Die Augen der Mumie Ma

The more silent Lubitsch I see the more I think he's was a lousy silent director who managed to succeed only because he found his niche in sound and comedy. His ANNA BOLEYN, SUMURUN and EYES OF THE MUMMY are just plain awful. This is a very poor film technically and even the great Jannings is wasted as the villain. Negri is effective but overacts badly. Her dance is just plain silly. Only for dyed in the wool fans of the director and the two stars.

Actually am feeling bad about giving 'Eyes of the Mummy' a low rating and below average review. Considering that it has people involved that are usually held in high regard by me. Ernst Lubitsch was to me one of the great directors of the 30s and 40s, and his early work is not as good but still interesting. Emil Jannings was always watchable and more (when it comes to silent films to me he's one of the greats), especially in villain and authority figure roles and his role here sounded perfect on paper.

'Eyes of the Mummy' sadly was to me a seriously odd film. Not awful, but Lubitsch and Pola Negri are not well served and although Jannings is one of the redeeming merits he has also been better. Like others have said, don't be fooled by the title. Which indicates that it is a horror film. It isn't. 'Eyes of the Mummy' is more a melodrama and it unfortunately does not do that aspect particularly well at all. Worth a look for curiosity and completest sake, but not much else.

Jannings comes off reasonably well compared to everything else going on. His performance is not at all a subtle one, he does try too hard, but he gives it absolutely everything and is a formidable and sinister presence throughout his screen time. Some of the set design is quite elaborate.

The last 15-20 minutes are effective, the part that held my attention the most (shame that it took too much time to get there) and it was well staged and lump to the throat worthy. Jannings appearing in a mirror did give me the creeps too, the one part that resembled anything close to being horror.

On the other hand, 'Eyes of the Mummy' doesn't work everywhere else. Even for this very early stage of his career, this did not feel like a Lubitsch film. He tried to adopt a change of pace here and is well and truly out of his depth here, as can be evidenced by the stiff and uninvolving direction. The story never really came to life apart from the climactic moments, before that it is very turgidly paced and emotionally dreary melodrama that one finds very difficult to connect with. Especially considering that it revolves around characters that are not easy at all to get behind, due to them not being at all interesting.

Mostly, 'Eyes of the Mummy' looks cheap. Some elaborate set design aside. Otherwise, it looks very static and unfocused and like it was made in a rush. Negri overacts to an embarrassing degree, some of the worst silent film acting there's been in my view, and the dancing in general is far from exotic and is unintentionally funny today. The music also does not fit in tone, orchestration or use, it was like it was written for a completely different film and it was disconcerting.

In summary, watch it once but not interesting or well done enough to warrant repeat viewings. A very odd experience indeed, a contender for Lubitsch's strangest. 4/10

This 1918 film directed by the great Ernst Lubitsch is alleged to be the first mummy horror film although there is a claim of a lost 1905 film. The only problem is that except for the title there is no mummy! The plot, well here goes. An art student in Egypt goes to an Egyptian tomb to find Ma who may possibly be Pola Negri. I say possibly because the player of the lead character is NOT identified in the credits. Ma is being held as a slave by an Arab (beautifully over acted by Emil Jannings) who is beaten up by the student who then liberates Ma and takes her back to Germany. The Arab nearly dies in the desert but is rescued by a German prince to whom he swears to serve for life. He, the Arab, is then also taken to Germany. Ma in the meantime wows them with a hootchie kootchie dance at a party and gets a theatrical contract to perform on stage. The exotic dance is a hoot. Meanwhile Ma's former Arab master comes across her and in a fit of revenge kills her. The end and all in 30 minutes and no mummy. The overacting in terms of gestures common to silent films of the period is quite present. Jannings, in semi black face, is quite effective as the villain. His repertoire of sinister facial expressions is quite large. All in all the film is an historical curiosity that I am sure Lubitsch and Negri tried to forget when they became more well known.

In this effective German drama with exotic touches from director Ernst Lubitsch, Albert Wendland (Harry Liedtke) is a successful painter on holiday in Egypt when he finds lovely girl Ma (Pola Negri). She's been held captive by crazed local Radu (Emil Jannings), but Albert rescues her and takes her back to Europe with him, where her exotic dancing makes her a celebrity. Meanwhile, Radu is found dying in the desert by Prince Hohenfels (Max Laurence), who saves the Arab and takes him back to Europe, hiring him on as a servant. Radu remains obsessed with Ma, and will stop at nothing to take her back or keep her from living without him.

This was a recommendation on YouTube, and I watched it on a lark. I was surprised that it had such a pedigree, with Lubitsch directing and Negri and Jannings starring. They're both entertaining, with Negri's dancing a kitschy treat and Jannings mad-eyed mugging enlivening the proceedings. While this is listed as a horror film, it's not, although there's a bit about a cursed tomb in the beginning that goes nowhere. Still, I found this entertaining enough, and at just under an hour, not a great demand on my time.

... but a tragedy... of sorts. The "Eyes Of The Mummy" refer to the eye-holes in a doorway with a face on it that Pola Negri looks out of to scare people out of the temple of Queen Ma. There is no mummy, there is no monster, there really is no horror. This is not a complaint, but this movie is often grouped in with monster movies merely because of it's title.

It's easy to laugh at a film almost 85 years old, your grand kids and great grand kids will laugh at what you currently enjoy as well. The dance that Pola does may look strange to our eyes, but the desired effect was to be exotic. The acting is typically broad and melodramatic, appropriate to it's time. With the deterioration of many silent movies, we can sometimes be thankful that the actors seemed to be overacting, we can still see their expressions even when their films are fading away.

Not Pola Negri's best work, or her worst. There must be a few different cuts of this film circulating. The one I saw was about an hour and ten minutes long, not the half-hour reported here or the forty-five minutes reported on the main page for this movie. I rather enjoyed the version I saw, maybe the shorter cuts leave too much out to fill the story out.

Recommended if you enjoy the genre and it's stars. If you are looking for Halloween fare, stick with Universal's later horror classics, including..yes, the "real" mummy movies.