IMDb-BEWERTUNG
7,7/10
3869
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA shy young man who can't talk to women ventures out to publish a book full of fictional conquests, but finds true love along the way.A shy young man who can't talk to women ventures out to publish a book full of fictional conquests, but finds true love along the way.A shy young man who can't talk to women ventures out to publish a book full of fictional conquests, but finds true love along the way.
- Auszeichnungen
- 1 wins total
Henry A. Barrows
- Publisher Roger Thornsby
- (Nicht genannt)
Ethel Broadhurst
- Publisher Woman
- (Nicht genannt)
Sammy Brooks
- Short Train Passenger
- (Nicht genannt)
Billy Butts
- Little Boy
- (Nicht genannt)
Joe Cobb
- Boy in Tailor Shop
- (Nicht genannt)
Jackie Condon
- Boy Having Pants Sewn
- (Nicht genannt)
Mickey Daniels
- Newsboy
- (Nicht genannt)
Andy De Villa
- Traffic Cop
- (Nicht genannt)
Dorothy Dorr
- Girl With the Curls
- (Nicht genannt)
F.F. Guenste
- Butler
- (Nicht genannt)
Betsy Ann Hisle
- Little Girl
- (Nicht genannt)
Wally Howe
- First Bootlegger
- (Nicht genannt)
Priscilla King
- Girl
- (Nicht genannt)
Empfohlene Bewertungen
10Dr. Ed-2
The great Harold Lloyd has a total triumph in 1924's Girl Shy. This films is jam-packed with wit, slapstick, and old-fashioned sweetness. Lloyd found his perfect leading lady in Jobyna Ralston, who had just the right amount of prettiness and comic timing. Lloyd, of course, was the master of comic timing in everything from set pieces to still-spectacular chases across Los Angeles downtown streets. I especially liked the daydream scenes where the shy Harold conquers 2 great 1920s stereotypes: the Vamp, and the Flapper. I'd love to know who plays theses women in this film. I think she also appears as the girl with the hole in her stocking. This actress is a hoot as the parody of the vamp and flapper..... Altho I admire Chaplin, Keaton, and Harry Langdon as master comics, Harold Lloyd may have been the most complete of these star performers. His acting range was the broadest and his characters were never quite as vaudevillian--Harold Lloyd's everyman persona still rings true 80 years later. Bravo, Harold Lloyd!
Although painfully GIRL SHY, a tailor's assistant uses every ounce of strength to keep the young woman he adores from an unwise marriage.
Harold Lloyd produces another winning entry in his series of silent screen comedy classics. This time there is a healthy dose of old-fashioned romanticism, as Harold and beautiful Jobyna Ralston yearn & commune alongside a bucolic stream.
Such tenderness never cloys, however, as Lloyd makes sure to leaven it with healthy helpings of hilarity. His attempts to hide a small dog on a passenger train are uproarious, as are his demonstrations on how to make love to vamps & flappers. And when the viewer thinks Harold can't possibly top himself, he ends the film with one of his marvelous chase scenes, in which he uses every sort of conveyance (train, jalopy, horse, fire truck, trolley, motorcycle & sand wagon) to stop Jobyna's marriage to a cad.
Throughout, Harold displays the remarkable athleticism for which he was celebrated, made even more astonishing when one remembers that he had lost half of his right hand a few years before in a freak studio accident, a disfigurement he disguised with a prosthetic glove.
Movie mavens will recognize some OUR GANG kids in uncredited roles--Fat Joe Cobb & Jackie Condon in the tailor's shop and Mickey Daniels as a newsboy on the street.
Jim Parker has composed an excellent film score which perfectly complements Harold's antics on the screen.
Harold Lloyd produces another winning entry in his series of silent screen comedy classics. This time there is a healthy dose of old-fashioned romanticism, as Harold and beautiful Jobyna Ralston yearn & commune alongside a bucolic stream.
