IMDb-BEWERTUNG
7,2/10
3849
IHRE BEWERTUNG
Die Verkäuferin Betty hat das gewisse Etwas und probiert, ihren Chef zu erobern.Die Verkäuferin Betty hat das gewisse Etwas und probiert, ihren Chef zu erobern.Die Verkäuferin Betty hat das gewisse Etwas und probiert, ihren Chef zu erobern.
- Auszeichnungen
- 1 wins total
Elinor Glyn
- Madame Elinor Glyn
- (as Madame Elinor Glyn)
Elmo Billings
- Office Boy
- (Nicht genannt)
Gary Cooper
- Newspaper Reporter
- (Nicht genannt)
Lloyd Corrigan
- Yacht Cabin Boy
- (Nicht genannt)
Cheryl Holt
- Baby
- (Nicht genannt)
Eleanor Lawson
- First Welfare Worker
- (Nicht genannt)
Rose Tapley
- Second Welfare Worker
- (Nicht genannt)
Dorothy Tree
- Waltham Employee
- (Nicht genannt)
Empfohlene Bewertungen
Clara Bow's energy and glamour give this otherwise lightweight feature some life, making it quite a bit better than it had any right to be. The rest of the production does have a couple of strengths, but not enough to carry the load. The story is pleasant and generally entertaining, but rather negligible. The "It" theme is overworked, and downplaying it in favor of a little more substance might have improved the movie. Yet it is still certainly worth seeing.
Bow gets a character that allows her to use her strengths while also giving her a chance to do some other things as well, as her character goes through a series of romantic episodes and other experiences. Perhaps one reason why this is one of her best-remembered features is that the role gives her some opportunities to show different sides of her character, as she uses her facial expressions and other resources pretty well.
The rest of the cast is just there for Bow to play off of, and the characters are mostly one-dimensional. Antonio Moreno is solid but sometimes lifeless, and his friend Monty is an annoying character whose only constructive purpose is to advance the plot at a couple of key stages.
One minor asset of the movie is the inter-titles, several of which add a bit of bite to some otherwise trite situations. But the constant references to the "It" concept, which apparently come from the Elinor Glyn source material, get old quickly. It's hardly a very imaginative or significant concept, and a couple of passing references would have been more than enough, so as to allow the story to stand more on its own.
The story itself is told rather well, and there are some enjoyable sequences, especially towards the end. While the whole thing is too superficial to belong on any best-of or must-see lists - especially in a year that produced so many outstanding and significant films - it's a generally entertaining little feature, and it is one of the best showcases for Clara Bow, who was one of the most popular performers of the 1920s.
Bow gets a character that allows her to use her strengths while also giving her a chance to do some other things as well, as her character goes through a series of romantic episodes and other experiences. Perhaps one reason why this is one of her best-remembered features is that the role gives her some opportunities to show different sides of her character, as she uses her facial expressions and other resources pretty well.
The rest of the cast is just there for Bow to play off of, and the characters are mostly one-dimensional. Antonio Moreno is solid but sometimes lifeless, and his friend Monty is an annoying character whose only constructive purpose is to advance the plot at a couple of key stages.
One minor asset of the movie is the inter-titles, several of which add a bit of bite to some otherwise trite situations. But the constant references to the "It" concept, which apparently come from the Elinor Glyn source material, get old quickly. It's hardly a very imaginative or significant concept, and a couple of passing references would have been more than enough, so as to allow the story to stand more on its own.
The story itself is told rather well, and there are some enjoyable sequences, especially towards the end. While the whole thing is too superficial to belong on any best-of or must-see lists - especially in a year that produced so many outstanding and significant films - it's a generally entertaining little feature, and it is one of the best showcases for Clara Bow, who was one of the most popular performers of the 1920s.
