Love 'Em and Weep

Love 'Em and Weep (1927)

** 1/2 (out of 4)

A married man (James Finlayson) gets a call from his old girlfriend threatening to blackmail him so another guy (Stan Laurel) takes her out to make a deal. Oliver Hardy has a small role and it's hard to tell it's him due to his wig and mustache. The film has some good laughs but many of them aren't too big. The film was later remade with L&H working together in Chickens Come Home.

Should Married Men Go Home? (1928)

*** (out of 4)

Laurel breaks up a quiet evening at Mr. And Mrs. Hardy's house but he and Oliver go golfing anyways, which just leads to trouble. This was the first official Laurel and Hardy movie and it works quite nicely. The best moments occurs towards the end of the film with a big mud fight. Another highlight is a gag by the malt stand, which was later borrowed by Abbott and Costello in Buck Privates.

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

After 'Duck Soup' indicated a step in the right direction for early on in their careers after their previous two short films underwhelmed somewhat (especially '45 Minutes from Hollywood), Laurel and Hardy's fifth outing featuring them both is not a step backwards but not a return in the right direction either. It is nice and entertaining, more than watchable in an inoffensive way, but later offerings make far better use of Laurel and Hardy and their partnership and are much funnier, including its remake as mentioned by a few here. 'Love Em and Weep' felt like they were not yet fully formed and yet to properly find their feet.

'Love Em and Weep' looks quite good and hardly the work of an amateur. James Finlayson is an amusing lead and even better is Laurel who is great fun, 'Love Em and Weep' is worth watching for him alone.

There are amusing and charming moments and the pace is generally very energetic.

Hardy however has a nowhere near as interesting cameo role and his material is inferior to that of Laurel's. A waste, and even more so that 'Love Em and Weep' misses the chance to utilise their chemistry properly. 'Love Em and Weep' doesn't really feel like Laurel and Hardy, due to Hardy having little to do and their chemistry barely existent, and more Laurel and Finlayson.

Not everything is funny, too much of it being predictable and not being sharp enough in timing. The story is very slight and erratically paced, sometimes too busy while not getting going soon enough.

In summary, worth a look but hardly a Laurel and Hardy essential. 6/10 Bethany Cox

Later remade as a talkie in the thirties as "Chickens Come Home", also staring Stan Laurel, Oliver Hardy and James Finlayson, this film, while inferior to the remake, is still a pretty nice movie, with the excellent Finlayson getting the lions-share of the jokes with Laurel quickly following behind. The plot, while the same as the remake, has interesting casting differences. Here, Finlayson plays the blackmailed husband, not Hardy, who is given the nothing role of a house guest. Laurel is in the same role as the blackmailed husband, but is quite unlike the later roles he played, and is definitely not meek. So, it's not exactly a masterpiece, but a good example of silent comedy, and a must for Laurel and Hardy buffs.

This is one of Laurel & Hardy's "pre-team" comedies, one of several shorts both men appeared in more or less coincidentally before they developed their familiar childlike characters, i.e. the duo with the derby hats we all know and love. In this go-round Jimmy Finlayson is basically the lead player (although Mae Busch originally received top billing), and yet Stan steals the show in a prominent supporting role. Oliver Hardy is relegated to a minor part, and he dutifully reacts to the antics of the other players without any real comic business of his own to perform. Four years later, however, after Laurel & Hardy had become the top comics on the Hal Roach lot, Love 'Em and Weep would be remade as a talkie and retitled Chickens Come Home, with Hardy in the lead, Stan and Mae Busch repeating their earlier roles, and Finlayson reduced to playing Hardy's butler. Something of a comedown for Fin, though it must be said he played his part to a fare-thee-well on that occasion.

At any rate, Love 'Em and Weep is quite enjoyable in its own right, that is, if you enjoy a good old fashioned marital farce. All the ingredients are in place: Finlayson is a respectable bourgeois businessman (profession not specified) who is thrown for a loop when an old girlfriend pops up and attempts to blackmail him. His wife, of course, enters at an inopportune moment and the girlfriend is forced to hide in the bathroom. Finlayson must then explain the presence of her cigarette, fur stole, etc., to his gimlet-eyed wife. The angry girlfriend later shows up uninvited at Finlayson's home while he's entertaining guests and creates even more havoc.

This sort of thing can be tiresome if not well handled -- lesser comedians cranked out dozens of interchangeable short comedies along these lines -- but in this case, the first-rate performers manage to squeeze a lot of laughs out of the situation. Mae Busch is every inch the foxy, smirking troublemaker in the opening scene, and Finlayson's pop-eyed double-takes are as strenuous as ever. Okay, so maybe he was a one-note performer, but he certainly perfected that one note! Stan is quite funny as Finlayson's assistant, a man who (we are told) has great control over women, although we are offered no evidence of this. Quite the contrary! Stan's hair was still slicked down at this point, but he'd already perfected that familiar look of blank vacancy, and when the plot reaches a crisis we get a quick sample of the Laurel Cry.

Love 'Em and Weep is by no means the best comedy short ever made, but it's also far from the worst, and it amounts to a very pleasant diversion for the undemanding viewer. For me, this movie also served to demonstrate the difference an audience can make when viewing a silent comedy of this vintage. I first saw the film at home on TV with a friend and found it moderately amusing, but later, when I was fortunate enough to see it again at a public screening, with live music and an appreciative audience, it was as if a fossilized dinosaur skeleton had suddenly come back to life with a roar. Gags and pratfalls that seemed mildly funny at home rocked the house when seen with a crowd. I can only urge interested viewers to try to see these movies with an audience whenever possible, and if there's no place in your community where this is taking place, then start your own Film Society!

I watched this immediately after watching the 1931 remake (which is a genuine Laurel & Hardy film rather than a movie in which they both happen to appear) and it was a weird experience. The Oliver Hardy role is taken by James Finlayson who plays the butler in the remake. Hardy plays the judge and is barely recognisable behind a wig and thick moustache.

The film is quite amusing, although it's difficult to judge objectively after seeing the remake. By 1931 the boys had had time to polish their act and some of the comic moments were embellished upon. This is still enjoyable enough, though. Elements of Laurel's character as it would become once he teamed with Hardy peep through every now and then, but his hair's slicked back and he isn't quite the helpless child he would become.