Buster Keaton, der Matrose

While it might not be one of Keaton's very best movies, "The Navigator" is a good comedy that has some great scenes. It never quite hits high gear the way that some of Buster's masterpieces do, but there is a good variety of material, and it is pleasant and funny to watch.

Keaton and Kathryn McGuire work together well, and their scenes together make up most of the movie, including some of the funniest parts. Their scenes in the ship's kitchen are especially good. The well-known scene of Buster going deep-sea diving is also very entertaining, and must have taken some real skill to film at the time.

This is one that any fan of Keaton or of silent comedy should enjoy.

Through a series of mishaps, a pampered rich boy (Buster Keaton) and his unrequited love find themselves the only two passengers on a huge steamer adrift in the middle of the ocean. Wouldn't be so bad, if they did not come across an island of cannibal savages who want to invite them to..ahem...dinner.

"The Navigator" breezes by quickly and easily, offering many chuckles and few outright chortles. There are some marvelous set pieces, like an underwater scene involving Keaton in diving gear, some swordfish, and an octopus. And there are other smaller but just as funny moments, like the scene where these two socialites who've never lifted a finger for themselves decide to cook dinner in a kitchen designed to make meals for hundreds. The depiction of the island savages is predictably cringe worthy in a film from 1924, but you just have to suck it up and get past it, accepting it as a product of its time. If you can get past that, there's much to enjoy here.

Grade: A-

Wealthy Rollo Treadway (Buster Keaton) preposes to his neighbor across the street, Betsy O'Brien (Kathryn McGuire), and sends his servant to book passage for a honeymoon sea cruise to Honolulu. Surprised that she would reject such a wonderful guy as himself, he decides to go on the trip anyway. Because the pier number is partially covered and it is nighttime, he ends up on the wrong ship, the Navigator, which Betsy's rich father (Frederick Vroom) has just sold to a small country at war. Agents of the other small nation set the ship adrift that night. Betsy boards the ship to rescue her father, thinking he is aboard, prior to the ship being cut loose.

So McGuire and Keaton are both onboard the same ship, alone except for each other, and don't know that the other is there. How they find each other is part of the fun. How they manage to grasp the simple things like making coffee and using a can opener - with great difficulty -is a running commentary on the idle rich of the roaring 20s since these two have always had servants to do every simple task for them.

The Navigator makes the gutsy choice for its time to allow African American actors the chance to be spear-chucking cannibals since such roles normally went to white actors in black face. It's also notable that these actors were performing their own stunts like the rest of the cast with Keaton, as always, taking the biggest risks with the most physically demanding stunts.

Donald Crisp, the co-director, was hired to direct the dramatic (non-boat) scenes, and was removed when he tried to direct the boat scenes as well. Keaton took over. In the gag where McGuire tosses the portrait that ends up dangling outside Keaton's window to frighten him, the portrait of the scary man is Crisp.

This story of a helpless, spoiled rich boy set adrift upon a giant ship with his equally helpless girlfriend has a clever story line and a series of excellent gags, but the plot is slow to develop. It is held up by some slow-moving scenes which are not as funny as they try to be. Although the sequence of events which result in the stranding of the couple upon the sea are highly improbable, they were well-executed and the humorous possibilities to be explored make that easy to overlook. Most of the attempted humor pays off, but somehow the movie drags a bit. I especially found the underwater scene to be too long and was an anchor to the movie's momentum. However, it did lead to some very humorous moments when Keaton made it ashore. Keaton's trip back to the ship from the island may have inspired the scene in Woody Allen's Sleeper in which Allen and Diane Keaton escaped from the futuristic police by using an inflatable suit to float across a lake. Whatever one's opinion of the bulk of The Navigator, the ending is unquestionably inspired. This is a great example of Keaton pulling a rabbit out of a hat to the surprise of the audience. It's a great audience pleaser. I would not recommend this movie as an introduction to Buster Keaton, but if you're already a fan, then you have to see it.

I thought the whole set up and layout of the plot was very clever and engaging. I liked how early on, even though it is very simplistic, the audience can relate to the main character and become engaged in the story and the spectacle that much quicker. I also liked all the gags that were done, they were also very clever and well put together, I stood in awe at the fact that there was not only an underwater sequence but an important underwater sequence that was incredible to watch. There are not any characters that we are around so that leads to the few that we see to be very strong and not flat or clichéd and there relationship grows as the peril of the plot grows, it is very engaging.

Overall I'd say the pacing was very well done, though I found myself daydreaming once or twice, and technically very well put together. Bravo.