Such tenderness never cloys, however, as Lloyd makes sure to leaven it with healthy helpings of hilarity. His attempts to hide a small dog on a passenger train are uproarious, as are his demonstrations on how to make love to vamps & flappers. And when the viewer thinks Harold can't possibly top himself, he ends the film with one of his marvelous chase scenes, in which he uses every sort of conveyance (train, jalopy, horse, fire truck, trolley, motorcycle & sand wagon) to stop Jobyna's marriage to a cad.
Throughout, Harold displays the remarkable athleticism for which he was celebrated, made even more astonishing when one remembers that he had lost half of his right hand a few years before in a freak studio accident, a disfigurement he disguised with a prosthetic glove.
Movie mavens will recognize some OUR GANG kids in uncredited roles--Fat Joe Cobb & Jackie Condon in the tailor's shop and Mickey Daniels as a newsboy on the street.
Jim Parker has composed an excellent film score which perfectly complements Harold's antics on the screen.
This is an enjoyable feature with some good comedy and a good role for Harold Lloyd, giving him plenty of opportunities to show his athleticism and his slapstick skills while developing his character at the same time. The story follows the reliable pattern of pleasant light comedy as the plot takes shape, followed by an extended race-against-time sequence for the finale.
Lloyd's character is easy to sympathize with, despite his flaws and mistakes, and his stuttering and other habits help to make the character work. It's easy to identify with both his shyness and his overly-optimistic dreams, even when the character is completely self-deluded. Jobyna Ralston is effective as the gentle young rich woman, and their relationship's ups and downs are believably portrayed.
The pace is deliberate for the most part, until everything is set up for the climactic sequence. Lloyd gets to do some impressive stunts, and there are a lot of interesting details. One notable feature is that Harold makes use of almost every conceivable form of conveyance available at the time, which adds to the effect.
As is usual for a Lloyd feature, there are a lot of visual details here and there that often set off the main action nicely. The main character is just enough different from Lloyd's best-known roles to make him interesting yet largely familiar. The story is told effectively, with a couple of recurring visual references that work well in wordlessly conveying the characters' thoughts. The romance, comedy, and action make for an entertaining mix.
Lloyd's character is easy to sympathize with, despite his flaws and mistakes, and his stuttering and other habits help to make the character work. It's easy to identify with both his shyness and his overly-optimistic dreams, even when the character is completely self-deluded. Jobyna Ralston is effective as the gentle young rich woman, and their relationship's ups and downs are believably portrayed.
The pace is deliberate for the most part, until everything is set up for the climactic sequence. Lloyd gets to do some impressive stunts, and there are a lot of interesting details. One notable feature is that Harold makes use of almost every conceivable form of conveyance available at the time, which adds to the effect.
As is usual for a Lloyd feature, there are a lot of visual details here and there that often set off the main action nicely. The main character is just enough different from Lloyd's best-known roles to make him interesting yet largely familiar. The story is told effectively, with a couple of recurring visual references that work well in wordlessly conveying the characters' thoughts. The romance, comedy, and action make for an entertaining mix.
I had watched this for the first time while I was in Hollywood as part of a TCM marathon of Harold Lloyd films in November 2005 (to coincide with the DVD release of New Line's 7-Disc Set). I must say that in the past I had underestimated it, because I did not pick up the "Connoiseur Video" PAL VHS a few years ago (as I had done with 3 other available titles by this great comedian). The plot deals with a painfully shy tailor's apprentice (he stutters terribly at the sight of a woman) who has secretly published a lovers' manual, and himself falls for a wealthy girl (the demure but utterly charming Jobyna Ralston, a frequent Lloyd co-star) who is about to be married off to a bigamist heel.
The film displays dazzling invention throughout and is frequently hilarious, but also laces the proceedings with just the right dose of sentiment: the climactic exhilarating chase is spectacular and one of the very best of its kind, while the disruption of the marriage/abduction of the bride ending might well have inspired THE GRADUATE (1967)! Some of the funniest stuff includes: the fantasy sequences depicting Lloyd as an irresistible ladies' man, illustrating his theories on how to seduce a vamp and a flapper; the car exchange sequence (which sees Lloyd losing the ramshackle vehicle he ended up with down a cliff); and his hitching a clandestine ride on a car which is about to be parked in its garage.
