Der Glöckner von Notre Dame

Deaf and half-blind, THE HUNCHBACK OF NOTRE DAME, feared & rejected by the people of Paris, becomes the unlikely protector of a poor gypsy girl.

Lon Chaney, master of disguise, solidified his celebrity with his portrayal of Quasimodo, the deformed bell-ringer, who is forever cut off from any semblance of a normal life. Although his makeup is certainly horrific, Chaney's role is not really monstrous: he is a lonely human desperately misused by Fate. Chaney's face speaks for him, communicating the tormenting anguish of his soul. While not quite as poignant as Charles Laughton's interpretation 16 years later, Chaney still makes of the role a Silent hallmark which has stood the test of time.

There are fairly lengthy segments in which Chaney does not appear and plot elements not explored in the longer Laughton version. Here the story dwells on the gypsy dancer Esmeralda, played by Patsy Ruth Miller, and her burgeoning romance with the brave Phoebus, Captain of the Guard, played by Norman Kerry. Both performers do very well with their 'normal' roles -- her innocence contrasting well with his initial lust -- even though the viewer is doubtless anxious for the return of the Hunchback.

A handful of excellent character actors from the era add their assistance: gaunt Nigel de Brulier as the saintly Archdeacon, defender of the Hunchback; beefy Ernest Torrence as Clopin, King of Thieves, ruling over the Court of Miracles; prissy Raymond Hatton as the effete poet Gringoire; and feeble Tully Marshall as a suspicious Louis XI.

Special mention must be made of Universal's splendid attention to detail which they lavished on the film. Most especially commendable is the representation of Notre Dame's West Facade, the only real angle from which the Cathedral's exterior is depicted. To see Chaney clamber down, swinging from pinnacle to gargoyle to statue; or, to watch Quasimodo defend Esmeralda from the crowd of beggars he thinks has come to kill her, dropping stones, beams and molten metal on their heads below from the Cathedral's ramparts, is to enjoy two of Silent Cinema's great visual moments.

A very good version of the classic story from the silent era of movie making. The highlight of the movie is clearly Lon Chaney's performance as Quasimodo, the hideously deformed resident of Notre Dame cathedral in Paris in the 15th century. One first has to offer kudos for the superb makeup. Chaney is completely unrecognizable in this role. Director Wallace Worsley does a good job of building up sympathy for the Hunchback throughout, and the image of Chaney gleefully swinging off the rope to ring Notre Dame's bells is one that will stay with anyone who has ever seen this film.

Although Quasimodo is the title character, much of the story actually revolves around Esmeralda, who is the object of the affection (some romantic, some fraternal) of almost every male character in the story. The role is played superbly by Patsy Ruth Miller, who possesses both a beauty and an innocence that fit the character perfectly.

Director Worsley also does a marvelous job of creating a dark and ominous feeling around the Paris of that era, as tension between the social classes rises. Ernest Torrence is especially convincing as Clopin, the "King of the Poor" in Paris, and foster-father to Esmeralda, who feels betrayed when Esmeralda falls in love with a member of the nobility (an "aristocrat" as Clopin contemptuously calls him.)

The movie suffered a little bit from what I found at times to be a less than appropriate musical score, and the quality of the film is not especially good (at least when I saw it) but that is hardly surprising given its age. Overall, though, this is a very interesting film that easily holds a viewers' attention.

8/10

This early version of the legendary story is (so far) the oldest film I've ever seen. Personally, I find it fascinating to purchase movies made before my grandparents were even born. The entire concept of cinema as a form of art is scarcely out of the egg it all still looks so grotesque. I did learn something from this film…these ancient milestones aren't necessarily brilliant but impressive beyond belief. The Hunchback of the Notre Dame often gets referred to as one of the first ‘horror' classics but much more than that, it's a historical spectacle with massive sets and groundbreaking elements. The actual plot is so easy to summarize but you get so much more than that! Like a very detailed and imaginative portrait of Paris in the 15th century, the variety of social classes and an idea of medieval interpretation of the law. At some times in this film, you almost get the idea Quasimodo and Esmeralda are just second-class puppets in what is primarily a historical and educating documentary. Magnificent without a single doubt…but time-consuming and ponderous to sit through…Although, I have to say I hunt down the extended version, furnished with a stained musical track and lasting 140 minutes.

