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Galgenhochzeit

Originaltitel: Bardelys the Magnificent
  • 1926
  • Passed
  • 1 Std. 30 Min.
IMDb-BEWERTUNG
7,1/10
1372
IHRE BEWERTUNG
John Gilbert in Monte Cristo (1922)
Zeitraum: DramaDramaRomanze

Füge eine Handlung in deiner Sprache hinzuIn the reign of King Louis XIII, dashing rogue and libertine Marquis de Bardelys is entranced by Roxalanne de Lavedan. Against a background of knavery and intrigue he sets out to woo and win... Alles lesenIn the reign of King Louis XIII, dashing rogue and libertine Marquis de Bardelys is entranced by Roxalanne de Lavedan. Against a background of knavery and intrigue he sets out to woo and win her.In the reign of King Louis XIII, dashing rogue and libertine Marquis de Bardelys is entranced by Roxalanne de Lavedan. Against a background of knavery and intrigue he sets out to woo and win her.

  • Regie
    • King Vidor
  • Drehbuch
    • Rafael Sabatini
    • Dorothy Farnum
    • Marian Ainslee
  • Hauptbesetzung
    • John Gilbert
    • Eleanor Boardman
    • Roy D'Arcy
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    1372
    IHRE BEWERTUNG
    • Regie
      • King Vidor
    • Drehbuch
      • Rafael Sabatini
      • Dorothy Farnum
      • Marian Ainslee
    • Hauptbesetzung
      • John Gilbert
      • Eleanor Boardman
      • Roy D'Arcy
    • 18Benutzerrezensionen
    • 11Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 wins total

    Fotos25

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    Topbesetzung24

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    John Gilbert
    John Gilbert
    • Marquis Christian de Bardelys
    Eleanor Boardman
    Eleanor Boardman
    • Roxalanne de Lavedan
    Roy D'Arcy
    Roy D'Arcy
    • Comte de Chatellerault
    Lionel Belmore
    Lionel Belmore
    • Vicomte de Lavedan
    Emily Fitzroy
    Emily Fitzroy
    • Vicomtesse de Lavedan
    George K. Arthur
    George K. Arthur
    • Chevalier de Saint Eustache
    Arthur Lubin
    Arthur Lubin
    • King Louis XIII
    Theodore von Eltz
    Theodore von Eltz
    • René de Lesperon
    Karl Dane
    Karl Dane
    • Rodenard
    Edward Connelly
    Edward Connelly
    • Cardinal Richelieu
    Fred Malatesta
    Fred Malatesta
    • Castelrous
    John T. Murray
    John T. Murray
    • Lafosse
    Joe Smith Marba
    • Innkeeper
    • (as Joseph Marba)
    Daniel G. Tomlinson
    • Sergeant of Dragoons
    Emile Chautard
    Emile Chautard
    • Anatol
    Max Barwyn
    Max Barwyn
    • Cozelatt
    Gino Corrado
    Gino Corrado
    • Dueling Husband
    • (Nicht genannt)
    Lou Costello
    Lou Costello
    • Extra
    • (Nicht genannt)
    • Regie
      • King Vidor
    • Drehbuch
      • Rafael Sabatini
      • Dorothy Farnum
      • Marian Ainslee
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen18

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    7FerdinandVonGalitzien

    The Art Of Wooing,

    It is always a pleasure and a joy for silent film fans ( German aristocrats experience those primal human feelings everyday; coarse people from time to time ) to know that in spite many various 20thcentury misfortunes such as inclement weather, the inexorable passage of time, long haired carelessness and the Azores trio, finally and miraculously some silent nitrates emerge from oblivion hidden in lost vaults.

    The last year one of those old nitrates was found in France, an almost intact copy ( lacking reel 3 )of "Bardelys The Magnificent" (1926) directed by Herr King Vidor. The film was superbly restored, fulfilling the missing scenes with stills, providing a great opportunity to almost complete the silent film career of such an important American director, who filmed many silent masterpieces.

    "Bardelys The Magnificent" it is not a masterpiece but a very entertaining film, starring John Gilbert and Dame Eleanor Boardman. It tells the story of Herr Bardelys ( John Gilbert ), a ladies' man, irresistible to women and admired by men but Bardelys will have to fight against his evil rival, Chatellerault ( Herr Roy D'Arcy ) for the love of Dame Roxalanne ( Eleanor Boardman ) in a story set in the decadent French court and surroundings.

