The Sea Beast

When it came to silent movie plots, even the most manly stories filled with rugged characters needed a romantic element to appeal to women viewers. Warner Brothers Studios was interested in producing a film based on one of America's greatest novels, Herman Melville's 'Moby Dick.' Unfortunately, its seafaring plot didn't contain one female in the cast of characters. Because of that, there was not one hint of a romantic angle to the book. That didn't stop the studio from going forward with the project of producing the first movie centered around the Melville classic, released In January 1926 as "The Sea Beast."

Actor John Barrymore lobbied aggressively to get the part of Captain Ahab. As an avid reader of 'Moby Dick,' Barrymore gave suggestions to scriptwriter Bess Meredyth on how to carve the script. She reportedly didn't incorporate any of his pointers, noting this wasn't going to be a romance. "What we are going to do for a love interest, I don't quite know," said Barrymore. "He might fall in love with the whale. Hollywood, I am sure, will find a way." Meredyth finally found a way to squeeze a romantic subplot into the movie. Character Ester Wiscasset (Dolores Costello) becomes a lightning rod between Ahab (Barrymore) and his half brother Derek (George O'Hara). Both are gaga over the minister's daughter, which causes a rift between them when they're in pursuit of the large white whale. Derek takes advantage of the Ahab leaning over the bow of the small whale skiff and abruptly pushes him over. Moby immediately spots Ahab's meaty human leg to chomp on, hence explains his peg leg. Harboring a hatred towards the hungry whale, Ahab's personality turns from a happy-go-lucky captain to a mean, crusty, revenge-seeking brute. He becomes even more onerous when he discovers how he ended up in the ocean.

Barrymore, whose romantic eyes went from young actress Mary Astor to new girlfriend Dolores Costello, persuaded Warner to cut its original choice, actress Priscilla Bonner, for his lover. Bonner, upon getting the termination notice, abruptly sued the studio and won a hefty sum in an out-of-court settlement. Barrymore, who loved his drink, was pounding the bottle pretty hard during "The Sea Beast" production and appears on camera to be worn out with his bloodshot eyes and unshaven look. Studio producer Jack Warner told the director Millard Webb to praise the makeup artist for doing a great job on the actor. "That's not makeup," Webb said. "It's a hangover."

Barrymore's characterization of Ahab drew praise from a number of critics. It has been noted the actor excelled at playing deviates such as Mr. Hyde, and in Ahab he finds a perfect foil to display a physically and mentally tormented man. The public ate it up, filling theater seats so much "The Sea Beast" became the tenth greatest money maker in 1926. It would be another 30 years, however, for Hollywood to make a movie that would follow the Melville plot without the romantic element in John Huston's 1956 "Moby Dick."

Young sailor Ahab (aka John Barrymore) loves lovely Dolores Costello, but his black hearted brother Derek wants her too. So, when the dangerous SEA BEAST (aka Moby Dick) raises its vicious head from the briny deep, awful brother is around to make sure Barrymore suffers at the hands of the white whale. Will true love triumph, or will Barrymore's Mr. Hyde makeup as the obsessed Capt Ahab scare off lovely Dolores?

Since the print I watched had both dreadful music, and a frequently washed out picture, it is impossible to evaluate this movie fairly. It is quite slow (slow enough that I questioned whether it was recorded at the right speed), and the first two-thirds of the movie are devoted to the younger Ahab, his true love for Dolores, and the machinations of the villainous Derek. That part is, except for a few moments of hot romance, and the whale hunt, quite dull. The second part, featuring Barrymore's Mr. Hyde as Ahab, stays on the right side of risible, and thrives on Barrymore's ability to be as scary as Lon Cheney. Some rousing storm scenes, and a final confrontation between Ahab and Derek make this part quite fun in a rousing old movie way.

This is worth seeing, if you like Barrymore, who is excellent throughout. But you might have more fun if you fast forward things through the many tedious bits in part 1.

I streamed an online version of this that was copyrighted Televista, Inc, 2007. I don't know how close to the original print it really was, but I assume it was pretty much the same as what audiences saw in 1926. If it is an accurate transfer, then, man oh man, this is the worst edited movie in history. The philosophy that guided the editing of this film must have been, if you can have an eight-second close-up of someone's face, why not make it eighteen-seconds instead? More than twice as good! Why settle for two reaction shots from a character if you can have five? Why have a character tell someone she love him just once when you can have the same scene repeated three times?

The pacing is atrocious, with a simplistic, conventional love story that reduces Ahab to a forlorn lover, completely scraps Ishmael, and doesn't even give names to most of the Pequod crew. This is most certainly not Melville's book, and the events that at all resemble the novel don't begin until over an hour and fifteen minutes into the film.

There are some decent flourishes at the end, including an innovative use of Ahab's peg leg that's original to this film and also some decent expressive acting from John Barrymore and Dolores Costello in the final scene. The version I saw also had some pretty sweet percussive music during some of the action scenes, though most of the score was fairly conventional stuff.

This is an interesting curio considering Melville's novel was a massive flop whereas this was a blockbuster success. There truly is no accounting for taste. This might satisfy the curiosity of Melville enthusiasts, but for a general viewer this movie is an absolute bore.

Hmmm. This is what we would call a "re-imagining" nowadays. Herman Melville's classic "Moby Dick" underpins this far more romantic story as John Barrymore "Ahab" has to battle his brother "Derek" (George O'Hara) for the affections of "Esther" (Delores Costello) on land whilst joining in the battle against the great white whale from the novel at sea. I found the romance just a bit too drawn out and tedious, but when the film takes us to sea it comes alive with some cracking cinematography that depicts the dangers the sailors faced doing their jobs (including plenty of rats milling aboard amongst the injured and/or sleeping men). I can't say the print I saw was great, and the accompanying score was so soporific as to remind me of the music played at the dentist to calm me when I'm having root canal treatment! Barrymore is good, though. His maniacally obsessive expressions when tracking the whale (which, by now, has relieved him of his lower leg) are genuinely menacing - though clearly not so much for the whale. The ending is far removed from the book, too - and that removes much of the potency from the the whole thing, leaving us with a rather slushy maritime drama that just doesn't have enough of action and adventure for me.

Ahh!!! This silent film was released to DVD by Televista. That means that the print will be god-awful--which is true of the two dozen or more silents I've seen from this company. HOWEVER, at least the films are being released, as the films were not available any other way. So, if you can bear with the fuzzy, scratchy and occasionally shaky print, you might want to try this film. But, if you want a film that is in moderately good shape...look a bit further.

Another very important thing you must know about the film is that it is sort of like the antithesis of the old "Dragnet" maxim "...the names were changed to protect the innocent". Instead, the original names of the characters were all there BUT almost everything in the story is different from the novel!! It is Moby Dick in name only--and it's an abomination to say this is the Melville tale. The many, many, many dissimilarities are too many to name in this short review--but suffice to say that the entire meaning behind the story is gone as well as the symbolism. Instead, it's just a mess...a mess that has huge sections about an abortive love affair for Ahab in which he loses the girl to his half-brother (who is crazy--not Ahab) and Ahab is portrayed as a sad and likable guy--NONE OF WHICH was in the book.

So, you can only enjoy this film if you can ignore that it is clearly NOT "Moby Dick" and you don't mind watching one of the ugliest quality prints money can buy! And, as a film which bears no similarity to the classic tale, it's okay...just okay. While there is some nice sea footage, there also is the gratuitous use of irrelevant whale processing footage at the beginning. Overall, it's really not worth your time.