The actual plot and the presentation of Quasimodo's personality is still unparalleled and touching beyond comparison. Lon Chaney is simply outstanding as the unworldly and deformed ‘freak' who's willing to sacrifice his life unconditionally to rescue the girl who once treated him in a human way. He might be hideous, but he's the only who's pure, honest and free of prejudices. Lon Chaney's facial make-up and hunch are early horror triumphs. Along with his natural charismatic appearance, the Quasimodo portrayal provided Chaney with the immortal status of horror-cinema icon. Even though he already starred in over a hundred films before The Hunchback, he'll always be remembered starting from this point of his career. Like none other actor, Chaney gave a face to Quasimodo and that is not exaggerated! Multiple other well-respected actors gave image to Quasimodo after Chaney (like Charles Laughton, Anthony Quinn and Anthony Hopkins) but only he will truly be remembered for it. Same goes for Lon's personification of Erik in `Phantom of the Opera' which is his greatest achievement in cinema along with Hunchback.

The Hunchback of the Notre Dame is over eighty (80!) years old now and it still stands as one of the most overwhelming heavyweights in cinema ever. Some of the sequences shown here are pure mythical inheritance. Like Chaney acrobatic movements while tolling the massive bells…or his descent off the Notre Dame's walls! Still, this film might not be for all tastes as it's too bombastic all together and Woresly's direction is kind of rough and ponderous. He surely put too much energy in it, as it was the most ambitious project of his career. Therefore, it's hard to stay focused continuously as the shots of Medieval Parisian streets seem to be endless

This superior silent movie (even when viewed in a substandard print as the one I saw) blossoms as one of the finest literary adaptations to appear on the screen.

Quasimodo, the repulsive deaf hunchback who rings the bells for Notre Dame Cathedral, is played by the multi-faceted Lon Chaney, and he puts the different aspects of the character across very well - fear, hatred, betrayal, longing, kindness. This is a misunderstood 'freak' who has much of the human spirit intact within him despite the betrayals of those who should protect him.

Patsy Ruth Miller is an effective Esmeralda, pretty and compelling whether in her gypsy dance or at the finale where she watches the battle between the turrets of the Cathedral and the square below as her people try to battle their way into Sanctuary.

Also of note are Nigel de Brulier as Claudio, Ernest Torrence as gypsy king and Esmeralda's foster father Clopin, Tully Marshall as a bored Louis XI, Norman Kerry as a posturing Phoebus, Brandon Hurst as a cunning Jehan, and Raymond Hatton as a twittery Gringoire.

There are nice touches in the staging, too - as Esmeralda and Phoebus lunch at an inn, a spider sucks a fly into her web; while the gypsy band at the steps of Notre Dame get showered with a rain of molten lead as Esmeralda hides in safety in the cathedral tower.

The version I saw used music and sound effects to accompany the pictures and titles, which was done very well. The film may seem a little long, and could spend more time on Chaney and less on Miss Miller, but it is a good piece of work.

Victor Hugo's classic "The Hunchback of Notre Dame" receives a grand send-up from Universal Pictures, and superstar Lon Chaney (as Quasimodo). As you might expect, the story is significantly altered from the original. Sex, politics, and religion were then, as well as now, subjects to be treated delicately. The world at large is still waiting for a production that will leave the corpses of Quasimodo and Esmeralda rotting blissfully in Notre Dame. The studio spent a lot of money on this production, and it shows.

For decades, Universal literature claimed this film made Mr. Chaney a superstar. Their pride is understandable, but Chaney had already achieved that position. He was a hot property throughout the 1920s. Chaney was responsible for pulling viewers into the cinema for several high-level productions; before his "Hunchback" even reared its ugly head, he was sitting comfortably with Douglas Fairbanks and Rudolph Valentino inside the annual "Quigley Poll" of "Box Office Stars" (at #9 for the year 1922).

Universal added some of the best supporting actors in Hollywood, beautiful Patsy Ruth Miller (as Esmeralda), director Wallace Worsley of Chaney's "The Penalty" (1920) to the mix, and spent a fortune on the sets. The result was a crow-pleasing epic. Though retaining its grandeur, this version of "The Hunchback of Notre Dame" really does not approach the overall artistic quality of production you can see in other silent films of the era, however. It's enjoyable for those who appreciate the genre, but this "Hunchback" can be seen more as a documentation of lavish setting, and for Chaney's towering titular performance.

******** The Hunchback of Notre Dame (9/2/23) Wallace Worsley ~ Lon Chaney, Patsy Ruth Miller, Norman Kerry, Ernest Torrance