Dr. Pyckle and Mr. Pride

Dr. Pyckle is a fine example of Stan Laurel's comedy prior to his lifelong teaming with Oliver Hardy. It demonstrates a comedic breadth and a range that was coming to the fore. It seems that it took Stan a bit longer to shed vaudeville's trappings. He had to learn to play for the camera and not for the 'house'. His comic timing and his invention in "Dr. Pyckle" (1925) are surpassed only by his antics in "The Sleuth" (also 1925). The timing of his sight gags takes on a cartoon-ish quality, but they work very well, and are enough to bring the viewer to convulsive laughter. This is--after all- comedy. And it is slapstick, though Laurel's ideas and gags are polished. It is clear that he is setting the stage for bigger and better expectations. It all comes about several years after these films, solidifying his place in comic history with the rotund Ollie. They dilly dally their way into the pages of cinema history. I strongly recommend viewing "Dr. Pyckle and Mr. Pride" and "The Sleuth". They are very, very funny films.

As an avid Laurel and Hardy fan, I have always been somewhat disappointed in the early solo comedies of both Stan and Ollie. They are just too much a throwback to the early films of Sennett and co., one physical gag heaped upon another with no attempt to vary the frenetic pacing or establish character. So it was with unexpected delight that I watched Dr. Pyckle and Mr. Pryde on the new Kino collection of Stan Laurel solo shorts. Once we dispense with the first ten minutes of generally desultory humor as he mixes his concoction, things get really funny. Laurel's transformation into the naughty Mr. Hyde is priceless. Hopped up (literally) on his potion, he gleefully runs amok, stealing ice cream from children, scaring women with popping paper bags, etc. He isn't the truly malevolent Hyde of Stevenson's story, but merely an unrepentant prankster…a naughty little boy. Later, when his dog laps up some of the spilled potion and starts nipping at Stan's backside while sporting the same fright wig as Mr. Hyde…well, you have to see it to truly appreciate it.

This is an entertaining parody feature in itself, and it is also of interest as one of Stan Laurel's more substantial earlier roles. Although it would probably work all right as a spoof of the basic story, it is particularly designed as a parody of the John Barrymore version of "Dr. Jekyll & Mr. Hyde", so if you see or have seen that particular version, there are many more amusing details and parallels that you can spot.

Laurel's character, like the original Dr. Jekyll, has an alter ego, but here it is merely a mischievous one. It's funny to see the light-hearted parallels to the much more serious scenes in the original story, and while the movie is rather unrefined overall, most of it is amusing.

Laurel's approach to the role reflects not so much his own style as a deliberate exaggeration of Barrymore's vigorous performance. Since Laurel also gets to play both the upright doctor and the disreputable alter ego, the role gives him quite a bit to work with. Laurel did a solid job in this kind of parody feature, and it's interesting to watch him perform with an approach that's different from the style that's so familiar from all the great Laurel & Hardy features.

Stan Laurel's "Dr. Pyckle and Mr. Pryde" is flat-out hilarious. It's a perfect combination of concept, gags, and performance to create good comedy. As a formerly lost film this also makes it a rare example of something sought-after and highly touted that lives up to (and probably exceeds) expectations.

This film was released five years after the John Barrymore version of "Dr. Jekyll and Mr. Hyde," which I watched the day before, but Stan Laurel interprets Barrymore's brilliant dramatic performance with a comic turn of equal quality. Presumably, though the direct source material was five years old, audiences would have been familiar enough with the Jekyll-and-Hyde story that there would not have been an actual need to have seen that particular version.

The gags are well-spaced and well-chosen here, getting laughs equally with the stylistic butchering of the Jekyll-Hyde story. What almost makes the film is the look of mischief of Mr Pryde's face as he scurries about the town committing trivial acts of wrongdoing. It's a few different executions of a similar joke, but I cracked up every time. The best moment of the short involves Stan's stealing a child's ice cream cone with a look of triumphant evil glee on his face.

"Dr. Pyckle and Mr. Pryde" also boasts very funny title cards; there's a winning joke in virtually every one. In brief, I was laughing constantly through my viewing of this two-reeler, and I'm extremely glad it's been recovered and restored so we can enjoy it today.

This time, as you can probably tell from the name, of Robert Louis Stevenson's DOCTOR JEKYLL & MR. HYDE. Long a favorite of straight adaptations (there was a famous version featuring John Barrymore a few years earlier, and Frederick March would win an Oscar for his portrayal a few more years down the road), this features Stan in alternating roles as a clumsy research scientist who, his bestial nature revealed by the potion he has accidentally mixed, turns into a capering practical joker. Not polished by any means, the films manages to hold together by means of having a plot.