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Metropolis

  • 1927
  • 18
  • 2 Std. 33 Min.
IMDb-BEWERTUNG
8,3/10
195.911
IHRE BEWERTUNG
BELIEBTHEIT
1.969
57
Brigitte Helm in Metropolis (1927)
Metropolis Trailer
trailer wiedergeben2:01
2 Videos
99+ Fotos
Dystopian Sci-FiEpicSci-Fi EpicSteampunkDramaSci-Fi

In einer futuristischen Großstadt, in der die Arbeiterklasse streng von der Oberschicht getrennt ist, verliebt sich der Sohn des Herrschers der Stadt in eine Prophetin der Unterschicht, die ... Alles lesenIn einer futuristischen Großstadt, in der die Arbeiterklasse streng von der Oberschicht getrennt ist, verliebt sich der Sohn des Herrschers der Stadt in eine Prophetin der Unterschicht, die das Kommen eines Retters vorhersagt, der die Differenzen zwischen den Klassen beseitigen w... Alles lesenIn einer futuristischen Großstadt, in der die Arbeiterklasse streng von der Oberschicht getrennt ist, verliebt sich der Sohn des Herrschers der Stadt in eine Prophetin der Unterschicht, die das Kommen eines Retters vorhersagt, der die Differenzen zwischen den Klassen beseitigen wird.

  • Regie
    • Fritz Lang
  • Drehbuch
    • Thea von Harbou
    • Fritz Lang
  • Hauptbesetzung
    • Brigitte Helm
    • Alfred Abel
    • Gustav Fröhlich
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,3/10
    195.911
    IHRE BEWERTUNG
    BELIEBTHEIT
    1.969
    57
    • Regie
      • Fritz Lang
    • Drehbuch
      • Thea von Harbou
      • Fritz Lang
    • Hauptbesetzung
      • Brigitte Helm
      • Alfred Abel
      • Gustav Fröhlich
    • 594Benutzerrezensionen
    • 224Kritische Rezensionen
    • 98Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Am besten bewerteter Film #120
    • Auszeichnungen
      • 7 Gewinne & 6 Nominierungen insgesamt

    Videos2

    Metropolis
    Trailer 2:01
    Metropolis
    'The Platform' & Future Films From the IMDb Top 250
    Clip 4:04
    'The Platform' & Future Films From the IMDb Top 250
    'The Platform' & Future Films From the IMDb Top 250
    Clip 4:04
    'The Platform' & Future Films From the IMDb Top 250

    Fotos181

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    + 175
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    Topbesetzung33

    Ändern
    Brigitte Helm
    Brigitte Helm
    • Maria…
    Alfred Abel
    Alfred Abel
    • Johann (Joh) Fredersen
    Gustav Fröhlich
    Gustav Fröhlich
    • Freder Fredersen - Joh Fredersens Sohn
    Rudolf Klein-Rogge
    Rudolf Klein-Rogge
    • Erfinder C.A. Rotwang…
    Fritz Rasp
    Fritz Rasp
    • Der Schmale…
    Theodor Loos
    Theodor Loos
    • Josaphat…
    Erwin Biswanger
    • 11811 - Georgy
    Heinrich George
    Heinrich George
    • Grot -Wärter der Herzmaschine…
    Fritz Alberti
    Fritz Alberti
    • Schöpferischer Mensch
    • (Nicht genannt)
    • …
    Grete Berger
    Grete Berger
    • Arbeiterin
    • (Nicht genannt)
    • …
    Olly Boeheim
    • Arbeiterin
    • (Nicht genannt)
    • …
    Max Dietze
    • Arbeiter
    • (Nicht genannt)
    • …
    Ellen Frey
    • Arbeiterin
    • (Nicht genannt)
    • …
    Beatrice Garga
    • Frau der ewigen Gärten
    • (Nicht genannt)
    • …
    Heinrich Gotho
    Heinrich Gotho
    • Zermonienmeister
    • (Nicht genannt)
    • …
    Dolly Grey
    Dolly Grey
    • Arbeiterin
    • (Nicht genannt)
    • …
    Anny Hintze
    • Frau der ewigen Gärten
    • (Nicht genannt)
    • …
    Gottfried Huppertz
    • Man Playing Violin
    • (Nicht genannt)
    • Regie
      • Fritz Lang
    • Drehbuch
      • Thea von Harbou
      • Fritz Lang
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen594