The film displays dazzling invention throughout and is frequently hilarious, but also laces the proceedings with just the right dose of sentiment: the climactic exhilarating chase is spectacular and one of the very best of its kind, while the disruption of the marriage/abduction of the bride ending might well have inspired THE GRADUATE (1967)! Some of the funniest stuff includes: the fantasy sequences depicting Lloyd as an irresistible ladies' man, illustrating his theories on how to seduce a vamp and a flapper; the car exchange sequence (which sees Lloyd losing the ramshackle vehicle he ended up with down a cliff); and his hitching a clandestine ride on a car which is about to be parked in its garage.
I have not seen very many Harold Lloyd movies, but if this film is any indication of his massive talent, I need to remedy that as soon as possible.
Harold is wonderful as Harold Meadows, a man so shy around women that he stutters until a whistle is blown. He is at work on a book about seducing women strangely enough and the imaginary scenes of him using his "techniques" on both a Vampire (Vamp) and a Flapper are early indications that this is going to be a very funny film.
The plot has been more than ably shared already, I will just add a few short observations.
It was a treat to see some of the earliest Our Gang / Little Rascal kids in this movie. In the opening scene in the tailor shop the wild-haired boy getting his pants stitched is Jackie Condon and the cute, chubby boy sitting on the floor is the first Our Gang "Fat Kid" , Joe Cobb. Later during the chase scene as Harold is riding horses, a freckle-faced boy calls out a cheer, this is Mickey Daniels, also of Our Gang fame.
I enjoyed, as everyone seems to of course, the chase/race at the end. It seems that they purposely used every form of land transport known at the time to get Harold to the place he needed to be.
Early product placement? Crackerjack boxes play a major role in this film.
All in all, this was am excellent introduction to Harold Lloyd for me, it makes me want to see more. I recommend it highly!
Harold is wonderful as Harold Meadows, a man so shy around women that he stutters until a whistle is blown. He is at work on a book about seducing women strangely enough and the imaginary scenes of him using his "techniques" on both a Vampire (Vamp) and a Flapper are early indications that this is going to be a very funny film.
The plot has been more than ably shared already, I will just add a few short observations.
It was a treat to see some of the earliest Our Gang / Little Rascal kids in this movie. In the opening scene in the tailor shop the wild-haired boy getting his pants stitched is Jackie Condon and the cute, chubby boy sitting on the floor is the first Our Gang "Fat Kid" , Joe Cobb. Later during the chase scene as Harold is riding horses, a freckle-faced boy calls out a cheer, this is Mickey Daniels, also of Our Gang fame.
I enjoyed, as everyone seems to of course, the chase/race at the end. It seems that they purposely used every form of land transport known at the time to get Harold to the place he needed to be.
Early product placement? Crackerjack boxes play a major role in this film.
All in all, this was am excellent introduction to Harold Lloyd for me, it makes me want to see more. I recommend it highly!
Wusstest du schon
- WissenswertesMany of the exterior shots were filmed at Holmby House, the massive estate owned by Arthur Letts, owner of Bullock's Department Stores. Harold Lloyd did not move into his Green Acres estate in Beverly Hills until 1929, five years after this movie was released.
- PatzerWhen Mary's car goes off the road and in a close shot she takes out the Cracker Jack box, there is a reflection in the side of the car (bottom left) of a pair of legs standing nearby, then walking away.
- Zitate
Big Publishing Office Girl: I just love cave men!
- Alternative VersionenIn addition to the 'My Vampire' and 'My Flapper' sequences, there was a third interlude involving the girl with the curls, where Harold finds her as a Mary Pickford-type milk maid. The scene does not survive (it was cut after a preview) but a photograph of the scene has appeared in several publications.
- VerbindungenFeatured in Harold Lloyd - Selten so gelacht (1962)
Top-Auswahl
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Details
Box Office
- Budget
- 400.000 $ (geschätzt)
- Laufzeit
- 1 Std. 27 Min.(87 min)
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
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