    "Bardelys The Magnificent" is an impeccable work, careful in details but light in the story; it is not exactly a swashbuckler film although it includes some acrobatics and action scenes and there is a scaffold scene filmed from an impossible angle but this is really more of a romantic drama, not surprising given the presence of Herr John Gilbert, the ladies' man par excellence during the 20's in many American movies.

    Herr Gilbert plays convincingly his character, an ironic, cynical seducer; at the beginning of the film Bardelys is depicted in a satiric vein as a French dandy but he will suffer many hardships to win Dame Roxalanne heart ( Dame Boardman is charmingly and beautifully photographed by Herr William H. Daniels-obviously, given the fact that she was the director's wife… As this German count pointed out, Bardelys' only purpose is to win Roxalanne and that's what really matters most to Herr Vidor, so consequently the adventures and suffering of our hero are focused on that unrequited love or paradigm of the art of wooing, displayed superbly in a romantic, splendid and famous boat scene ( it was until last year the only surviving scene of "Bardelys The Magnificent" because it was shown in Herr Vidor's "Show People" (1928) ), artfully filmed by Herr Vidor and itself an excellent reason to watch the film.

    "Bardelys The Magnificent" is a charming oeuvre, a light piece of work by Herr Vidor, skilfully directed and with the sole purpose of entertaining. Given that the film includes some action, old France and its decadent court and a romantic and classical love story starring two lovely actors, isn't that more than enough?.

    And now, if you'll allow me, I must temporarily take my leave because this German Count must attend a magnificent supper.

    Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com/
    8ulicknormanowen

    Noblesse oblige.

    The way foreign directors treat French history since DW Griffith and Vidor to Sofia Coppola has always been "personal ": King louis XIII appears as a jolly good fellow whereas le cardinal de Richelieu is overshadowed ,duels are not forbidden (whereas Richelieu thought that they were ruining the French aristocracy ,"these who fight (for their country)" ) and the hero is to be hanged (whereas nobles were always beheaded).

    But it's true that Louis the Thirteenth (and le cardinal) would fight both reluctant nobles and protestants; there were rebellions among them,predating the Fronde ,during Anne D'Autriche's regency .

    Forget history and you 've got a marvelous swashbuckler with plenty of go and plenty of humor : in spite of an occasional dramatic scene (the lovers in the dungeon where the hero waits for his execution) , playing is a bit tongue-in -chick and most of the time it's comic,sometimes even burlesque : the words Bardelys says to all the ladies he seduces ,the lockets with a locks of hair,churned one after another by the servants , the duel ending with a smack on the bottom (with a sword), the final acrobaties around the gallows,so skillfully filmed (spears points around the drifter) , that one almost believes in this implausible escape.

    The movie was restored,but there's a long passage missing ,replaced by photographs and snatches of dialogues:the meeting between the hero,en route to the castle of the lady he covets ,and a dying René De Lesperan , a rebel against the king's authority whose name Bardelys usurps .

    John Gilbert is a dashing handsome gentilhomme , a womanizer who is never inconsiderate towards his conquests ,noblesse oblige ; Roy D'Arcy is a delightful villain ,who savors his revenge during the trial ,half-closed eyes, refusing to know his former rival ("Chatellerault" is a town in Poitou) and sending him to the scaffold with an incredible pleasure.

    Very entertaing ,action-packed , lots of humor and a screenplay full of sudden new developments :who could ask for more?
    8st-shot

    Gilbert in his prime as romantic swashbuckler.

    John Gilbert is in his dashing prime as the great lover in Bardelys the Magnificent. Adept at both swordsmanship and seduction Gilbert intersects the careers of Fairbanks and Flynn with a dash and panache equal to them in their heyday.

    In the court of Louis Xlll no one is more gossiped about than the charismatic Bardelys, an insatiable rake who literally has women lining up on his doorstep to be seduced. The fun loving Bardelys delights in deluding the ladies with the same pick-up lines sending each away with the feeling they are that special one. Bardelys enviable talents however draws the enmity of Chatterault (Roy D'Arcy) a recently spurned suitor of the the lovely Roxanne (Eleanor Boardman). In a devious attempt to even things up with both he challenges Bardelys to seduce her sight unseen. What Bardelys expects to be another day at the office, however, turns into passionate love and Chatterault vows revenge on both.

    Gilbert is perfect fit as Bardelys. With dark piercing eyes he conveys both a hard to resist charm and noble resolve. In addition to his expressive features Gilbert displays a wily limberness in some action scenes where he does some challenging stunt work. As the venal Chatterault Roy D'Arcy aquiline features bespeaks iniquity. Eleanor Boardman's sedate beauty and restraint as Roxanne brings counterpoint to Gilbert's rakish Bardelys and it's all good chemistry.

