The Red Kimono

This silent was extremly racy for it's time. The director was known for making controversy with her films. The movie takes a look at a woman who is a prostitute. There is some wonderful acting performed in this film & it's one that should never be forgotton...but thats what true art is all about. Classic scene's between Priscilla Bonner & co-star Nellie Bly Baker(former secretary of Charlie Chaplin.) I give this movie a 7.

"The Red Kimona", a film directed by Herr Walter Lang, is a curious film production who deals with subjects (prostitution, crime and social discrimination) that were not very commonly in 1926 when this film production was made.

The film it is based in a true story from 1917, that depicts the miserable life of Dame Grabielle (Priscilla Bonner), a town girl, young and innocent, who is fooled by her lover into prostitution in New Orleans. Gabrielle will spend many sorrowful years until one day when, knowing that her lover is going to marry another, shoots him. She will be absolved by her crime, but it won't be easy to start a new life. Society will place many restrictions on her (she would like to wipe out the past by another kind of service for men, nursing this time…). She will try to find a job but it is very difficult if you have not references (not a problem for the German aristocracy, the references if not the idea of actually working… ). The manager always knows that you have been in jail. She is adopted by a wealthy society matron who is only interested in Gabrielle for her publicity… but fortunately and finally loves will conquer all.

The story is about broken innocence and shattered dreams skilfully directed by Herr Lang. Different parts and aspects can be outlined in this movie: the first part of the film depicts in flashback the origins of Grabrielle's fall (in love and prostitution). From then on, the film denounces the social hypocrisy towards Gabrielle, the great difficulties that she will find in order to live a normal life which almost will end up with her again in New Orleans…not a terrible fact at all that city itself but the bordello. Dame Priscilla Bonner is perfect in her restrained performance, painting an excellent portrait of abandoned but fighting woman.

The film includes a thrilling finale with misunderstandings and crossed fates that give the story motion and emotion. Probably the only thing lacking in this excellent oeuvre are Biblical references (Gabrielle as a modern Magdalen) It is intended to serve as a warning, maybe a comprehensible fact this when we know that the film was produced by Dame Mrs. Wallace Reid… And now, if you'll allow me, I must temporarily take my leave because this German Count has an appointment with a Teutonic Dame, not dame… Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com/

"The Red Kimona" is a social commentary film that in some ways is very, very, very old fashioned and hokey. Interestingly, on the other hand, it also manages to be very modern in its sensibilities as well! This odd combination of the old and new make for a film that is interesting to watch but not exactly a must-see as far as silent films are concerned.

The film is a piece of social commentary. The subject of the film is a young woman who comes from a horrible home. Her mother and father are wretched jerks and she's longing for love. When she meets a man who says he loves her and wants to marry her, she's thrilled--not knowing that he has no such intentions. Instead, he forces himself on her and then keeps her as a virtual slave. She eventually escapes and later kills him when she discovers he's about to do this same thing to another woman. All this happens early in the film and most of the plot actually involves her life after these tragedies--and how society often fails women like this--treating them like lepers instead of victims. In fact, it's rather frank discussion of this is quite shocking for the times and must have raised a few eyebrows! The movie is interesting due to its social advocacy as well as the sensationalistic actions. However, despite this, the movie also is very preachy (with lots of Biblical references that seem a bit out of place and heavy-handed) and very conventional--like a 19th century play. As a result, it's interesting more as a curio than for its dramatic structure.

Overall verdict--it's worth seeing if you are a fan of silents, but otherwise it's skippable. Not bad, but not great.

This film was the subject of a landmark California lawsuit. Gabrielle Darley was a former prostitute who had been involved in a prominent murder trial in which she was acquitted. After the trial, she reformed and led an exemplary life. The film makers used her true name in advertising the film and said it was about her life. They also used events from her life prior to the trial. She sued for invasion of privacy, a suit that had been recognized in other states but not in California. Although the California Court of Appeal was not ready to recognize the right of privacy, it held that use of her name and events from her life was a violation of Darley's right to the pursuit of happiness as guaranteed by the California Constitution. The precedent evolved into eventual recognition of the right to privacy in California. (See, Melvin v Reid, 112 Cal. App. 285)

"The Red Kimona" is a film created to explore a social evil; it's one of a series of pictures made for that purpose in the early days of cinema. (See the work of director Lois Weber for additional examples.) It's not a movie for everybody--viewers looking for pure entertainment will prefer the slapstick comedies or adventure stories of the silent era--but for those interested in social history, and able to take the picture on its own old-fashioned terms, it's a very watchable if melodramatic film, with excellent production values and a fine cast. (In fact, I didn't mean to watch the whole thing in one sitting, but had trouble turning it off.)

I loved Priscilla Bonner in the main role (she's best known today for a supporting part in Clara Bow's "It," but also does one of the most heartfelt close-ups I've ever seen on film in Harry Langdon's "The Strong Man"). Her character changes convincingly as the story goes through several years--at one point Bonner seems to age before the audience's eyes as her character faces a tough choice. The camera-work and lighting are very striking, and certainly work to help Bonner's performance. A few sequences make good use of on-the-spot locations, like the Giant Dipper roller coaster at (I believe) the Venice, CA amusement pier, and the downtown streets of Los Angeles. The supporting players all look interesting and do well. I agreed with another reviewer that the costumes were a little confusing, since they appear to be from the early 1920's although the film is set in 1917. They don't all quite look like the fashions of 1925, when the film was released, but they don't seem totally pre-war either. (The title refers to a dressing gown the heroine wears.) But period costume authenticity was something that wouldn't really be established until later in film history.

Modern viewers may have difficulty with some details of the plot, as I did. Because of the censorship laws of the time, the filmmakers presumably weren't allowed to mention the word "prostitution," so it took me a little while to figure out exactly what was going on. But it eventually became clear.

The Kino DVD release has a pleasant, low-key piano soundtrack by Robert Israel that I really enjoyed.