodthirsty and sadistic Chinese tradition. In spite of its blatant bias Chaney brings to both elder and younger. admirable qualities with a certain dignity.

Raised by a strict grandfather Wu is determined to keep the Chinese tradition of choosing his daughter's husband to be sight unseen. She rebels when she meets a Britisher who in a nice touch has to climb over a wall to meet her. They get serious she dishonors the family, she must die. And that's not all.

With the Chinese Exclusion Act in place until 1943 one might see how easy it was to make one culture look so good and one so hostile. It's handsomely designed safely composed in favor of Chaney's beautifully nuanced and restrained performances while Rene Adoree as Wu's daughter Nang Ping seems contrived in comparison to Anna Mae Wong in a supporting role who would have brought so much more to the lead.

Even with it's blatant xenophobic thrust Mr. Wu is a fascinating document for the times of social acceptance. Just as much is to be said for the artistry of Mr. Chaney.

The terrible trial of MR WU begins with his daughter's first love.

Lon Chaney once again gives scope to his prodigious talent, this time portraying a wealthy Mandarin who is compelled to commit the ultimate crime to avenge his family honor. Chaney inhabits the role, making every glance & gesture perfect for his portrayal of the character. Even while performing despicable acts, Chaney makes the viewer experience his private pain in an almost visceral way. Chaney also portrays ancient Grandfather Wu in the film's opening scenes, exhibiting an astonishing make-up transformation that is practically preternatural.

Much of the screen time is given over to Chaney's younger costars. French actress Renée Adorée provides a beautifully poignant portrayal of Wu's lovely, tragic daughter. Englishman Ralph Forbes, one of the most under-appreciated actors of his generation, gives a stalwart performance as her handsome Western lover. The tender romance of their scenes provides the film with its softer, more sentimental moments.

Louise Dresser plays Forbes' patrician mother, a woman somewhat isolated by her social status who is suddenly, violently, brought into confrontation with Wu's implacable vengeance. Holmes Herbert does well with his short role as her bigoted husband. Delicate Anna May Wong portrays Miss Adorée's faithful servant girl.

The silent film is given excellent production values by MGM, with the beautiful sets being especially noteworthy.

As a youngster in the 1950's I was in a library thumbing through a large movie book when I found a few pages dedicated to Lon Chaney,there were several photos of him in make-up. I just stared at the photos with a great interest.One of the photos that awed me was that of Mr. Wu,it and other characters were a sharp contrast to his natural features. Through the years I've been able to obtain some of the more common Chaney movies but only recently have I viewed this movie.It didn't take long to grab my attention,the opening credits were accompanied by a powerful music score that assured the viewer they were about to see a drama.Overall I would say the music for this video copy contributed to a solid 25% of my viewing enjoyment.Other points of the movie that made it enjoyable for me were: As in other of his movies Lon Chaney doesn't rely only on make-up to entertain an audience,he does his homework on his character and adds distinct mannerisms that fit the part he is playing.The human goodness of the daughter(Adore)the way she can make her father(Chaney) smile who otherwise is usually serious.Anna May Wong does not have a major part but when seen she has great screen presence.Louise Dresser another talented actress takes part in a very serious scene that let's the viewer know what acting is all about.Upon viewing the whole movie there is one stand-out and that is mr. Chaney,there is no doubt he is the star of the movie.One is left with the feeling that his performance reached out to the audience a little further than the others.It can be said this movie is about a young man(Forbes)meeting a young lady(Adoree) and falling in love. What makes the movie though is the result of this encounter.If I were to view this movie with someone other than family I'd want to make them aware some parts demean Asians in picture and word,take it out nothing is lost only gained.I only encourage people to watch movies that I like,this is one of them.

Good entertaining film but as a viewer I completely lost sympathy with the Lon Chaney character after the way he treated his servant for simply reporting a fact. The removal of that scene would make the picture much better. Louise Dresser is great, especially in the last Pre-Code scene which would never had been allowed during the Breen era after 1934. It is made plain that the mother has to choose between her son being executed or she can save his life by allowing her daughter to be raped. Truly shocking for a 1927 film. Ralph Forbes (who plays as Louise Dresser's son) is quite handsome and effective as the love interest. Renée Adorée is OK as the daughter of Mr. Wu but hardly looks flattering in her makeup and costume. Anna May Wong (who is wasted in a servant part) is clearly more attractive and should have gotten the part.

Film is also hampered with silly ideas about the Chinese as if they blindly adhere to traditional laws in all circumstances. It is very hard to take that premise seriously. Holmes Herbert's boorish uncultured character is also rather offensive.