Beau Brummel

Beau Brummel (1924)

*** (out of 4)

Warner wanted to make a name for themselves so they went all out with this lavish production that features a terrific performance from John Barrymore. He plays the title character, a poor man who has the woman (Mary Astor) he loves taken away from him because of his low standing in society. Heart-broken, Beau sets out to use his charm and wit to get back at the society who ruined his life. Have you ever watched a big-budget movie and wonder where all the money went to as it's obviously not showing on screen? Well, that's certainly not the case here as one can't help but be impressed with the magnitude of this film. The sets, costumes and production values are all extremely high and this helps keep the film moving even when the story isn't doing much. I think the biggest flaw with the movie is its 128-minute running time, which leads to some dead space here and there. The story itself isn't all that ground-breaking even for this era so I'm guessing the main reason for the longer running time was just to give the film a more "epic" feel. With that said, this is still a very impressive movie. As I said earlier, the massive sets are extremely impressive and one can't help but get caught up in their sheer beauty. The images of the costumes alone makes one really focus in. Just take a look at a sequence towards the end when a large number of soldiers are marching. One does wonder what all these extras in these lavish costumes cost the studio. Those familiar with Astor are probably more aware of her sound films so seeing her here, at 18-years-old, was a pretty big eye-opener just because I wasn't use to see her look so young. She is pretty good in the role and handles working next to Barrymore and never gets tramped by him. Willard Louis is extremely good as the Prince of Wales who is the one Beau really goes after in the film. Carmel Myers, Richard Tucker and William Humphrey turn in fine work as well. Alec B. Francis plays the long-time servant and is wonderful. As for Barrymore, he's pure magic here. A lot of people are going to call the performance hammy or stage-bound, which might be fair but from all the movies I've seen of his this one here gave the closest feel of what it might have been like watching him on the stage. He really nails every inch of this character whether it's the poor boy at the start, the rich jerk or the eventual fallen and broken man. Barrymore is clearly having a great time playing all of these different styles and he's especially effective in the final scenes, which I won't spoil. The scene can be called melodrama but it's melodrama at its highest peak thanks to Barrymore. He alone makes this film worth checking out.

Have always enjoyed John Barrymore's films and also his brother and sister Lionel and Ethel Barrymore. TCM introduced this film for the first time and it was a great joy to view a great masterpiece which was finally produced with a music score and this effect made this film greater to view and enjoy. John Barrymore plays the role as Beau Brummel who falls madly in love with Lady Margery Alvanley, (Mary Astor) and she is spoken for by another military man. This event destroys Beau Brummel's heart and soul and he decides as a soldier to resign and leave the military service. Beau becomes a Regency Social Climber in London Society and meets up with the Prince of Wales, (Willard Louis) and gains his friendship and begins to start his revenge on the British Society. Beau loves women and uses them to his own purpose and arranges for some romantic escapades for the Prince of Wales and in turn gains all kinds of favors. In other words, Beau is a silver fox who manages to out smart everyone and reaches his goal, but is he happy and what happens to him? Was surprised to learn that John Barrymore was 42 years of age when he appeared in this film and Mary Astor was only 18 years of age. Fantastic film, don't miss this one, you will enjoy it if you know who John Barrymore was and his famous film career and a life of drinking and more drinking.

Clyde Fitch's play, written for renowned stage actor Richard Mansfield, is a very romantic interpretation of incidents in the life of George (Beau) Brummel, the Regency dandy whose name has become a watchword for sartorial splendour and correctness, and is itself freely adapted for this film that showcases the unparallelled talent of John Barrymore in his prime as Brummel. With revenge in his heart, Brummel sets out to manipulate London society in a great game due to his, because of an untitled station, having lost his lover, played well by 18 year old Mary Astor with whom Barrymore began an affair during this filming, and he utilizes a close relationship with his sponsor, the Prince of Wales, the Regent (later King George IV), to advance his plan. Barrymore's control of his scenes is unmatched as he expresses the widest possible range of emotion and reaction with the smallest movement of eyes or mouth and, although there are opportunities aplenty for emoting, his utilization of a prolonged gaze into the eyes of a lover or foe speaks volumes. Barrymore is strongly assisted by a very able supporting cast, including Willard Louis as the Prince of Wales, Aleck B. Francis as Brummel's loyal manservant and, as the Duchess of York, the exquisite Irene Rich, whose rhythms and ability to focus upon her character's persona nicely complements Barrymore during their shared scenes. Harry Beaumont, as always, directs capably and is assisted enormously with his efforts by cinematographer David Abel, whose skill with large groups during complicated action was later markedly in evidence as he supervised the cameras during the best of the Astaire/Rogers films. Somewhat more than a cavil might be a desire for the scenario to have presented more of Brummel's full life rather than the lengthy treatment given to its denouement, and that lacking in accuracy, but certainly allowing Barrymore a good deal of dramatic opportunity that does not go shunned.

In presenting the story of Beau Brummel, Warner Brothers did an infinitely better job than MGM in the Fifties in that film that starred Stewart Granger, Elizabeth Taylor and Peter Ustinov. Though this is a silent film and sadly silent because we don't get the benefit of John Barrymore's magnificent speaking voice, still the essence of Brummel as a Regency social climber comes through.

That was the problem with the Granger/Taylor version. It presented a Brummel who tried to interfere in the political issues of the day. The real Beau could have cared less for what was going on in Parliament with Pitt and Fox going at each other. That's the Beau that Barrymore gives us in this version.

Barrymore also succeeds in making Beau a more real person. This is a very hard character to bring to life because Brummel didn't really accomplish anything. He was a soldier who resigned his commission in the army to pal around with the Prince Regent. He didn't stand for anything, create anything, espouse a popular cause. He got involved in a couple of Regency Scandals and eventually the Prince of Wales got bored with him.

We don't like the Brummel that Barrymore creates, but we do get some insights into a man who did let some real chances in life slip by.

Mary Astor and Irene Rich and Carmel Myers play a trio of the women in his life. Willard Louis perfectly recreates my own conception of what the weight challenged Prince of Wales who later become George IV was like. Not easy to do because even in the Granger/Taylor version of the story, Peter Ustinov easily walked off with acting honors. There's also a nice performance by Alec Francis as Barrymore's devoted valet.

The end of the film with the dying Brummel going through dementia is silent screen acting at its finest and some of the best work I've seen John Barrymore do. Try to catch this film when broadcast next.

This silent version of "Beau Brummel" (there was one in 1913) stars the great John Barrymore in the title role, and he manages without speaking to give us a clear, layered view of this vain social climber. Also starring are Mary Astor, Carmel Myers, and Irene Rich as three of the women in his life. Mary Astor was nearly unrecognizable - low, long eyebrows (they all seemed to have them) and different teeth, and 18 years old! Though in black and white, the sumptuousness of the costumes and the beauty of the sets, as well as the prevailing atmosphere, are all evident. Brummel resigns his commission so that he can literally hang out with the Prince of Wales, who becomes George IV. When he falls out of favor, he also falls on hard times. The woman he loses to her marriage into a wealthy family, Lady Alvanley, remains a loyal friend as does his butler Mortimer.

Barrymore's acting, particularly in his last scenes, is brilliant. Thankfully he went into talkies so we would have a chance to hear his beautiful speaking voice.

Superior to the MGM color version starring Stewart Granger.