Repas de bébé

This film, along with nine other films, was shown at a Paris, mini-film festival, by pioneering filmmakers, the Lumiere brothers, in December of 1895. The seventh film ever shown to a paying audience, ends up being the first sequel too, when August Lumiere brings his kid back out for lunch time with the wife. They are both the main subjects in an earlier Lumiere film, shown about two minutes before this one, Fishing For Goldfish (1895). Watching this during a mini-festival in 1895 probably didn't register as a sequel. But looking back at it 130 years later, it is a prime, early example of a sequel. The baby must have tested well during all the test screenings. This is what is so cool watching films from the pioneering era of film.

7.8 (B- MyGrade) = 8 IMDB.

A father with his wife at the table feeds his son , who then offers a cookie to his parents while the wind moves the trees. There is a time when children will have to feed their aged parents and already before time this child offers them food!

I watched this film on a DVD that was rammed with short films from the period. I didn't watch all of them as the main problem with these type of things that their value is more in their historical novelty value rather than entertainment. So to watch them you do need to be put in the correct context so that you can keep this in mind and not watch it with modern eyes. With the Primitives & Pioneers DVD collection though you get nothing to help you out, literally the films are played one after the other (the main menu option is "play all") for several hours. With this it is hard to understand their relevance and as an educational tool it falls down as it leaves the viewer to fend for themselves, which I'm sure is fine for some viewers but certainly not the majority. What it means is that the DVD saves you searching the web for the films individually by putting them all in one place – but that's about it.

Anyway onto this film which is barely even a minute long and focuses on two parents feeding their baby. It is an affectionate and tender shot that is free of anything of particular interest but is still quite engaging. Clearly made as part of the developmental process of getting to grips with the technology, the film doesn't aim for much but in regards its place in history it is maybe worth a look at. Lumière is considered the originator of cinema, so on that basis alone it is worth a glance. Don't expect to be able to understand the impact of the film though – to those of us now used to seeing different universes on our screens when we go to the cinema, it is difficult to forget that you'll looking at two people feeding a baby!

Repas de Bebe was one of the films on the bill of the Lumiere brothers' first exhibition of motion pictures for a paying audience. The basement room of the Hotel Salon Indien the brothers hired for the occasion was half-empty on the first ever cinema screening - but the second night was a sell-out. Of course, by today's standards most of the film's appear quite crude and this one is no great shakes but it does capture a tender family moment as Auguste Lumiere and his wife feed their baby son. It's a shot that's been repeated millions of times since by anyone who ever had a family and owned a cine camera/video camera or mobile phone, and as such there's a certain poignancy to it.

The pleasant domestic scene in this early Lumière feature is nicely photographed, and it essentially allows the viewer to share in a peaceful moment with a family from a long-past era. It has fortunately been preserved in excellent condition, so that the detail and composition can be appreciated.

This is one of many very early moving pictures that showed how much more a movie could do than a still photograph. As simple and calm as all of the actions are in this feature, they bring the scene to life, making it feel less like an event from the distant past, and more like a short visit with living beings. Whether by chance or by design, the swaying leaves in the background – which are caught quite clearly – add an extra dose of realism.

As a result of all of these things, the outdoor setting is convincing, and the simple scene is an endearing one that is worth watching.