    Director King Vidor who made a star out of Gilbert in The Big Parade the previous year injects Bardelys with his signature crane and exposition shots to bring grandeur to the court as well as depict the hedonistic existence of the let them eat cake crowd. Dividing the film with ample amounts of action, romance and humor Vidor keeps Bardelys moving and magnificent most of the way.
    drednm

    John Gilbert the Magnificent

    I thought this was a great film. It's got everything. There's plenty of tongue-in-cheek humor (as with Sabbatini's MONSIEUR BEAUCAIRE, one of Valentino's more underrated films) and also some terrific action sequences.

    John Gilbert and Eleanor Boardman are great together. Roy D'Arcy has another memorable role as the bad guy (see THE MERRY WIDOW). Karl Dane and George K. Arthur provide comic relief (so does Gino Corrado in the opening duel sequence). Lionel Belmore and Emily Fitzroy are solid as the Lavedans. Try to find John Wayne and Lou Costello as extras.

    The missing reel (?) seems to leave us without the story of Lesperon (whom Gilbert masquerades as), but the missing footage doesn't ruin the story.

    As has been pointed out, the river seen among the willows is lushly romantic and beautifully done and reminds one of scenes from SUNRISE. The escape scene is terrific with great closeups of Gilbert as he swings on tapestries from the castle walls. It would be interesting to know how they shot these scenes.

    There are enough comic and action scenes here to dispel the image of John Gilbert as merely some pale and insipid "great lover" of the silent screen. Gilbert was a solid actor who had appeared in around 70 films by 1926. Gilbert did everything: westerns like HELL'S HINGES with William S. Hart, sports films like THE BUSHER with Charles Ray and Colleen Moore, comic roles like the manic hayseed dancer in HEART O' THE HILLS with Mary Pickford. When he finally reached stardom in the early 1920s, Gilbert continued to explore a full range of roles. He was also a writer and director.

    BARDELYS THE MAGNIFICENT ranks among Gilbert's best and most entertaining silent films.
    Mozjoukine

    Silent Swashbuckler.

    Well first of all, M. BEAUCAIRE is Booth Tarkington and not Sabatini but it's still a pleasure to see this as an early entry in the MGM Sabatini cycle, along with a couple of Scaramouches, especially when it had been lost for so long. The copy seems incomplete outside the missing reel. Where is Edward Connelly's Cardinal Richelieu? The subject is not a good match with the talents of King Vidor. La BOHEME is a much better film and it appears perverse to have him do it, when Victor Seastrom, one of the originators and masters of the costume movie was on the MGM pay roll.

    Vidor gives it good try and seems to have a nice rapport with the leads. Gilbert was at his peak and radiates star power here and Eleanor Boardman is a nice departure from heroines in ringlets. Their relationship makes the piece agreeable and the action climax, while it is sub Fairbanks, is ingeniously staged, making great use of the lances and having some striking downward shots.

    This is an agreeable missing piece in the film history jig saw.

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    Handlung

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    • Wissenswertes
      For decades, Galgenhochzeit (1926) was presumed lost. The one tantalizing glimpse of the film was in King Vidor's spoof of movie stardom, Es tut sich was in Hollywood (1928), when Marion Davies' movie-mad character watches it in a theater and swoons over the willows love scene. But in 2006, a nearly complete print was found in France. Bardelys was restored despite the print missing reel 3, but the absent passages have been reconstructed with shots liberated from the film's trailer, excellent production scene stills and a studio continuity script.
    • Patzer
      In one long shot of the king's procession, overhead utility lines are visible.
    • Zitate

      Bardelys: - - your hair is like a jealous cloud that veils the beauty of the moon -...

    • Verbindungen
      Featured in Es tut sich was in Hollywood (1928)

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    Details

    Ändern
    • Erscheinungsdatum
      • 1927 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Noon
      • Englisch
    • Auch bekannt als
      • Bardelys el magnífico
    • Drehorte
      • Pasadena, Kalifornien, USA(boat ride through willow trees)
    • Produktionsfirma
      • Metro-Goldwyn-Mayer (MGM)
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    Box Office

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    • Bruttoertrag in den USA und Kanada
      • 490.467 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 30 Min.(90 min)
    • Farbe
      • Black and White
    • Sound-Mix
      • Silent
    • Seitenverhältnis
      • 1.33 : 1

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