Ben Hur

It's true that film makers were still feeling their way in the 1900s, but that's no excuse for a film to be boring now. Look at "Le voyage dans la lune" or "The Great Train Robbery", both of which came several years before Ben-Hur 1907. Even "Sherlock Holmes Baffled", a silly trick film from 1900, is still amusing.

The story is fragmented and would only make sense if you already knew it. (Which, to be fair, was likely at the time; Ben-Hur was as popular then as Harry Potter is now.) The chariot race is pathetic, being nothing more than the horses passing the camera several times until the movie ends. It would have been difficult to film an exciting chariot race within the limitations of the time, but this was not a good workaround. The only saving grace of this movie is that, like others of the time, it is short, barely ten minutes long.

Ben-Hur 1907 is proof that crappy cash-ins have been around even in the early days of cinema. We are fortunate it has survived, if only because that prevents any mystique from being attached to it, as has happened with films like "The Great Gatsby (1925)".

This movie shows how way behind France the USA was in 1907 in film-making. In fact, most of the movies being shown in the nickelodeons that had multiplied all over the US in that year were from France, and even most of the output of the American Lubin company were copies of or just pirated French movies. Pathe in France was the first real movie studio to be up on its feet. When you compare the sophistication their The Life and Passion of Christ, made the same year, with this Ben Hur, it's astonishing to think that things were going to completely turn around within a decade. This movie is really worth seeing though; it's an unforgettable experience! Particularly the chariot race where we see even more than ten, even more than twenty even, people wave their arms up and down for several minutes and there is a brief blur of a chariot going by every now and then, until the card suddenly comes up to say The Victory of Ben Hur. The camera is completely static and the actors just wave their arms around in front of a stage set, endlessly. The 'Ben Hur Goes to the Galleys' section is just that, people waving their arms up and down against each other interminably, when Ben Hur is being arrested, in a house. No boat. No sea. And then straight into the 'chariot race', which at least was filmed from an angle, to try and keep the chariot in camera for a fraction of a second longer. But at least they made something! And there they still are, and continue to be, though they have all died, gesturing forever in silence.

BEN HUR might seem an ambitious undertaking for the early days of the cinema but consider that by 1899 there had already been 2 filmed versions of H. Rider Haggard's SHE and 1 of Oscar Wilde's THE PICTURE OF DORIAN GRAY. The early 1900's saw early attempts at A TALE OF TWO CITIES, THE COUNT OF MONTE CRISTO and or course BEN HUR. The costumes are nice but I doubt the painted canvas backdrops convinced anyone even way back in 1906. The story is intact, as much as a single reel (12 minutes) will allow. In this version Hur does not get sent to the galleys; it is the chariot race which will decide if he is condemned as a criminal or not. Oh yes, even this early version has a chariot race and it is set up to be the highpoint of the picture. Alas, don't expect much in the way of special effects. This race has only two participants, Ben Hur and Massala, and they simply run their chariots around and around a camera which never moves. We all know how the story ends. The panorama, or "pan" shot was in use as early as 1896 when it was invented by an Venitian gondolier named Promio who put a camera in his boat to take a long shot of Venice as seen from the canal. The closeup was around in 1907 as evidenced by a short called MR. HURRY-UP OF NEW YORK but neither accomplishment is seen in this film. It's almost a certainty that audiences were easier to please then, at least they were for a little while, and for its time this version of BEN HUR did indeed offer more than the average one reel short. We are lucky that this version, and so many other early films survive to show us that filmmakers even back then were willing to take chances. At the time nobody knew that a fellow named D.W. Griffith was waiting in the wings gathering experience and developing some ideas of his own.

I saw the first (1907) Ben Hur about 25 years ago in a film society back to back double feature with the Charlton Heston version. My memories are therefore fragmentary.

The film should be called "Illustrated scenes from the life of Ben Hur" as it really doesn't try to tell the story in the time available. If you hadn't read the book you wouldn't know what was going on. One of my recollections is my wife nudging me and saying "there's the tile that's going to fall". Above the rather pathetic and bored looking extras (showing off their knees in Roman army costume) one roof tile was very different from the rest - it wasn't painted onto the set!! Sure enough, Ben Hur leaned rather obviously on this brick.

The chariot race sticks in my mind too. A bunch of extras starts jumping up and down and two chariots race by the camera. The extras calm down and look bored for a while then start jumping up and down for the next rapid pass of two chariots. I can't remember how many times this was repeated, we were all laughing so hard that tears were running down my face.

It is mercifully short, and interesting to compare with the 1925 big budget spectacular (also silent of course) which foreshadows the third version with amazing special effects.

Remember, folks, this mini-Hur was made well over a century ago. It would be nearly two decades before the excellent 1926 version was produced. Still, this was a worthy effort for the time. It's a rare glimpse of Hollywood moviemaking in its infancy---interestingly, there are scene-change titles, but no dialogue cards---and this 13-minute incarnation gave audiences a taste of the 1880 Lew Wallace novel. (It also spares us the presence of the oft-overrated Charlton Heston.) If only for its historical value, this is worth at least one watch for film buffs.