I decided I'd watch a little bit of this film on the computer. Knowing me I usually get distracted and stop watching but this film was so very different. My first silent film, and already a favourite. I could literally not stop watching Clara Bow, she was absolutely fascinating. I'd read David Stenn's wonderful biography on her so it was great to see her finally acting. When she's on screen you block out everything else and her acting ability wonderful - she can cry at the drop of a hat! So, instead of getting distracted I watched this movie the whole way through and enjoyed every moment of it... but my favourite parts were definitely with Clara. In fact, you could say I wasn't really interested in anyone else! This movie is HER movie. It's fun, flirty and just a great movie. I recommend it for anyone who loves silent movies, Clara Bow, or flirtatious movies pushing the limit. Age wise, I think I can recommend it for about 15 onwards - I'm 14 and I really enjoyed it - but not all teenagers will appreciate the film. Which is a pity, because it's wonderful!
If there's any question why Clara Bow became one of the top box office stars of the late silent era, "It" answers that question. The film, perhaps the one with which she will always be associated, is indeed a star turn, but a great one.
Bow,playing a counter girl who wins the heart of the owner of the great department store she works, turns in a memorable performance.
She brings everything you could want to the role, from great comic timing to a very robust physical presence. More than anything, of course, she is incredibly photogenic, a magnetic presence that simply lights up the screen.
Most heartening to me was the very large number of people well under 30 who viewed this film with me the night I saw it. They seemed to absolutely loved it.
Bow,playing a counter girl who wins the heart of the owner of the great department store she works, turns in a memorable performance.
She brings everything you could want to the role, from great comic timing to a very robust physical presence. More than anything, of course, she is incredibly photogenic, a magnetic presence that simply lights up the screen.
Most heartening to me was the very large number of people well under 30 who viewed this film with me the night I saw it. They seemed to absolutely loved it.
this is a very fast paced and cute comedy starring the beautiful clara bow. the plot is fairly routine for it's era, but clara gives this film a real boost. she's especially appealing in a scene where she is making funny faces at her friends baby. the scenes at coney island are also fun to watch. and check out the subtitles with the 1920's slang. pretty funny stuff.
I first saw "It" last year at a mini-festival at the Kemper Museum in Kansas City. The audience was about equally middle-aged (50's, 60's; I'm 63) and young (many 20's and early 30's). Everybody roared with laughter and delight throughout the film.
This is not only a sweet, wacky comedy (with a strong ending--how I wish current filmmakers could learn that lesson!), but also a demonstration, as others have pointed out, of one of the most magnetic personalities ever to face a camera lens. Clara Bow's presence is simply heart-stopping and her basic goodness, at least in this role, is such that it makes me feel maybe there's a little hope for humankind after all.
I watched it again, with a friend, at home this evening and marveled anew at the extraordinary vitality of this wonderful young woman. The extremely silly story doesn't matter in the least. The lesson of the film, as much as there is one, is "where there's a will, there's a way," and to follow the exploits of our heroine's will is pure balm for any weary soul.
This is not only a sweet, wacky comedy (with a strong ending--how I wish current filmmakers could learn that lesson!), but also a demonstration, as others have pointed out, of one of the most magnetic personalities ever to face a camera lens. Clara Bow's presence is simply heart-stopping and her basic goodness, at least in this role, is such that it makes me feel maybe there's a little hope for humankind after all.
I watched it again, with a friend, at home this evening and marveled anew at the extraordinary vitality of this wonderful young woman. The extremely silly story doesn't matter in the least. The lesson of the film, as much as there is one, is "where there's a will, there's a way," and to follow the exploits of our heroine's will is pure balm for any weary soul.
Wusstest du schon
- WissenswertesElinor Glyn gave many confusing and sometimes contradictory explanations for what "It" meant, but she always said that "It" did not mean "sex appeal" necessarily and that anyone who said it did was vulgarizing her concept. Nonetheless, "It" became a euphemism for "sex appeal," which caused that pronoun to be entered into the American lexicon as a noun in the late 1920s.
- PatzerAs Waltham climbs onto the anchor, his shirt sleeve is intact. The scene cuts away to Monty and Adela in the rowboat for a brief moment; however, in the next scene, Waltham's sleeve is completely torn.
- Zitate
Monty Montgomery: I feel so low, old chap, that I could get on stilts and walk under a dachshund.
- VerbindungenFeatured in The House That Shadows Built (1931)
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 411.891 $
- Laufzeit1 Stunde 12 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
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By what name was Das gewisse Etwas (1927) officially released in India in English?
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