    8,3195.9K
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    Zusammenfassung

    Reviewers say 'Metropolis' is a groundbreaking science fiction film that delves into class struggle, technological dangers, and social harmony. Its innovative visual style, special effects, and set design have inspired films like 'Blade Runner' and 'Star Wars'. The dystopian city depiction and commentary on labor and consumerism remain impactful. Celebrated for its cinematography, editing, and symbolism, 'Metropolis' stands as a key work of German expressionism, though some find its pacing and narrative dated.
    KI-generiert aus den Texten der Nutzerbewertungen

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    BaronBl00d

    Movie Milestone and Masterpiece!

    Metropolis is surely one of the greatest films ever made. Its scope, its reach, its magnitude and its message are truly incredible even by today's standards of film-making. Seen in context of its premier in 1927, Metropolis is a giant of filmdom and film history. Lots of people always ask what makes a movie great, and in particular, Metropolis. A great film is one that stirs the imagination, leaves the viewer with images that will last perhaps forever, forces contemplation of issues dealing with the very essence of life, and achieves a kind of immortality. Metropolis is a film that succeeds with each of these criteria. Metropolis is a film that hailed in a new era of making films with it futuristic settings, halluciatory scenes, and its breadth of spirit and sheer scope, most clearly exhibited by its cast of epic proportions. There are images that blind the viewer with genius such as the beginning scene of the changing of the workers or the creation of the robot Maria. Metropolis challenges its viewers to think about their relationship with society both as a whole and with each individual, as well as contemplate the rationale of divisions amongst peoples and groups. Lastly, Metropolis has stood the test of time. It is a landmark film and an ignitor for the evolution of the science fiction/fantasy film genre. The story itself is simple,a Biblical allegory, about how people with a vision should share that vision in order to make it happen. The film is anything but simple. It is immense, and a rich legacy that director Fritz Lang has left us.
    9PIST-OFF

    The father of sci-fi cinema.

    Silent movies are not for everyone. Neither are subtitles. Those brave enough to view a movie with no sound and words that are far and few between should definitely enjoy this silent masterpiece. One of the biggest productions of its time, Metropolis still holds its own when set design and special effects are compared. But what Metropolis really has is orginality. This German-Expressionist film had such originality in everything from its costumes to its views of a future (modern) city that its ideas can still be seen everywhere in modern sci-fi. Star Wars's C-3PO was based on Bridgette Helm's robot. Dark City and Brazil both have Metropolis look-a-like cities. This is a very good movie. It's too bad most movies don't have its originality.
    The_Film_Cricket

    The story elements are so familiar that you tend to forget some of them started here.

    We have seen so many movies now that even those of us who study them tend to forget where certain familiarities were born. The science fiction elements presented in Fritz Lang's 'Metropolis' are so familiar to us that they have become not just the genre standard but almost a given. The notion of a city as an urban hell ruled by the upper-class and operated by slave-like poor. The notion of the city that seems to touch the heavens. The notion of a mad scientist giggling in his lab as he plays God. The lone hero who discovers the diabolical machinations of the villain and tries to throw a monkey wrench into his plan. These elements can be found in this film's ancestors 'Frankenstein', 'Batman', 'Gattaca' and the cities of 'Blade Runner', 'Star Wars' and 'The Fifth Element'. All of these films contain elements that were inspired by Lang's work.

    'Metropolis' has gone down in history as one of the most influential films ever made, certainly one of the most studied silent films and yet the movie sort of languishes. After its success in 1927 the film has had an uneasy time. It's pedigree as a silent film turns off the usual science fiction audience and it is sort of a footnote in the history of the genre. One restored version after another has tried to reconstruct the film as best it could because some of the footage of the film has been lost through neglect and silly studio censoring. Some of the restorations work but most do not so we sometimes wonder what an experience this must have been like in 1927. Unless a lost version surfaces (as it did with the recently uncovered print of Valentino's 1922 film 'Beyond the Rocks') the complete work my never be seen again. The restored version released on DVD in 2001 was based on a digital restoration at 2K resolution from all available sources. It's the best version that I've seen and I would highly recommend that one if you haven't seen the film. The worst is a 1994 print put out by GoodTimes video which contains not an ounce of restoration, the film in grainy and difficult to see, it doesn't even have a soundtrack. I call that one the worst because I'm still a little ambivalent about the 1984 restored version by Georgio Moroder with color tinting (good), sound effects (not so good) and a soundtrack that includes songs by Loverboy, Freddy Mercury, Bonnie Tyler, Adam Ant and Pat Benatar (yuck!).

