Füge eine Handlung in deiner Sprache hinzuA gang of blackmailers sends a cripple to San Francisco to expose a banker they have been blackmailing. However, the cripple meets and falls in love with the banker's daughter.A gang of blackmailers sends a cripple to San Francisco to expose a banker they have been blackmailing. However, the cripple meets and falls in love with the banker's daughter.A gang of blackmailers sends a cripple to San Francisco to expose a banker they have been blackmailing. However, the cripple meets and falls in love with the banker's daughter.
- Regie
- Drehbuch
- Hauptbesetzung
Henry A. Barrows
- John Cooper Sr.
- (as Henry Barrows)
Harry De Vere
- Olaf Wismer
- (as Harry Devere)
Pat Harmon
- Horse Cabdriver
- (Nicht genannt)
Bob Kortman
- Henchman
- (Nicht genannt)
William Lloyd
- Doctor
- (Nicht genannt)
George Marion
- Townsman
- (Nicht genannt)
Steve Murphy
- Man Eating at Mandarin Cafe
- (Nicht genannt)
Tôgô Yamamoto
- Messenger at Restaurant
- (Nicht genannt)
Empfohlene Bewertungen
Lon Chaney once again plays a criminal, and a crippled one on crutches at that. He's Wilse Dilling, and he's a feared killer and dope peddler working out of San Francisco's Chinatown (again) for Queen Ann (Christine Mayo), the boss of the criminal underworld in the city. She sends Wilse out to a small country town to keep an eye out on a banker (William Welsh), but Wilse falls for the banker's pious daughter Gertrude (Virginia Valli). Will Wilse be able to carry out his sinister orders when the time comes, or has Gertrude's kind and religious way of life helped the career criminal turn his life around? Also featuring Jack Mower, Henry A. Barrows, Harry De Vere, John Beck, Walter Long, and Togo Yamamoto.
Chaney seems to have hit a creative rut here, as several aspects of his previous films are repeated and mixed together. The film sets up Wilse as being a real scary customer, one to be feared, but whenever things get tough in the film's second half, he just gets tossed around like, well, a cripple. The movie's deus ex machina finale is silly, as is the implausibly happy ending. On the plus side, Chaney is once again good at playing a multi-layered character, and he gets to show some subtle facial acting. Director Lambert Hillyer would stick around Universal into the sound era.
Chaney seems to have hit a creative rut here, as several aspects of his previous films are repeated and mixed together. The film sets up Wilse as being a real scary customer, one to be feared, but whenever things get tough in the film's second half, he just gets tossed around like, well, a cripple. The movie's deus ex machina finale is silly, as is the implausibly happy ending. On the plus side, Chaney is once again good at playing a multi-layered character, and he gets to show some subtle facial acting. Director Lambert Hillyer would stick around Universal into the sound era.
In THE SHOCK, Lon Chaney Sr. Plays Wilse Dilling, who goes up against the criminal underworld and its powerful, sadistic boss, Queen Ann Cardington (Christine Mayo).
This silent film is well worth viewing. It contains plenty of the requisite action and pathos in keeping with its era. Chaney Sr. Is again a marvel to behold. Dilling is another memorable character for him with his signature makeup and facial expressions.
In addition, the earthquake sequence is breathtaking!...
This silent film is well worth viewing. It contains plenty of the requisite action and pathos in keeping with its era. Chaney Sr. Is again a marvel to behold. Dilling is another memorable character for him with his signature makeup and facial expressions.
In addition, the earthquake sequence is breathtaking!...
Shock, The (1923)
*** 1/2 (out of 4)
Lon Chaney plays a cripple who has been used by a Chinatown gang to commit various crimes. He's sent away on his newest job where he falls in love with a girl but it turns out his job is to kill her father. As usual, Chaney gives a remarkable performance and I have no problem calling him one of the greatest actors ever. He perfectly captures all the right emotions for the role and his physical appearance of a cripple is remarkable. Two other highlights include a bank being blown up and an earthquake that happens in the film. The special effects are very good and the suspense and drama are very high.
*** 1/2 (out of 4)
Lon Chaney plays a cripple who has been used by a Chinatown gang to commit various crimes. He's sent away on his newest job where he falls in love with a girl but it turns out his job is to kill her father. As usual, Chaney gives a remarkable performance and I have no problem calling him one of the greatest actors ever. He perfectly captures all the right emotions for the role and his physical appearance of a cripple is remarkable. Two other highlights include a bank being blown up and an earthquake that happens in the film. The special effects are very good and the suspense and drama are very high.
Lon Chaney is brilliant (as always) in this very moving and uplifting drama about a crippled thug with a heart of gold. As Wilse Dilling, Chaney is immensely likeable and we root for him all the way. He is sent to San Francisco by the evil crime boss Queen Ann as part of a scheme to expose a banker who has been blackmailed into robbing his own bank. However, he falls in love with the daughter of the person he's supposed to expose. I think a title card says it best; he is 'torn between to woman he loved and the woman he feared.' What will he do? See this movie to find out; it is highly recommended.
I love Chaney. He had an extremely expressive face, and the sort of body language that's seen all too rarely, especially these days. In this film, where his character is a hard-bitten criminal softening under the influence of small-town life, he really uses his talents. His ability to really LOOK disabled is amazing; the way he drags himself around on his hands, twisted legs trailing behind him, is fascinating.
This isn't one of Chaney's "thousand faces" roles - you can actually see what he really looked like - but well worth watching, for Chaney alone. It's a shame that the role of the leading lady wasn't fleshed out; she's so good and pure that she's completely boring; I couldn't understand why anyone could stand this woman's company for more than a few minutes, since she has no faults. Had she been a well-rounded character, his love for her would have been believable (not that there's anything wrong with Chaney's portrayal of tormented, unrequited love).
This isn't one of Chaney's "thousand faces" roles - you can actually see what he really looked like - but well worth watching, for Chaney alone. It's a shame that the role of the leading lady wasn't fleshed out; she's so good and pure that she's completely boring; I couldn't understand why anyone could stand this woman's company for more than a few minutes, since she has no faults. Had she been a well-rounded character, his love for her would have been believable (not that there's anything wrong with Chaney's portrayal of tormented, unrequited love).
Wusstest du schon
- WissenswertesA Jewel Production. Universal, lacking a proprietary theater chain, devised a three-tiered branding system to enable it to market its feature product to independent theater owners: Red Feather (low-budget programmers), Bluebird (mainstream releases) and Jewel (prestige productions capable of drawing higher roadshow ticket prices). This branding system ended in late 1929.
- PatzerAt about 43:05, Wilse is crossing a room in Anne's house. He moves his bad right foot which is paralyzed throughout the film.
- Zitate
Jack Cooper: Let's be practical--we can't live on love--can we?
- VerbindungenFeatured in Lon Chaney: A Thousand Faces (2000)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Bittersweet
- Drehorte
- Produktionsfirma
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Box Office
- Budget
- 90.220 $ (geschätzt)
- Laufzeit
- 1 Std. 36 Min.(96 min)
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
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