    Those who study the film (myself included) find the story impenetrable. Some films you can easily decipher but 'Metropolis' has a plot that is so maddeningly erratic that it's hard to pin it down as a whole. Many conceded that as a fault but I think it adds to the film's chaotic nature. It takes place in the future (restored versions offer title cards that suggest that it's the year 2000 but I don't go by that) in an overcrowded city with immense skyscrapers (the Gothic, sometimes grotesque architecture suggests that the buildings were constructed in a hurry). The rich in Metropolis are content with their lives, dancing in their penthouses and spending their money. The poor work as slaves beneath the city like cogs in a machine. Lang choreographs the scenes in the subterranean levels magnificently so that the workers are never out of step. They don't so much work as toil under oppression like Ramses' slaves building his pyramids. The rich and poor of Metropolis are ignorant of one another. One person that isn't ignorant of the class division is Joh Fredersen a ruthless businessman who rules Metropolis from his office.

    His son Freder happily enjoys the Pleasure Gardens one day when he notices a woman rising from the underground caves with a group of the worker's children. Curious, he follows her to the depths and is aghast at the tyranny in motion there. The woman is Maria, a revolutionary who holds sermons to remind the workers that a peaceful resolution can and must be found.

    Freder uncovers a plot by Rotwang, the mad scientist to create a robotic version of Maria to convince the workers to rise up and take arms. This leads to the film's most famous scene when the robot becomes flesh and blood and the false prophet opens her eyes to reveal two dead sparkling orbs. Rotwang kidnaps the real Maria and sends the false one to convince the workers to rise up and then taunt the rich men and drive them into a sexual frenzy.

    Then all Hell breaks loose, but the rest I must leave to you to discover.

    Lang based the film on the book written by his wife Thea Von Harbou. In the book the story is about a chaotic as the film (and therefore less successful), the difference is that Lang has the visuals to suggest the chaos where the book did not. He uses every technical tool at his disposal to visualize the Hell of the subterranean machine run by the workers. At one point Freder, disguised as a worker, witnesses one of the huge machines explode and visualizes it as a horrendous monster swallowing workers by the dozen. Another suggests an odd device, a giant dial in which the worker is made to keep the arms in the same place as the light bulbs go on and off around it's edge. The machine doesn't seem to have any purpose until Freder imagines it as a giant clock and tries to pull the arms forward to end the merciless day.

    The film is one of the pinnacles of German Expressionism, astonishing in its use of light and shadow. One of the best examples is the scene in which Rotwang pursues the real Maria through the caves using only a beam of light to strike terror as he closes in. Another brilliant moment comes with Maria's erotic dance as the men gawk, the camera filled with their moist eyes. This scene was completely removed after the initial release and not restored until home video.

    Other moments have deeper resonance. There is something unsettling about the hundreds of workers toiling in the underground caves. Walking to work they march with their heads down, dressed in uniforms and caps. It reminded me of the Jews being led into the Nazi Death Camps. There is a buried foreshadowing of Hitler. More obvious are Lang's biblical references. The rise of the city parallels Maria's retelling of the story of the Tower of Babel. The giant pentagram in Rotwang's lab as he plays God. The breathtaking image of the plague-bringer who comes wielding an obscene scythe. The very heaven and hell nature of Metropolis itself. There is even a Christ-like quality in Maria who gives her sermons and reinforces that indeed blessed are the peacemakers.

    These elements and images are brought to the film because of Lang's insistence on no less then absolute perfection. He was known as a sometimes cruel taskmaster, working his cast and crew like a dictator. He cast some 20,000 extras (1500 of them for the Tower of Babel sequence alone) and worked them from morning till night. The water which covered the set for the climactic flood was ice cold. Many of the extras were soaked through from morning till night. Actress Brigette Helm was nearly killed several times, once by a fall and another by the fact that the bonfire scene was real! Helm was so rattled by her experience working with Lang that she thereafter refused to make another film with him.

    I could go on and on, this film all great films invite lengthy discussions. It can be seen in at least a hundred different ways, as a foreshadowing of fascism or the tyranny of communism or just capitalism boiling over. But when you get down to it the best way to view 'Metropolis' is not as a film to pick apart but simply as a film of it's time, Lang created the story of a world gone mad while the world around him was going mad.
    9Xstal

    The Foundation of Dystopian Science Fiction...

    Absolutely crammed full of future references to all of your favourite science fiction feature films, series, books, comics and video games. There's also quite a lot rooted in the current world of science non-fiction with the age of automation and robots concurrently being consumed by A.I. and Machine Learning. You could squeeze gene editing in as well if you have the imagination.

    I saw a clean restored version and spent a lot of time wishing I was consuming the experience in a cinema as a result. Ambitious, visionary and epic in its making - seldom can any film lay claim to having such huge influence. It must have been quite breathtaking for the paying public of the day, in their time away from the grindstone, to encounter such an alien and yet metaphorically familiar world, as the one they encountered here.
    8ACitizenCalledKane

    Highly influential and, dare I say, prophetic?

    Fritz Lang's Metropolis is the first true masterpiece of science fiction in film. You can see it's influence in films such as Star Wars, The Matrix, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Blade Runner, and countless others. Despite the fact that parts of the film are no longer available, the efforts to reconstruct the original film from its remains are valiant enough to provide enough to make the story clear. The special effects were far ahead of their time and the set designs were, in some cases, phenomenal. I can see where some people may not enjoy this movie. It is hard for some to really appreciate a movie that is 77 years old, because a lot has happened in film since then. Yet, if you look at the basic elements of this movie - its story, characters, artwork, cinematography, etc., I believe this movie has just as much to offer now as it must have in the late 1920's. Also, take into consideration the asthetics of German expressionist film when viewing this. The performances and set designs are going to be over the top. That was part of the style. Metropolis may not be for everyone, but, for those willing to read between the lines, this film still has a lot to offer!

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Unemployment and inflation were so bad in Germany at the time that the producers had no trouble finding 500 children to film the flooding sequences.
    • Patzer
      When Freder and Josaphat are climbing down into the miner's city, Freder is barefoot. When they are taking the children up the stairs, he has shoes again.
    • Zitate

      Maria: HEAD and HANDS need a mediator. THE MEDIATOR BETWEEN HEAD AND HANDS MUST BE THE HEART!

      Worker #1: But where is our mediator, Maria - ?

      Maria: Wait for him! He will surely come!

      Worker #2: We will wait, Maria...! But not much longer - - !

    • Crazy Credits
      Restoration based on the version in the Filmmuseum Munich and material preserved in the Bundesarchiv-Filmarchiv
    • Alternative Versionen
      A version restored by the German Democratic Republic in the eighties runs 115 minutes (still shown on German TV sometimes).
    • Verbindungen
      Edited into Il volo (1975)

    Top-Auswahl

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    FAQ

    • How long is Metropolis?
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    • Is "Metropolis" based on a book?
    • How did they shoot the rings around the machine when it was transforming into the guise of Maria?
    • What are the differences between the 2001 Restoration and the 2010 Restoration?

    Details

    Ändern
    • Erscheinungsdatum
      • 6. Februar 1927 (Frankreich)
    • Herkunftsland
      • Deutschland
    • Offizieller Standort
      • Official North American site for 2002 restoration
    • Sprachen
      • Deutsch
      • Englisch
    • Auch bekannt als
      • Dië Maschinenmensch: The Machine Person
    • Drehorte
      • Berlin, Deutschland
    • Produktionsfirma
      • Universum Film (UFA)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 6.000.000 DM (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 1.236.166 $
    • Eröffnungswochenende in den USA und in Kanada
      • 19.386 $
      • 14. Juli 2002
    • Weltweiter Bruttoertrag
      • 1.351.009 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      2 Stunden 33 Minuten
    • Sound-Mix
      • Silent(original release)
    • Seitenverhältnis
      • 1.33 : 1

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